resultFull

DIE ROEMISCHEN ANSICHTEN (VIEWS OF ROME)/ RUINE DEL PALAZZO DE'CESARI IN ROMA, 1810. CREATOR: JOSEPH ANTON KOCH.

LES CHANTRES ESPAGNOLS - LE LUTRE (THE SPANISH CANTORS, OR THE LECTERN), 1865. CREATOR: ALPHONSE LEGROS.

A MONK PRAYING, ST. FRANCIS, C.1877. CREATOR: FRANCIS SEYMOUR HADEN.

VIRGIN AND CHILD WITH SAINTS FRANCIS, ANDREW, PAUL, PETER, STEPHEN, AND LOUIS OF TOULOUSE, C1317-21 CREATOR: UGOLINO DA SIENA.

MONK HOLDING A CROSS, 1445. CREATOR: DOMENICO VENEZIANO.

SAINT MARTIN AND THE BEGGAR WITH SAINT ANTHONY, 1580. CREATOR: BASSANO, JACOPO, IL VECCHIO (AROUND 1510-1592).

THE MEETING OF SAINT FRANCIS WITH SAINT DOMINIC, C.1665. CREATOR: PRETI, MATTIA (1613-1699).

SOUTH SIDE OF KING'S COLLEGE CHAPEL, 1815. CREATOR: MACKENZIE, FREDERICK (AROUND 1788-1854).

THE SLEEPING HERMIT, 1750. CREATOR: VIEN, JOSEPH MARIE (1716-1809).

THE VISION OF SAINT BERNARD , C.1490-1495. CREATOR: PERUGINO (CA. 1450-1523).

SAINT FRANCIS RECEIVING THE STIGMATA, 1600. CREATOR: EL GRECO, DOMINICO (1541-1614).

FATHER JEAN-GRÉGOIRE TARRISSE, 1648.

PLAQUE WITH TWO MONKS, C.1800.

THE MONK SHIN UPAGOK (SANSKRIT: UPAGUPTA), 19TH CENTURY.

MONK, 12TH CENTURY OR LATER.

SAINT FRANCIS OF ASSISI APPEARING BEFORE POPE NICHOLAS V, WITH DONORS (LA APARICIÓN DE SAN FRANCISCO DE ASÍS AL PAPA NICOLÁS V, CON DONANTES), 1628.

SAINT FRANCIS OF ASSISI, 1585-1590.

SAINT ANTHONY OF PADUA TAKING THE HABIT OF THE FRANCISCAN ORDER, C1515-1525. INSIDE A TYPICAL RENAISSANCE CHURCH COMPLETE WITH AN ALTARPIECE OF THE MADONNA AND CHILD BETWEEN TWO SAINTS, SAINT ANTHONY OF PADUA (BORN FERNANDO MARTINS DE BULHÕES, 1195-1231),

A FRANCISCAN MONK PREACHING, C1515-1525. WITHIN A SPACIOUS AND UNADORNED HALL, A FRANCISCAN MONK PREACHES TO A GROUP OF ECCLESIASTICS AND LAYMEN. IN ACCORDANCE WITH RENAISSANCE SOCIAL HIERARCHIES, WOMEN ARE SEATED ON THE GROUND WHILE MEN ARE SEATED ON BEN

SAINT JOHN THE EVANGELIST DICTATING TO PROCHORUS; THE ANNUNCIATION, 16TH CENTURY. AT THE CENTRE OF THIS SMALL-SCALE TRIPTYCH, SAINT JOHN AND THE DEACON PROCHORUS SIT IN A CAVE ON THE ISLAND OF PATMOS WHERE JOHN TRANSCRIBED THE BOOK OF REVELATION.

SAINT JOHN THE THEOLOGIAN DICTATES HIS GOSPEL TO PROCHOROS, 1475-1525 (?) OR 19TH CENTURY.

REDEEMED, 1886.

SCENE FROM GOETHE'S "GOETZ VON BERLICHINGEN", 1864.

TEMPTATION OF SAINT ANTHONY, 1864.

MONK SAINT, 1430.

WALDESRUHE (MADONNA WITH CHILD, ST. ADELHEID AND ST. FRANCIS), 1835. THE TITLE OF THE PICTURE, WALDESRUHE, (FOREST PEACE) REFERS TO THE THICKET OF A CONIFEROUS FOREST IN WHICH THE GROUP OF SAINTS FOUND EACH OTHER.

THE MONASTERY SOUP, 1838.

RETURNING CRUSADERS, 1864.

PORTRAIT OF FATHER ARNOUL DE LOO, N.D.

MONKS ON THE STAIRCASE OF THE VILLA OF MAECENAS AT TIVOLI, C. 1826.

THE FRANCISCAN SCULPTOR AND HIS MODEL, BY H. S. MARKS, FROM THE EXHIBITION OF THE ROYAL ACADEMY, 1861. ENGRAVING FROM A PAINTING. 'IT WAS A STRANGE CONCEIT WHICH LED MR. MARKS, A DESERVEDLY RISING ARTIST, TO FASHION THIS AMUSING PICTURE OF A YOUNG FRANCIS

PORTRAIT OF A TIBETAN MONK, 12TH CENTURY. WEARING THE ROBES OF A TIBETAN BUDDHIST MONK, THE INDIVIDUAL DEPICTED IN THIS PORTRAIT WAS PROBABLY A TEACHER OF THE KADAMPA ORDER. THE PAINTING’S PATRON, PERHAPS A DISCIPLE OF THE MONK, IS SEEN IN THE LOWER LEFT

HVASHANG, 18TH CENTURY. CHILDREN PLAY AROUND THE PORTLY HVASHANG, WHO HOLDS A LEMON. A TIBETAN ADDITION TO AN OLD GROUP OF SIXTEEN BUDDHIST SAINTS, HVASHANG WAS THOUGHT BY SOME TO HAVE LIVED IN CHINA AROUND THE 14TH CENTURY. BELOW HIM ARE TWO OF THE KINGS

MONKS AT PRAYER IN A CLOISTER, 1834.

UPAGUPTA BINDS MARA TO A MOUNTAINTOP, 19TH CENTURY. THIS DYNAMIC PAINTING ILLUSTRATES A STORY OF THE FORMER LIVES OF THE BUDDHA, KNOWN AS THE JATAKA TALES. IN THESE POPULAR STORIES, WHICH NUMBER IN THE HUNDREDS, THE BUDDHA TAKES VARIOUS FORMS—HUMAN, DIVIN

SAINT LOUIS OF TOULOUSE, SAINT FRANCIS, AND THE BLESSED JOHN CAPISTRANO, C1499-1500. THIS TRIPTYCH (AN ALTARPIECE WITH THREE PANELS) OF THREE FRANCISCAN HOLY MEN WAS PROBABLY PLACED ON THE HIGH ALTAR OF A FRANCISCAN CHURCH. DEPICTED AS IF BATHED IN NATURA

THE VISION OF SAINT BERNARD, C1520. SEATED AT A READING DESK IN FRONT OF A LANDSCAPE, ST. BERNARD OF CLAIRVAUX (1090-1153) HAS A VISION OF THE VIRGIN MARY ATTENDED BY TWO ANGELS. THE SAINT, WHO WEARS THE WHITE HABIT OF THE CISTERCIAN ORDER OF MONKS, WAS K

SHICHIRI OBORO (IMAGE 1 OF 2), 1857. ACTORS NAKAMURA ENJAKU AS DESHI NITCHO AND BANDO MITSUGORO VI VI AS DESHI NICHIZO; ICHIKAWA DANZO VI AS TAIJIN, ACTUALLY NICHIREN SHONIN; AND NAKAMURA FUKUSUKE I AS NANAZATO-HIME

PRIEST AND MONK BY A TEMPLE VERANDA, 19TH CENTURY.

ICHIKAWA DANJURO IX AS MASASHIBO BENKEI IN KANJINCHO, 1890.

GOJO BRIDGE, AN EPISODE FROM THE LIFE OF YOSHITSUNE, 1881.

SEIGEN AND SAKURAHIME; ANGEL WITH TWO CHILDREN, 1868. SERIES: VALOR IN CHINA AND JAPAN.

ONIWAKA AND CARP; TAIRA NO KOREMOCHI AND THE DEMON, 1868. SERIES: VALOR IN CHINA AND JAPAN.

NICHIREN IN EXILE AT SADO, 1882. SERIES: SKETCHES BY YOSHITOSHI.

ONIWAKAMARU OBSERVING THE GREAT CARP IN THE POND, 10TH MONTH, 1889. SERIES: NEW FORMS OF THE THIRTY-SIX GHOSTS.

MONK INSTRUCTING A BOY DRESSED IN A CASSOCK, C1865.

ROBIN HOOD AND THE CURTAL FRIAR, FROM "THE BOY'S BOOK OF BALLADS", 1860. 'OF THE ROMANTIC CHARACTERISTICS OF JOHN GILBERT'S ILLUSTRATIONS IT IS OF COURSE UNNECESSARY TO SAY A WORD, EXCEPT THAT WE THINK WE SEE PARTICULAR MARKS OF CARE AND FINISH IN THE DET

ENTRY OF VICTOR EMMANUEL INTO NAPLES - SKETCHED IN THE TOLEDO BY OUR SPECIAL ARTIST, FRANK VIZETELLY, 1860. '...ON WEDNESDAY, NOVEMBER 7...BOTH KING VICTOR EMMANUEL AND GARIBALDI ENTERED NAPLES TOGETHER...THE STREETS...WERE FESTOONED WITH FLOWERS, AND EVE

THE REVOLUTION IN SICILY - THE SICILIANS DEMOLISHING THE FORT OF CASTELLAMARE AT PALERMO - FROM A SKETCH BY T. NAST, 1860. 'IT MAY BE REMEMBERED THAT THE DEMOLITION OF THE FORT OF CASTELLAMARE WAS SOME TIME BACK DECREED. ON THE 3RD OF JULY A NUMBER OF PAL

ROMANESQUE CLAY ROOF TILES AS MONK AND NUN ROOFING

SCHWEIZ MEGGEN SICHT AUF EIGER MOENCH UND JUNGFRAU

SCHWEIZ MEGGEN SICHT AUF EIGER MOENCH UND JUNGFRAU

ACT IX: HONZO'S SUICIDE IN FRONT OF HIS FAMILY; YURANOSUKE DRESSED AS A KOMUSO MAKING PREPARATIONS TO ATTACK MORONAO, BETWEEN CIRCA 1835 AND CIRCA 1839.

SURUGA-CHO IN THE EASTERN CAPITAL, BETWEEN CIRCA 1858 AND CIRCA 1859. FROM THIRTY-SIX VIEWS OF MT. FUJI.

THE GHOST OF SEIGEN HAUNTING SAKURAHIME, 1889. FROM NEW FORMS OF THIRTY-SIX GHOSTS.

ICHIKAWA DANJURO IX AS MUSASHIBO BENKEI IN KANJINCHO, 1887. FROM LIVES OF MODERN PEOPLE.

TAIRA NO TADAMORI AND THE OIL THIEF, 1885. FROM YOSHITOSHI'S WARRIORS TREMBLING WITH COURAGE. TAIRA NO TADAMORI(1096-1153) FOUND SOMETHING LIGHTING STRANGELY IN THE DARK AT NIGHT. HE THOUGHT IT MIGHT BE YOKAI OR SOMETHING, BUT ACTUALLY IT WAS AN OLD MONK

MUSASHIBO BENKEI BATTLING WITH YOUNG USHIWAKA ON GOJO BRIDGE, 1878. FROM A MIRROR OF GREAT WARRIORS OF JAPAN.

SAITO ONIWAKAMARU ON A CARP, 1873. FROM NOTES BY YOSHITOSHI.

THE STORY OF THE COURTESAN JIGOKUDAYU AND PRIEST IKKYU, 1886. FROM A NEW SELECTION OF EASTERN BROCADE PICTURES.

THE DANCING POT AT THE TEMPLE NINNAJI, 1882. FROM SKETCHES BY YOSHITOSHI.

A CIVILIZED DARUMA, 1882. FROM SKETCHES BY YOSHITOSHI.

OTA DOKAN DECIDES TO STUDY POETRY, 1887. FROM A NEW SELECTION OF EASTERN BROCADE PICTURES.

HINO KUMAWAKAMARU AND THE PRIEST CALLING BACK THE BOAT, 1885. FROM YOSHITOSHI'S WARRIORS TREMBLING WITH COURAGE. THE BOY HINO KUNIMITSU(1320-1363) CALLING THE SHIP TO STOP BECAUSE OF ESCAPING FROM THE ENEMY ON SADO ISLAND. HE HAD SUCCEEDED IN AVENGING HIS