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THE HOLY FAMILY, 1508. CREATOR: MASTER OF FRANKFURT.

The Holy Family, 1508. The Holy Family, 1508. Creator: Master of Frankfurt. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SAINT CHRISTOPHER (EXTERIOR LEFT WING), 1514. CREATOR: LUCAS CRANACH THE ELDER.

Saint Christopher (Exterior Left Wing), 1514. Saint Christopher (Exterior Left Wing), 1514. Creator: Lucas Cranach the Elder. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN AND CHILD WITH A BUNCH OF GRAPES, 1509. CREATOR: LUCAS CRANACH THE ELDER.

The Virgin and Child with a Bunch of Grapes, 1509. The Virgin and Child with a Bunch of Grapes, 1509. Creator: Lucas Cranach the Elder. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE PRESENTATION IN THE TEMPLE (INTERIOR RIGHT WING), 1515. CREATOR: ANON.

The Presentation in the Temple (Interior right wing), 1515. The Presentation in the Temple (Interior right wing), 1515. Creator: Anon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SAINT ANNE WITH VIRGIN AND CHILD AND A DONOR (EXTERIOR LEFT WING), 1515. CREATOR: ANON.

Saint Anne with Virgin and Child and a Donor (Exterior left wing), 1515. Saint Anne with Virgin and Child and a Donor (Exterior left wing), 1515. Creator: Anon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN, STANDING, WITH THE CHRIST CHILD AT HER BREAST, 1530. CREATOR: ANON.

The Virgin, standing, with the Christ Child at her Breast, 1530. The Virgin, standing, with the Christ Child at her Breast, 1530. Creator: Anon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE REST ON THE FLIGHT INTO EGYPT, 1540. CREATOR: ANON.

The Rest on the Flight into Egypt, 1540. The Rest on the Flight into Egypt, 1540. Creator: Anon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE YOUNG MUSICIANS, 1640. CREATOR: ANTOINE LE NAIN.

The Young Musicians, 1640. This type of painting of a group of children is frequent in the work of Antoine Le Nain. These small-format paintings depict children singing or playing, arranged in simple compositions such as the present one. Here the figures, which are all standing, are arranged almost in a straight line, with the three boys slightly more to the foreground occupying the centre and right half of the composition. Two of them are playing a small tambourine and a stringed instrument while the one in the middle is singing. Slightly behind them and on the left are two girls. The greys, browns and earth tones that prevail in the foreground and in the clothes of the children contrast with some areas of bright, strong local colour such as the red of two of the jackets and the blue apron. The Young Musicians, 1640. Creator: Antoine Le Nain. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE PRESENTATION OF THE CAPTAIN GENERAL'S BATON TO ANTONIO MONCADA BY THE QUEEN REGENT....1410, 1664 CREATORS: DAVID TENIERS II, JAN VAN KESSEL.

The Presentation of the Captain General's Baton to Antonio Moncada by the Queen Regent Blanca of Sicily in 1410, 1664. As in the previous scene, the events take place in an interior, but here the solemn event is witnessed by a large group of prelates and other dignitaries gathered before the queen’s throne. In this case Van Kessel decorated his border with putti and numerous objects and instruments relating to war, including coats-of-arms, lances, swords, arrows and standards, as well as various military musical instruments such as drums and trumpets. Van Kessel framed the scenes at the sides with pilasters and two busts symbolising Justice and Liberalitas Regis. The Presentation of the Captain General's Baton to Antonio Moncada by the Queen Regent....1410, 1664 Creators: David Teniers II, Jan van Kessel. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE SUBMISSION OF THE SICILIAN REBELS TO ANTONIO MONCADA IN 1411, 1663. CREATORS: DAVID TENIERS II, JAN VAN KESSEL.

The Submission of the Sicilian Rebels to Antonio Moncada in 1411, 1663. Antonio de Moncada, having defeated the rebels, represented by two kneeling men in the foreground, receives the keys of the city held by a young boy on a tray. Wearing ceremonial armour and holding the baton of captain-general in his hand, Antonio de Moncada accepts the gift, standing under an ornate blue canopy. Teniers completes the scene with other figures wearing decorative armour. The border by Van Kessel has six small putti playing or holding objects such as a glass of wine, flowers, crowns or swinging from large ribbons. The musical instruments, pieces of armour, flowers and two concerts of exotic birds at the top provide a brilliant framework for the historical episode. The Submission of the Sicilian Rebels to Antonio Moncada in 1411, 1663. Creators: David Teniers II, Jan van Kessel. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE REST, 1709. CREATOR: JEAN-ANTOINE WATTEAU.

The Rest, 1709. The soldiers are resting around two large trees. In this area in the middle of a provisional camp, Watteau locates two finely dressed women, one of whom lifts up her skrits in a flirtatious manner so as not to dirty the bottom of her dress in the mud. The two women, who seem remote from the action around them, seem to be talking to each other, watched by a pair of soldiers, one of them wounded in the head and arm. Watteau added two further figures, again not connected with the military world, in the form of a young mother and her son who also take advantage of the shade of the large trees to rest. The Rest, 1709. Creator: Jean-Antoine Watteau. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

BOY IN A TURBAN HOLDING A NOSEGAY, 1658. CREATOR: MICHIEL SWEERTS.

Boy in a Turban holding a Nosegay, 1658. The large area of blue cloak is contrasted with the pale yellow of the turban, the immaculate white of the shirt and the red of some of the flowers and the sash. Boy in a Turban holding a Nosegay, 1658. Creator: Michiel Sweerts. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VENETIAN ONION SELLER, 1880. CREATOR: JOHN SINGER SARGENT.

Venetian Onion Seller, 1880. Alarge string of onions hanging down over her shoulder. A sketchily painted view of Venice can be made out through the window Venetian Onion Seller, 1880. Creator: John Singer Sargent. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

YOUNG PEASANT WITH A FLASK, 1610. CREATOR: TOMMASO SALINI.

Young Peasant with a Flask, 1610. Young Peasant with a Flask, 1610. Creator: Tommaso Salini. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE STEWART CHILDREN, 1773. CREATOR: CHARLES WILLSON PEALE.

The Stewart Children, 1773. The sitters, Isabella and John Stewart, were the children of Anthony and Jean Stewart. The scenery is the plantation the family owned on the east coast of Maryland. The children, elegantly dressed, are depicted playing with some peaches grown there. The Stewart Children, 1773. Creator: Charles Willson Peale. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CONCERT CHAMPETRE, 1734. CREATOR: JEAN-BAPTISTE PATER.

Concert Champetre, 1734. A day of leisure among the urban classes of elevated social rank on the outskirts of a city. Pater organised his concert into two clearly defined groups that occupy successive pictorial planes and form a diagonal that leads the eye into a misty landscape in the background. The principal group on the left is organised around a couple, of which the man plays the guitar while the woman points to a page in the musical score that she holds, presumably suggesting a piece for him to play. The other figures around them are grouped into pairs, chatting and commenting on the scene, apart from a young man who looks with interest at the musical score. In the group on the right, which is set against a monumental architectural element, the painter places considerable emphasis on small details such as the little girl in the foreground who attracts the dog’s attention with a bone. Concert Champetre, 1734. Creator: Jean-Baptiste Pater. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE NAUGHTY DRUMMER, 1655. CREATOR: NICOLAES MAES.

The Naughty Drummer, 1655. A mother is obliged to chastise her small son, even threatening him with a small rod, as his drumming is likely to wake the sleeping baby. The mother is seated by the window with her sewing on her lap The Naughty Drummer, 1655. Creator: Nicolaes Maes. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PASTORAL LANDSCAPE WITH THE FLIGHT INTO EGYPT, 1663. CREATOR: CLAUDE LORRAIN.

Pastoral Landscape with the Flight into Egypt, 1663. Pastoral Landscape with the Flight into Egypt, 1663. Creator: Claude Lorrain. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

INTERIOR WITH A WOMAN SEWING AND A CHILD, 1662. CREATOR: PIETER DE HOOCH.

Interior with a Woman sewing and a Child, 1662. De Hooch depicts a typical Dutch interior. The mother is busy sewing but also attends to her small son. They are located in the area of the house known as the voorhuis, which connected with the exterior and when not used for conducting business was a space for domestic activities. The second room, which connects with this one through a door and an interior window with a grille, is the binnenhuis, in this case with a large fireplace. The woman is seated on a dais or soldertien that offered protection from the cold and damp of the floor, while behind it is a richly worked leather hanging that functions as a back to the bench Interior with a Woman sewing and a Child, 1662. Creator: Pieter de Hooch. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

INTERIOR OF THE COUNCIL CHAMBER OF AMSTERDAM TOWN HALL, 1663. CREATOR: PIETER DE HOOCH.

Interior of the Council Chamber of Amsterdam Town Hall, 1663. Amsterdam Town Hall was designed by Jacob van Campen. Construction began in 1648 and the room depicted here was in use by 1655. It was adorned with two huge canvases: one by Ferdinand Bol, seen here on the end wall, entitled Gaius Lucinus Fabritius in the Camp of King Pyrrhus. Interior of the Council Chamber of Amsterdam Town Hall, 1663. Creator: Pieter de Hooch. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

FAMILY GROUP IN A LANDSCAPE, 1645. CREATOR: FRANS HALS.

Family Group in a Landscape, 1645. Family Group in a Landscape, 1645. Creator: Frans Hals. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE SEE-SAW, 1750. CREATOR: JEAN-HONORE FRAGONARD.

The See-Saw, 1750. The See-Saw, 1750. Creator: Jean-Honore Fragonard. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

FISHING PARTY ON LONG ISLAND SOUND OFF NEW ROCHELLE, 1847. CREATOR: JAMES GOODWYN CLONNEY.

Fishing Party on Long Island Sound Off New Rochelle, 1847. Fishing Party on Long Island Sound Off New Rochelle, 1847. Creator: James Goodwyn Clonney. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

A GIRL IN JAPANESE GOWN. THE KIMONO, 1887. CREATOR: WILLIAM MERRITT CHASE.

A Girl in Japanese Gown. The Kimono, 1887. A Girl in Japanese Gown. The Kimono, 1887. Creator: William Merritt Chase. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

GIRL SEWING, 1720. CREATOR: ANTONIO AMAROSI.

Girl Sewing, 1720. Girl Sewing, 1720. Creator: Antonio Amarosi. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN AND THE CHILD WITH SAINT CATHERINE OF SIENA AND ANGELS, 1490. CREATOR: FRANCESCO DI GIORGIO MARTINI.

The virgin and the Child with Saint Catherine of Siena and Angels, 1490. The virgin and the Child with Saint Catherine of Siena and Angels, 1490. Creator: Francesco di Giorgio Martini. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE ADORATION OF THE MAGI, 1360. CREATOR: LUCA DI TOMME.

The Adoration of the Magi, 1360. The Adoration of the Magi, 1360. Creator: Luca di Tomme. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE NATIVITY AND OTHER EPISODES FROM THE CHILDHOOD OF CHRIST, 1330. CREATOR: PIETRO DA RIMINI.

The Nativity and other Episodes from the Childhood of Christ, 1330. Four scenes from the childhood of Christ: The Nativity, The Infant Christ bathed, The Annunciation to the Shepherds and The Arrival of the Magi. The Nativity and other Episodes from the Childhood of Christ, 1330. Creator: Pietro da Rimini. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN OF HUMILITY, 1440. CREATOR: GIOVANNI DI PAOLO.

The Virgin of Humility, 1440. The Virgin of Humility, 1440. Creator: Giovanni di Paolo. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN AND CHILD ENTHRONED WITH SIX ANGELS, 1415. CREATOR: LORENZO MONACO.

The Virgin and Child enthroned with six Angels, 1415. The Virgin and Child enthroned with six Angels, 1415. Creator: Lorenzo Monaco. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PILGRIMS' MASS, 1450. CREATOR: CIRCLE OF JAUME HUGUET.

Pilgrims' Mass, 1450. Pilgrims' Mass, 1450. Creator: Circle of Jaume Huguet. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN AND CHILD, 1340. CREATOR: BERNARDO DADDI.

The Virgin and Child, 1340. The Virgin and Child, 1340. Creator: Bernardo Daddi. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN AND CHILD ENTHRONED BETWEEN FOUR ANGELS, A MARTYR SAINT AND SAINT JOHN THE BAPTIST, 1340. CREATOR: BARTOLOMMEO BULGARINI.

The Virgin and Child enthroned between four Angels, a Martyr Saint and Saint John the Baptist, 1340. The Virgin and Child enthroned between four Angels, a Martyr Saint and Saint John the Baptist, 1340. Creator: Bartolommeo Bulgarini. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CHILDREN PLAYING, 1879. CREATOR: CATHERINE GREENAWAY.

Children playing, 1879. Children playing, 1879. Creator: Catherine Greenaway. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

A BLIND HURDY-GURDY PLAYER AND FAMILY RECEIVING ALMS, 1648. CREATOR: REMBRANDT HARMENSZ VAN RIJN.

A blind hurdy-gurdy player and family receiving alms, 1648. A blind hurdy-gurdy player and family receiving alms, 1648. Creator: Rembrandt Harmensz van Rijn. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PEASANT FAMILY ON THE TRAMP, C.1652. CREATOR: REMBRANDT HARMENSZ VAN RIJN.

Peasant family on the tramp, c.1652. Peasant family on the tramp, c.1652. Creator: Rembrandt Harmensz van Rijn. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE STROLLING MUSICIANS, C.1635. CREATOR: REMBRANDT HARMENSZ VAN RIJN.

The strolling musicians, c.1635. A sympathetic inquiry into the lives of impoverished people, including beggars. Two musicians, one playing a hurdy gurdy, and the other the bagpipes, lean before an absorbed looking family with a toddler to perform. Light from inside the home illuminates the dim, intimate moment, thus highlighting the profiles of the players. The strolling musicians, c.1635. Creator: Rembrandt Harmensz van Rijn. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LE CHAPEAU ÉPINGLÉ (PINNING THE HAT), 1894. CREATOR: PIERRE-AUGUSTE RENOIR.

Le chapeau épinglé (Pinning the hat), 1894. The models were Julie Manet, the daughter of Impressionist artist Berthe Morisot and niece of Edouard Manet, and her cousin, Paulette Gobillard. The scene originated from a study Renoir made while on holiday on the coast of Northern France with Morisot and her family. Julie Manet was a favorite model for Renoir and on this occasion he drew her on the beach with her cousin who was adjusting the pin on her large sun hat. Le chapeau épinglé (Pinning the hat), 1894. Creator: Pierre-Auguste Renoir. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DIE ROEMISCHEN ANSICHTEN (VIEWS OF ROME)/ ACQUEDOTTI SOTTO S. BONAVENTURA IN ROMA, 1810. CREATOR: JOSEPH ANTON KOCH.

Die Roemischen Ansichten (Views of Rome)/ Acquedotti sotto S. Bonaventura in Roma, 1810. From a series of 20 etchings in the series Die Roemischen Ansichten (Views of Rome). This depicts the terminus of a branch of the Claudian aqueduct under the monastery of San Bonaventura in Rome. The aqueduct is a memorial to ancient Roman technology - it was built under the orders of the emperor Domitian to supplement the water supply to the Palatine complex. Die Roemischen Ansichten (Views of Rome)/ Acquedotti sotto S. Bonaventura in Roma, 1810. Creator: Joseph Anton Koch. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DIE ROEMISCHEN ANSICHTEN (VIEWS OF ROME)/ROVINE DEL PALAZZO DE CESARI, 1810. CREATOR: JOSEPH ANTON KOCH.

Die Roemischen Ansichten (Views of Rome)/Rovine del Palazzo de Cesari, 1810. From a series of 20 etchings in the series Die Roemischen Ansichten (Views of Rome). Depicts, as the Italian title beneath the image implies, the ruins of the Palace of the Caesars. In the foreground, social interactions enliven the sublime yet idyllic scene before us: there's a seated man with his dog in the foreground, and a woman and child walking past, both looking back at him. To the right, there is a group of happy peasant like figures, one of whom is playing a guitar-like instrument. Die Roemischen Ansichten (Views of Rome)/Rovine del Palazzo de Cesari, 1810. Creator: Joseph Anton Koch. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE YOUNG MOTHER, C. 1660. CREATOR: CORNELIS BEGA.

The young mother, c. 1660. The young mother, c. 1660. Creator: Cornelis Bega. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LE PRESON V (THE PRISON). FROM: VEDUTE ALTRE PRESE DA I LUOGHI ALTRE IDEATE DA ANTONIO...1735-1746. CREATOR: CANALETTO.

Le Preson V (The Prison). From: Vedute altre prese da i luoghi altre ideate da Antonio Canal, 1735-1746. Le Preson V (The Prison). From: Vedute altre prese da i luoghi altre ideate da Antonio...1735-1746. Creator: Canaletto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MADONNA, 1900. CREATOR: ANDERS LEONARD ZORN.

Madonna, 1900. A young Swedish woman holds her baby up close in a heartwarming scene. A glow seems to come from the baby. Only the mother can see their face. Madonna, 1900. Creator: Anders Leonard Zorn. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE FAMILY, 1647. CREATOR: ADRIAEN VAN OSTADE.

The family, 1647. The family, 1647. Creator: Adriaen van Ostade. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE PIG KILLERS, C.1652. CREATOR: ADRIAEN VAN OSTADE.

The pig killers, c.1652. A peasant family gathers round to witness the slaughter of a pig, which presumably will feed the large family during the long winter months ahead. As the eldest son kneels on the animal, the farmer’s wife collects the blood in her long handled pan, and her small children look on with avid curiosity. The pig killers, c.1652. Creator: Adriaen van Ostade. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE PEASANTS' QUARREL, 1653. CREATOR: ADRIAEN VAN OSTADE.

The peasants' quarrel, 1653. In a plain interor, three men are involved in a violent quarrel. One the fiercest - armed with two knives - raising one of them high - has just got up from his chair, clearly enraged. His evident adversary on the right holds just one knife, with his tall hat in his other hand as an improvised shield. A third man, seated between them, his back turned to the viewer, attempts to restrain the chief antagonist. A woman seated opposite him, flinches fearfully and protects her baby. The peasants' quarrel, 1653. Creator: Adriaen van Ostade. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE QUACK, 1648. CREATOR: ADRIAEN VAN OSTADE.

The quack, 1648. A quack doctor is selling his medicines in a tent, probably part of a village fair. He assumes an air of learning as he praises the known effects of his medication, and is fancily dressed, as befits his profession. A peasant couple and numerous children are gathered around him. The quack, 1648. Creator: Adriaen van Ostade. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

HOLY FAMILY IN AN INTERIOR, 1643-5. CREATOR: FERDINAND BOL.

Holy Family in an interior, 1643-5. Holy Family in an interior, 1643-5. Creator: Ferdinand Bol. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE ENTOMBMENT, PLATE 11 FROM THE PASSION OF CHRIST, 1596. CREATOR: HENDRIK GOLTZIUS.

The Entombment, plate 11 from The Passion of Christ, 1596. The Entombment, plate 11 from The Passion of Christ, 1596. Creator: Hendrik Goltzius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ADAM AND EVE AT WORK. FROM: THE STORY OF ADAM AND EVE, 1540. CREATOR: HEINRICH ALDEGREVER.

Adam and Eve at work. From: The story of Adam and Eve, 1540. Based on Genesis 3:17-19, it depicts a scene after the expulsion from Paradise. Adam, in the foreground at left, pulls up roots, while Eve nurses a child. Both figures are clothed and set in a wild landscape. Adam and Eve at work. From: The story of Adam and Eve, 1540. Creator: Heinrich Aldegrever. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SATYR SOUNDING A HORN, 1531-1550. CREATOR: SEBALD BEHAM.

Satyr sounding a horn, 1531-1550. Satyrs are mythical creatures, half man, half goat, ready for any physical pleasure, especially if it relates to wine, women (bacchantes and nymphs) and, here, song. The rough, natural horn with a conical (as opposed to straight) bore, obviously the horn of an animal, is the ancestor of the modern French horn. Satyr sounding a horn, 1531-1550. Creator: Sebald Beham. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MELENCOLIA I, 1514. CREATOR: ALBRECHT DURER.

Melencolia I, 1514. The standard interpretation highlights the depressive or melancholy state of the human condition, and explains the many important symbols in the print accordingly. Melencolia I, 1514. Creator: Albrecht Durer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VIRGIN ON THE CRESCENT WITH A SCEPTRE AND A STARRY CROWN, 1516. CREATOR: ALBRECHT DURER.

The Virgin on the crescent with a sceptre and a starry crown, 1516. The Virgin stands on a crescent moon, holding Christ in her arms (he holds an apple). She holds a sceptre, and wears a high crown topped with stars. Light streams out from behind her in an aureole or mandala. This reflects the 'woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars', often identified with the Virgin, in the Book of Revelations (12:1). The Virgin on the crescent with a sceptre and a starry crown, 1516. Creator: Albrecht Durer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE FISHERMAN, 1908. CREATOR: WILLIAM STRANG.

The Fisherman, 1908. The Fisherman is a fine example of Strang’s allegorical works. Central to it is the classical nude group. Despite being called The Fisherman, the work highlights the faces of the woman and child, while the face of the man is hidden from viewhis arm as he blows into a conch-shell. The Fisherman, 1908. Creator: William Strang. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

NINETTE, C.1928. CREATOR: WILLIAM LEE-HANKEY.

Ninette, c.1928. Ninette, c.1928. Creator: William Lee-Hankey. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PECKHAM, 1915. CREATOR: FRANCIS DODD.

Peckham, 1915. Showing Peckham Hill Street and St Chrysostom Church which was demolished in 1963 due to severe dry rot. Peckham, 1915. Creator: Francis Dodd. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CHARLES PRENTICE HOWLAND, 1878. CREATOR: WINSLOW HOMER.

Charles Prentice Howland, 1878. 9-year-old Charles Howland dressed for school, standing stiffly and perhaps impatiently as he poses for the artist. In his right hand is a tasseled hat and on his shoulder hangs a book bag. The son of Henry Howland, a distinguished Judge, Charles Prentice Howland had a passion for law and he grew up to become a lawyer. Sadly at the height of his career in 1932, he was hit and tragically killed by a car on his way from Yale football game. Charles Prentice Howland, 1878. Creator: Winslow Homer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD WITH SAINTS FRANCIS, ANDREW, PAUL, PETER, STEPHEN, AND LOUIS OF TOULOUSE, C1317-21 CREATOR: UGOLINO DA SIENA.

Virgin and Child with Saints Francis, Andrew, Paul, Peter, Stephen, and Louis of Toulouse, c. 1317-21. Six Christian saints occupy arched panels on both sides of the Virgin Mary and infant Jesus, as angels peer down from above. Jesus reappears in the center of the upper tier, surrounded by Hebrew prophets. This painting’s rounded panels and triangular pinnacles suggest the architecture of its original location—it was made for the altar of a church. Altarpieces like this one, with gold backgrounds that would have reflected flickering candlelight, were designed to encourage churchgoers in their devotions. Virgin and Child with Saints Francis, Andrew, Paul, Peter, Stephen, and Louis of Toulouse, c1317-21 Creator: Ugolino da Siena. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

A SPORTSMAN WITH HIS FAMILY INSTRUCTING WOODMEN TO CHOP UP A FELLED TREE, C1816. CREATOR: THOMAS ROWLANDSON.

A Sportsman With His Family Instructing Woodmen To Chop Up A Felled Tree, c1816. A Sportsman With His Family Instructing Woodmen To Chop Up A Felled Tree, c1816. Creator: Thomas Rowlandson. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ELIZABETH AND THOMAS LINLEY, C1768. CREATOR: THOMAS GAINSBOROUGH.

Elizabeth And Thomas Linley, c1768. Elizabeth and Thomas Linley belonged to a family of accomplished musicians from Bath, in England, she was a celebrated singer and he, a precocious violinist. Gainsborough knew the Linleys well and his affection for the brother and sister is evident in this engaging, sympathetic portrait. The sitters' eyes shine and their finely painted features contrast with the loose brushwork of their hair, clothing, and rustic surroundings. Elizabeth And Thomas Linley, c1768. Creator: Thomas Gainsborough. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

WOODED LANDSCAPE WITH A BOY LEADING A DONKEY AND DOG, AND AN EXTENSIVE PANORAMA WITH..., EARLY 1760S CREATOR: THOMAS GAINSBOROUGH.

Wooded Landscape With A Boy Leading A Donkey And Dog, And An Extensive Panorama With Buildings And Distant Hills, early 1760s. Wooded Landscape With A Boy Leading A Donkey And Dog, And An Extensive Panorama With..., early 1760s Creator: Thomas Gainsborough. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD WITH SAINT JOHN THE BAPTIST, C1490. CREATORS: WORKSHOP OF SANDRO BOTTICELLI, SANDRO BOTTICELLI.

Virgin And Child With Saint John The Baptist, c1490. The Virgin Mary tenderly embraces her infant son, Jesus, while a young John the Baptist prays devoutly. The Latin inscription on his scroll translates as, “Behold the Lamb of God.” John would later speak these words to his followers when introducing Jesus, prophesying Christ’s fate as an innocent lamb sacrificed to redeem humankind from its sins. The scene is painted as a tondo, a circular format often used for devotional pictures intended for domestic settings in fifteenth-century Florence. Sandro Botticelli and Studio Virgin And Child With Saint John The Baptist, c1490. Creators: Workshop of Sandro Botticelli, Sandro Botticelli. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD WITH SAINTS ELIZABETH AND JOHN THE BAPTIST, C1520-25 CREATOR: QUENTIN METSYS I.

Virgin And Child With Saints Elizabeth and John the Baptist, c1520-25. Virgin And Child With Saints Elizabeth and John the Baptist, c1520-25 Creator: Quentin Metsys I. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CHILD WITH A BIRD (MADEMOISELLE FLEURY IN ALGERIAN COSTUME), 1882. CREATOR: PIERRE-AUGUSTE RENOIR.

Child With A Bird (Mademoiselle Fleury In Algerian Costume), 1882. The sitter, Mademoiselle Fleury, was probably French, but she is shown wearing what the artist described as an “Algerian costume.” While her dress and the setting are meant to evoke North Africa, the theme of young women holding birds was popular in eighteenth- and nineteenth-century European paintings. Child With A Bird (Mademoiselle Fleury In Algerian Costume), 1882. Creator: Pierre-Auguste Renoir. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)