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DANIEL IN THE LION'S DEN, 1624. CREATOR: FRANCOIS DE NOME.

Daniel in the Lion's Den, 1624. Daniel in the Lion's Den, 1624. Creator: Francois de Nome. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE PRESENTATION OF THE CHRIST CHILD IN THE TEMPLE, 1605. CREATOR: LODOVICO CARRACCI.

The Presentation of the Christ Child in the Temple, 1605. The Presentation of the Christ Child in the Temple, 1605. Creator: Lodovico Carracci. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE ANNUNCIATION, 1475. CREATOR: GENTILE BELLINI.

The Annunciation, 1475. The Annunciation, 1475. Creator: Gentile Bellini. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

INTERIOR OF A GOTHIC CHURCH, UNKNOWN DATE. CREATOR: EMANUEL DE WITTE.

Interior of a Gothic Church, unknown date. Interior of a Gothic Church, unknown date. Creator: Emanuel de Witte. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

COUNTRY WEDDING, 1649. CREATOR: JAN STEEN.

Country Wedding, 1649. The artist depicts the arrival of the bride in an exterior setting. Dressed in white and followed by a rather motley retinue, she wears her hair loose as a symbol of chastity. The bride is accompanied on either side by two elderly women who wear the traditional huik, a cape with a projecting hood, which is in the more modern style in the case of the woman on our left. The groom, standing at the foot of the stairs that lead into the house, receives his wife with a rather exaggerated gesture of reverence. Country Wedding, 1649. Creator: Jan Steen. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE WEST FAÇADE OF THE CHURCH OF SAINT MARY IN UTRECHT, 1662. CREATOR: PIETER JANSZ SAENREDAM.

The West Façade of the Church of Saint Mary in Utrecht, 1662. The West Façade of the Church of Saint Mary in Utrecht, 1662. Creator: Pieter Jansz Saenredam. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

INTERIOR OF A GOTHIC CHURCH, 1615. CREATOR: PEETER NEEFFS THE ELDER.

Interior of a Gothic Church, 1615. A church with a principal nave and two lateral aisles, separated by solid columns supporting the vault. A whiteish light filters in through the side windows, which are of plain glass, flooding the interior and emphasising the dimensions and depth of the building. Neeffs depicts a plain, light-filled interior with small side chapels located both along the side walls and attached to the columns of the nave. In one of these lateral chapels a mass is being celebrated by a priest with his back to the viewer and some kneeling worshippers. This may be a funeral as in the centre in the far distance we can see a coffin covered with a black cloth. Interior of a Gothic Church, 1615. Creator: Peeter Neeffs the Elder. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE SQUARE OF THE CHURCH OF SAINT VULFRAN IN ABBEVILLE, 1884. CREATOR: EUGENE LOUIS BOUDIN.

The Square of the Church of Saint Vulfran in Abbeville, 1884. The Square of the Church of Saint Vulfran in Abbeville, 1884. Creator: Eugene Louis Boudin. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CHRIST IN LIMBO, 1520. CREATOR: ANON.

Christ in Limbo, 1520. Christ in Limbo, 1520. Creator: Anon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

INTERIOR OF THE TEMPLE OF DIANA AT NIMES, UNKNOWN DATE. CREATOR: HUBERT ROBERT.

Interior of the Temple of Diana at Nimes, unknown date. A series of figures including a traveller, a busy artist seated on a block of stone and various figures wearing classical tunics who, in the case of the one on the right, seem to be acting out an episode to the public. We also see two men dressed as soldiers and in the background inside the temple two figures engaged in some sort of rite or ritual. The interior of the temple is crowded with fragments of columns that have been piled together for storage, as well as capitals, column bases and remains of pediments piled up and arranged, and tombstones leaning against the far wall. Two figures are standing on the roof looking down on the scene and others are peering out between the arcading. Interior of the Temple of Diana at Nimes, unknown date. Creator: Hubert Robert. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE GRAND CANAL WITH SANTA MARIA DELLA SALUTE, 1738. CREATOR: MICHELE MARIESCHI.

The Grand Canal with Santa Maria della Salute, 1738. The Grand Canal with Santa Maria della Salute, 1738. Creator: Michele Marieschi. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

GROUP OF MUSICIANS, 1650. CREATOR: JACOB VAN LOO.

Group of Musicians, 1650. Young people are engaged in a happy, relaxed gathering on a terrace. A table covered with a richly coloured carpet is the axis around which the musicians are informally arranged. On the left a young woman is playing the ‘cello and opposite her another woman seated at the table and singing with a piece of music open before her. On the right a man is beating time with his hand on the table and looking boldly at the woman who is singing. Group of Musicians, 1650. Creator: Jacob van Loo. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

IN THE COURTYARD OF THE CUSTOMS-HOUSE, 1775. CREATOR: NICOLAS BERNARD LEPICIE.

In the Courtyard of the Customs-House, 1775. In the Courtyard of the Customs-House, 1775. Creator: Nicolas Bernard Lepicie. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

INTERIOR OF THE COUNCIL CHAMBER OF AMSTERDAM TOWN HALL, 1663. CREATOR: PIETER DE HOOCH.

Interior of the Council Chamber of Amsterdam Town Hall, 1663. Amsterdam Town Hall was designed by Jacob van Campen. Construction began in 1648 and the room depicted here was in use by 1655. It was adorned with two huge canvases: one by Ferdinand Bol, seen here on the end wall, entitled Gaius Lucinus Fabritius in the Camp of King Pyrrhus. Interior of the Council Chamber of Amsterdam Town Hall, 1663. Creator: Pieter de Hooch. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE GRAND CANAL WITH SAN SIMEONE PICCOLO AND SANTA LUCIA, 1780. CREATOR: FRANCESCO GUARDI.

The Grand Canal with San Simeone Piccolo and Santa Lucia, 1780. The Grand Canal with San Simeone Piccolo and Santa Lucia, 1780. Creator: Francesco Guardi. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE GRAND CANAL WITH SANTA LUCIA AND SANTA MARIA DI NAZARETH, 1780. CREATOR: FRANCESCO GUARDI.

The Grand Canal with Santa Lucia and Santa Maria di Nazareth, 1780. The Grand Canal with Santa Lucia and Santa Maria di Nazareth, 1780. Creator: Francesco Guardi. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

INTERIOR OF THE CHURCH AT MANTES, 1865. CREATOR: JEAN-BAPTISTE-CAMILLE COROT.

Interior of the Church at Mantes, 1865. Interior of the Church at Mantes, 1865. Creator: Jean-Baptiste-Camille Corot. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CROSS AT SUNSET, 1848. CREATOR: THOMAS COLE.

Cross at Sunset, 1848. Cross at Sunset, 1848. Creator: Thomas Cole. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SEATED MAN, 1905. CREATOR: PAUL CEZANNE.

Seated Man, 1905. One of a set of plein-air paintings produced by Cézanne in Aix-en-Provence towards the end of his life. In it, Cézanne’s gardener, Vallier, poses against the balustrade on the terrace of the artist’s new studio, close to Les Lauves. Though dressed in the plain blue work-clothes of the Provençal peasant, the sitter conveys a sense of strength and solidity Seated Man, 1905. Creator: Paul Cezanne. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE BUCINTORO, 1745. CREATOR: CANALETTO.

The Bucintoro, 1745. The Bucintoro was the official galley of the Doge of Venice, which is depicted here moored between gondolas and other boats beside the Piazzetta. The Bucintoro, 1745. Creator: Canaletto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE PIAZZA SAN MARCO IN VENICE, 1723. CREATOR: CANALETTO.

The Piazza San Marco in Venice, 1723. The Piazza San Marco in Venice, 1723. Creator: Canaletto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE GRAND CANAL FROM SAN VIO, VENICE, 1723. CREATOR: CANALETTO.

The Grand Canal from San Vio, Venice, 1723. The Grand Canal from San Vio, Venice, 1723. Creator: Canaletto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CAPRICCIO WITH ROMAN RUINS, SCULPTURES AND A PORT, 1650. CREATOR: BARTHOLOMEUS BREENBERGH.

Capriccio with Roman Ruins, Sculptures and a Port, 1650. Capriccio with Roman Ruins, Sculptures and a Port, 1650. Creator: Bartholomeus Breenbergh. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIEW OF THE BINNENHOF, THE HAGUE, 1690. CREATOR: GERRIT BERCKHEYDE.

View of the Binnenhof, The Hague, 1690. Using a high viewpoint, the artist locates us within one of the city’s most famous open spaces, the Binnenhof (interior courtyard) of the residence of the Counts of Holland, with the west façade of the Ridderzaal (Knights’ Hall) in the background. View of the Binnenhof, The Hague, 1690. Creator: Gerrit Berckheyde. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE NIEUWEZIJDS VOORBURGSWAL WITH THE FLOWER MARKET, AMSTERDAM, 1686. CREATOR: GERRIT BERCKHEYDE.

The Nieuwezijds Voorburgswal with the Flower Market, Amsterdam, 1686. The Nieuwezijds Voorburgswal with the Flower Market, Amsterdam, 1686. Creator: Gerrit Berckheyde. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CONSTRUCTION IN SPACE-TIME II, 1924. CREATOR: THEO VAN DOESBURG.

Construction in Space-Time II, 1924. Construction in Space-Time II, 1924. Creator: Theo Van Doesburg. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PILGRIMS' MASS, 1450. CREATOR: CIRCLE OF JAUME HUGUET.

Pilgrims' Mass, 1450. Pilgrims' Mass, 1450. Creator: Circle of Jaume Huguet. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE TEMPLE OF DIANA, C.1740. CREATOR: GIOVANNI PAOLO PANINI.

The Temple of Diana, c.1740. The Temple of Diana, c.1740. Creator: Giovanni Paolo Panini. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LE PONT-NEUF, C.1861. CREATOR: CHARLES MERYON.

Le Pont-Neuf, c.1861. Le Pont-Neuf, c.1861. Creator: Charles Meryon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LE PONT-NEUF, 1853. CREATOR: CHARLES MERYON.

Le Pont-Neuf, 1853. Le Pont-Neuf, 1853. Creator: Charles Meryon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SHEEP, GOATS AND COWS SERIES: RECUMBENT BULL, 1668-1670. CREATOR: JOHANN HEINRICH ROOS.

Sheep, goats and cows series: Recumbent bull, 1668-1670. Sheep, goats and cows series: Recumbent bull, 1668-1670. Creator: Johann Heinrich Roos. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

RUE GUBERNATIS, NICE, 1920-1935. CREATOR: FREDERICK MARRIOTT.

Rue Gubernatis, Nice, 1920-1935. A street in central Nice, in the South of France. We look down the steep streetscape, with lots of figures moving about, including two with a pushcart, a street sweeper, loafers and smarter ladies chatting in the forergound. Dwellings ranging up to seven stories high line the street, as does no shortage of laundry hanging out to dry. Rue Gubernatis, Nice, 1920-1935. Creator: Frederick Marriott. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST. BOTOLPH'S, BOSTON, 1925. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

St. Botolph's, Boston, 1925. St. Botolph's, Boston, 1925. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE ALMONRY, 1925. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

The Almonry, 1925. The Almonry, 1925. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST. MARY'S, NOTTINGHAM, 1928. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

St. Mary's, Nottingham, 1928. St. Mary's, Nottingham, 1928. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

POTTER'S BOW, 1924. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

Potter's bow, 1924. Architectural fantasy of a magnificent, semi-ruined abbey (or small cathedral) and its approaches, the main building with period features such as a Romanesque south transept and a Perpendicular Gothic nave. Potter's bow, 1924. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ASHWELL, 1914. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

Ashwell, 1914. A grand, late gothic church, almost in inverse proportion to the insignificance of this charming, north Hertfordshire village, not far from Griggs's birthplace. It has the tallest tower in the county, and Griggs's spectacular manipulation of scale and silhouette certainly doesn't stint on this. Ashwell, 1914. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

HARBOUR WITH A LARGE TOWER, C.1641. CREATOR: CLAUDE LORRAIN.

Harbour with a large tower, c.1641. Harbour with a large tower, c.1641. Creator: Claude Lorrain. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LE MINISTÈRE DE LA MARINE (THE MINISTRY OF THE NAVY), 1865. CREATOR: CHARLES MERYON.

Le Ministère de la Marine (The Ministry of the Navy), 1865. The French Admiralty building is shown under attack from bizarre mythological forces seen flying across the sky above the Place de la Concorde. The crowd below is thrown into disarray as Roman charioteers, whales and whaleboats, a waka with sails, an anchor, serpents, cowboys and horses with fishtails prepare for landing. Le Ministère de la Marine (The Ministry of the Navy), 1865. Creator: Charles Meryon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LE PRESON V (THE PRISON). FROM: VEDUTE ALTRE PRESE DA I LUOGHI ALTRE IDEATE DA ANTONIO...1735-1746. CREATOR: CANALETTO.

Le Preson V (The Prison). From: Vedute altre prese da i luoghi altre ideate da Antonio Canal, 1735-1746. Le Preson V (The Prison). From: Vedute altre prese da i luoghi altre ideate da Antonio...1735-1746. Creator: Canaletto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE DOORWAY, VÉZELAY, FRANCE, 1915. CREATOR: ALBANY E HOWARTH.

The doorway, Vézelay, France, 1915. Vézelay is a historic hill town in north-cental France, famous for its Romanesque abbey and also for its Basilica of St Mary Magdalene. The doorway, Vézelay, France, 1915. Creator: Albany E Howarth. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIEWS OF AMSTERDAM. PLATE 3. DE MEULENDE BLAEU BRUGH, 1663-1690. CREATOR: ABRAHAM BLOOTELING.

Views of Amsterdam. Plate 3. De Meulende Blaeu brugh, 1663-1690. Depicting the windmill near the Blauwbrug in Amsterdam. Views of Amsterdam. Plate 3. De Meulende Blaeu brugh, 1663-1690. Creator: Abraham Blooteling. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE CLOCK TOWER, PARIS, 1852. CREATOR: CHARLES MERYON.

The clock tower, Paris, 1852. The clock tower, Paris, 1852. Creator: Charles Meryon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST PETER, ST JOHN AND ST PHILIP LAYING THEIR HANDS ON THE BAPTISED AT SAMARIA. FROM: THE ACTS OF THE CREATOR: PHILIP GALLE.

St Peter, St John and St Philip Laying Their Hands on the Baptised at Samaria. From: The Acts of The Apostles, plate 10, 1575. A series of 34 plates depicting the New Testament book of Acts. The episode depicted is from 8:12-18, when the people of Samaria believed the apostle Philip and 'as he preached the gospel of the kingdom of God and the name of Jesus Christ, they were baptised, both men and women.' The converts included the renowned Simon the Sorcerer. This engraving depicts this final moment in the foreground; in the continuous narrative device employed by the artist, acts of conversion are taking place in the background at right. The dove of the Holy Spirit dominates the top right of the composition. St Peter, St John and St Philip Laying Their Hands on the Baptised at Samaria. From: The Acts of The Creator: Philip Galle. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST BARTHOLOMEW. PLATE 5. FROM: CHRIST AND THE APOSTLES, C.1545. CREATOR: LAMBERT SUAVIUS.

St Bartholomew. Plate 5. From: Christ and the Apostles, c.1545. This is one of the most vivid prints in the series: apprehension is evident in Bartholomew's pose - has he detected an enemy or vice versa? In his left hand, he carries a large knife: this alludes to his grisly martyrdom, in which he was skinned alive. St Bartholomew. Plate 5. From: Christ and the Apostles, c.1545. Creator: Lambert Suavius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST ANDREW. PLATE 3. FROM: CHRIST AND THE APOSTLES, C.1545. CREATOR: LAMBERT SUAVIUS.

St Andrew. Plate 3. From: Christ and the Apostles, c.1545. This figure of St Andrew makes eye contact with the viewer; this, together with the sharply foreshortened wall to the right, creates a disconcerting effect. Within the niche of the wall is a pitcher, the handle of which is in the shape of a small creature, possibly a demon. As an apostle, accounts claim that Andrew performed miraculous acts including the excisement of demons and extinguishing a fire, surely explaining the pitcher's presence. Behind him is the characteristic X-shaped cross named after him; it represents his martyrdom on such a cross - he considered himself unworthy of being crucified on one like Christ's. St Andrew. Plate 3. From: Christ and the Apostles, c.1545. Creator: Lambert Suavius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST SIMON. PLATE 4. FROM: CHRIST AND THE APOSTLES, 1545. CREATOR: LAMBERT SUAVIUS.

St Simon. Plate 4. From: Christ and the Apostles, 1545. St Simon is shown in a very classicised pose, concentrating intently on the religious tome that he is reading. The book rests on a block which is decorated with a heraldic device featuring a two-handled saw, which alludes to Simon's martyrdom in which such a device was used to kill him. St Simon. Plate 4. From: Christ and the Apostles, 1545. Creator: Lambert Suavius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST PHILIP. PLATE 8. FROM: CHRIST AND THE APOSTLES, C.1545. CREATOR: LAMBERT SUAVIUS.

St Philip. Plate 8. From: Christ and the Apostles, c.1545. St Philip is depicted, like all the others in the series, full-length. Although elderly, he has impressive musculature. Each saint in the series is located in an architectural setting,especially evident here in the overgrown ancient ruins, sprouting self-sewn vegetation. St Philip. Plate 8. From: Christ and the Apostles, c.1545. Creator: Lambert Suavius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST PAUL. PLATE 10. FROM: CHRIST AND THE APOSTLES, 1545. CREATOR: LAMBERT SUAVIUS.

St Paul. Plate 10. From: Christ and the Apostles, 1545. St Paul is looking to his left, and holds a tablet in his left hand and a scroll in his right - probably a reference to his authorship of the Biblical Letters of St Paul. His left foot rests on a rock. His garments are somewhat knotted, and his beard is long and scruffy. On the bottom right (by his left leg) is a shield which bears an image of a word, an allusion to St Paul's martyrdom. St Paul. Plate 10. From: Christ and the Apostles, 1545. Creator: Lambert Suavius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST JAMES MAJOR. PLATE 6. FROM: CHRIST AND THE APOSTLES, 1545. CREATOR: LAMBERT SUAVIUS.

St James Major. Plate 6. From: Christ and the Apostles, 1545. St James Major is depicted leaning against a pole in an elaborate niche which looks like an architectural model. Indeed, each saint in the series is located in an architectural setting. St James Major. Plate 6. From: Christ and the Apostles, 1545. Creator: Lambert Suavius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE LAST SUPPER, PLATE 1 FROM THE PASSION OF CHRIST, 1598. CREATOR: HENDRIK GOLTZIUS.

The Last Supper, plate 1 from The Passion of Christ, 1598. The Last Supper, plate 1 from The Passion of Christ, 1598. Creator: Hendrik Goltzius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CHRIST BEFORE PILATE, PLATE 5 FROM THE PASSION OF CHRIST, 1596. CREATOR: HENDRIK GOLTZIUS.

Christ before Pilate, plate 5 from The Passion of Christ, 1596. Christ before Pilate, plate 5 from The Passion of Christ, 1596. Creator: Hendrik Goltzius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MELENCOLIA I, 1514. CREATOR: ALBRECHT DURER.

Melencolia I, 1514. The standard interpretation highlights the depressive or melancholy state of the human condition, and explains the many important symbols in the print accordingly. Melencolia I, 1514. Creator: Albrecht Durer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DEMOLITION OF ST. JAMES' HALL, EXTERIOR, 1907. CREATOR: DAVID MUIRHEAD BONE.

Demolition of St. James' Hall, exterior, 1907. Located on a site between Regent Street and Piccadilly, St James' Hall was a celebrated London concert hall where handsome performances were held for almost half a century between 1858 and 1905. The demolition of the hall occurred in 1905. The artist captures the cavernous rib cage of the structure lying stark and bare, the vaults of the building bleaching in dramatic sunlight. Workmen swarm around the remains of the hall, their ropes and pulleys delicately hanging off the structure, while horses and carriages pass the demolition through the street in the foreground. Demolition of St. James' Hall, exterior, 1907. Creator: David Muirhead Bone. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

STRAND WITH SKY, 1916. CREATOR: FRANCIS DODD.

Strand with sky, 1916. Strand with sky, 1916. Creator: Francis Dodd. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST. MARY LE STRAND, 1916. CREATOR: FRANCIS DODD.

St. Mary le Strand, 1916. Shows James Gibbs's early 18th century church of St Mary le Strand, in London's West End. St. Mary le Strand, 1916. Creator: Francis Dodd. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SURVIVORS AT ARRAS, 1917. CREATOR: CRW NEVINSON.

Survivors at Arras, 1917. Survivors at Arras, 1917. Creator: CRW Nevinson. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

WESTMINSTER FROM A SAVOY WINDOW, 1925 -1926. CREATOR: CRW NEVINSON.

Westminster from a Savoy window, 1925 -1926. A winter view of the River Thames looking south west from an upper window at Savoy Hotel. Westminster from a Savoy window, 1925 -1926. Creator: CRW Nevinson. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VENICE, THE DOGE'S PALACE, 1881. CREATOR: PIERRE-AUGUSTE RENOIR.

Venice, The Doge's Palace, 1881. Venice, The Doge's Palace, 1881. Creator: Pierre-Auguste Renoir. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD WITH SAINTS FRANCIS, ANDREW, PAUL, PETER, STEPHEN, AND LOUIS OF TOULOUSE, C1317-21 CREATOR: UGOLINO DA SIENA.

Virgin and Child with Saints Francis, Andrew, Paul, Peter, Stephen, and Louis of Toulouse, c. 1317-21. Six Christian saints occupy arched panels on both sides of the Virgin Mary and infant Jesus, as angels peer down from above. Jesus reappears in the center of the upper tier, surrounded by Hebrew prophets. This painting’s rounded panels and triangular pinnacles suggest the architecture of its original location—it was made for the altar of a church. Altarpieces like this one, with gold backgrounds that would have reflected flickering candlelight, were designed to encourage churchgoers in their devotions. Virgin and Child with Saints Francis, Andrew, Paul, Peter, Stephen, and Louis of Toulouse, c1317-21 Creator: Ugolino da Siena. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PEREGRINE RESCUING EMILIA FROM THE INN FIRE, C1786. CREATOR: THOMAS ROWLANDSON.

Peregrine Rescuing Emilia From The Inn Fire, c1786. "From the noticeboard we find the Dover, Deal, Margate and Canterbury Coaches are advertised to set out from the caravansary in question. The strangers are rudely disturbed, while the flames are lapping the old building and serpentining their way round the flammable wooden balconies. The entire population of the building has fled into the coach yard - men and women in various (and amusing) states of dress and undress abound - fire roars from the windows at upper left. A sufferer from gout is being conveyed in a wheelbarrow out of the imminent danger of being roasted alive.an antiquated husband is holding a ladder for the escape of his pretty wife; the curmudgeon is furious that the personal attractions of his better half should be thus displayed to the less privileged males around, who are assisting her delicate descent. The dangers of the fire are increased by the reckless impulse characteristic of similar casualties, in which blazing objects are hurled out of the window, spreading the flames to places which have hitherto escaped ignition. Mirrors and tablets, sheets and other objects, are sent flying from the upper galleries on to the heads of the scared travellers below." Peregrine Rescuing Emilia From The Inn Fire, c1786. Creator: Thomas Rowlandson. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MELROSE ABBEY: THE EAST WINDOW, 1800. CREATOR: THOMAS GIRTIN.

Melrose Abbey: The East Window, 1800. Melrose Abbey: The East Window, 1800. Creator: Thomas Girtin. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

KITCHEN INTERIOR, C1862. CREATOR: THEODULE RIBOT.

Kitchen Interior, c1862. Kitchen Interior, c1862. Creator: Theodule Ribot. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD WITH SAINT JOHN THE BAPTIST, C1490. CREATORS: WORKSHOP OF SANDRO BOTTICELLI, SANDRO BOTTICELLI.

Virgin And Child With Saint John The Baptist, c1490. The Virgin Mary tenderly embraces her infant son, Jesus, while a young John the Baptist prays devoutly. The Latin inscription on his scroll translates as, “Behold the Lamb of God.” John would later speak these words to his followers when introducing Jesus, prophesying Christ’s fate as an innocent lamb sacrificed to redeem humankind from its sins. The scene is painted as a tondo, a circular format often used for devotional pictures intended for domestic settings in fifteenth-century Florence. Sandro Botticelli and Studio Virgin And Child With Saint John The Baptist, c1490. Creators: Workshop of Sandro Botticelli, Sandro Botticelli. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)