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INTERIOR OF THE CHURCH AT MANTES, 1865. CREATOR: JEAN-BAPTISTE-CAMILLE COROT.

Interior of the Church at Mantes, 1865. Interior of the Church at Mantes, 1865. Creator: Jean-Baptiste-Camille Corot. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CROSS AT SUNSET, 1848. CREATOR: THOMAS COLE.

Cross at Sunset, 1848. Cross at Sunset, 1848. Creator: Thomas Cole. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SEATED MAN, 1905. CREATOR: PAUL CEZANNE.

Seated Man, 1905. One of a set of plein-air paintings produced by Cézanne in Aix-en-Provence towards the end of his life. In it, Cézanne’s gardener, Vallier, poses against the balustrade on the terrace of the artist’s new studio, close to Les Lauves. Though dressed in the plain blue work-clothes of the Provençal peasant, the sitter conveys a sense of strength and solidity Seated Man, 1905. Creator: Paul Cezanne. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE BUCINTORO, 1745. CREATOR: CANALETTO.

The Bucintoro, 1745. The Bucintoro was the official galley of the Doge of Venice, which is depicted here moored between gondolas and other boats beside the Piazzetta. The Bucintoro, 1745. Creator: Canaletto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE PIAZZA SAN MARCO IN VENICE, 1723. CREATOR: CANALETTO.

The Piazza San Marco in Venice, 1723. The Piazza San Marco in Venice, 1723. Creator: Canaletto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE GRAND CANAL FROM SAN VIO, VENICE, 1723. CREATOR: CANALETTO.

The Grand Canal from San Vio, Venice, 1723. The Grand Canal from San Vio, Venice, 1723. Creator: Canaletto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CAPRICCIO WITH ROMAN RUINS, SCULPTURES AND A PORT, 1650. CREATOR: BARTHOLOMEUS BREENBERGH.

Capriccio with Roman Ruins, Sculptures and a Port, 1650. Capriccio with Roman Ruins, Sculptures and a Port, 1650. Creator: Bartholomeus Breenbergh. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIEW OF THE BINNENHOF, THE HAGUE, 1690. CREATOR: GERRIT BERCKHEYDE.

View of the Binnenhof, The Hague, 1690. Using a high viewpoint, the artist locates us within one of the city’s most famous open spaces, the Binnenhof (interior courtyard) of the residence of the Counts of Holland, with the west façade of the Ridderzaal (Knights’ Hall) in the background. View of the Binnenhof, The Hague, 1690. Creator: Gerrit Berckheyde. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE NIEUWEZIJDS VOORBURGSWAL WITH THE FLOWER MARKET, AMSTERDAM, 1686. CREATOR: GERRIT BERCKHEYDE.

The Nieuwezijds Voorburgswal with the Flower Market, Amsterdam, 1686. The Nieuwezijds Voorburgswal with the Flower Market, Amsterdam, 1686. Creator: Gerrit Berckheyde. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CONSTRUCTION IN SPACE-TIME II, 1924. CREATOR: THEO VAN DOESBURG.

Construction in Space-Time II, 1924. Construction in Space-Time II, 1924. Creator: Theo Van Doesburg. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PILGRIMS' MASS, 1450. CREATOR: CIRCLE OF JAUME HUGUET.

Pilgrims' Mass, 1450. Pilgrims' Mass, 1450. Creator: Circle of Jaume Huguet. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE TEMPLE OF DIANA, C.1740. CREATOR: GIOVANNI PAOLO PANINI.

The Temple of Diana, c.1740. The Temple of Diana, c.1740. Creator: Giovanni Paolo Panini. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LE PONT-NEUF, C.1861. CREATOR: CHARLES MERYON.

Le Pont-Neuf, c.1861. Le Pont-Neuf, c.1861. Creator: Charles Meryon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LE PONT-NEUF, 1853. CREATOR: CHARLES MERYON.

Le Pont-Neuf, 1853. Le Pont-Neuf, 1853. Creator: Charles Meryon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SHEEP, GOATS AND COWS SERIES: RECUMBENT BULL, 1668-1670. CREATOR: JOHANN HEINRICH ROOS.

Sheep, goats and cows series: Recumbent bull, 1668-1670. Sheep, goats and cows series: Recumbent bull, 1668-1670. Creator: Johann Heinrich Roos. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

RUE GUBERNATIS, NICE, 1920-1935. CREATOR: FREDERICK MARRIOTT.

Rue Gubernatis, Nice, 1920-1935. A street in central Nice, in the South of France. We look down the steep streetscape, with lots of figures moving about, including two with a pushcart, a street sweeper, loafers and smarter ladies chatting in the forergound. Dwellings ranging up to seven stories high line the street, as does no shortage of laundry hanging out to dry. Rue Gubernatis, Nice, 1920-1935. Creator: Frederick Marriott. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST. BOTOLPH'S, BOSTON, 1925. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

St. Botolph's, Boston, 1925. St. Botolph's, Boston, 1925. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE ALMONRY, 1925. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

The Almonry, 1925. The Almonry, 1925. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST. MARY'S, NOTTINGHAM, 1928. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

St. Mary's, Nottingham, 1928. St. Mary's, Nottingham, 1928. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

POTTER'S BOW, 1924. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

Potter's bow, 1924. Architectural fantasy of a magnificent, semi-ruined abbey (or small cathedral) and its approaches, the main building with period features such as a Romanesque south transept and a Perpendicular Gothic nave. Potter's bow, 1924. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ASHWELL, 1914. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

Ashwell, 1914. A grand, late gothic church, almost in inverse proportion to the insignificance of this charming, north Hertfordshire village, not far from Griggs's birthplace. It has the tallest tower in the county, and Griggs's spectacular manipulation of scale and silhouette certainly doesn't stint on this. Ashwell, 1914. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

HARBOUR WITH A LARGE TOWER, C.1641. CREATOR: CLAUDE LORRAIN.

Harbour with a large tower, c.1641. Harbour with a large tower, c.1641. Creator: Claude Lorrain. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LE MINISTÈRE DE LA MARINE (THE MINISTRY OF THE NAVY), 1865. CREATOR: CHARLES MERYON.

Le Ministère de la Marine (The Ministry of the Navy), 1865. The French Admiralty building is shown under attack from bizarre mythological forces seen flying across the sky above the Place de la Concorde. The crowd below is thrown into disarray as Roman charioteers, whales and whaleboats, a waka with sails, an anchor, serpents, cowboys and horses with fishtails prepare for landing. Le Ministère de la Marine (The Ministry of the Navy), 1865. Creator: Charles Meryon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LE PRESON V (THE PRISON). FROM: VEDUTE ALTRE PRESE DA I LUOGHI ALTRE IDEATE DA ANTONIO...1735-1746. CREATOR: CANALETTO.

Le Preson V (The Prison). From: Vedute altre prese da i luoghi altre ideate da Antonio Canal, 1735-1746. Le Preson V (The Prison). From: Vedute altre prese da i luoghi altre ideate da Antonio...1735-1746. Creator: Canaletto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE DOORWAY, VÉZELAY, FRANCE, 1915. CREATOR: ALBANY E HOWARTH.

The doorway, Vézelay, France, 1915. Vézelay is a historic hill town in north-cental France, famous for its Romanesque abbey and also for its Basilica of St Mary Magdalene. The doorway, Vézelay, France, 1915. Creator: Albany E Howarth. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIEWS OF AMSTERDAM. PLATE 3. DE MEULENDE BLAEU BRUGH, 1663-1690. CREATOR: ABRAHAM BLOOTELING.

Views of Amsterdam. Plate 3. De Meulende Blaeu brugh, 1663-1690. Depicting the windmill near the Blauwbrug in Amsterdam. Views of Amsterdam. Plate 3. De Meulende Blaeu brugh, 1663-1690. Creator: Abraham Blooteling. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE CLOCK TOWER, PARIS, 1852. CREATOR: CHARLES MERYON.

The clock tower, Paris, 1852. The clock tower, Paris, 1852. Creator: Charles Meryon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST PETER, ST JOHN AND ST PHILIP LAYING THEIR HANDS ON THE BAPTISED AT SAMARIA. FROM: THE ACTS OF THE CREATOR: PHILIP GALLE.

St Peter, St John and St Philip Laying Their Hands on the Baptised at Samaria. From: The Acts of The Apostles, plate 10, 1575. A series of 34 plates depicting the New Testament book of Acts. The episode depicted is from 8:12-18, when the people of Samaria believed the apostle Philip and 'as he preached the gospel of the kingdom of God and the name of Jesus Christ, they were baptised, both men and women.' The converts included the renowned Simon the Sorcerer. This engraving depicts this final moment in the foreground; in the continuous narrative device employed by the artist, acts of conversion are taking place in the background at right. The dove of the Holy Spirit dominates the top right of the composition. St Peter, St John and St Philip Laying Their Hands on the Baptised at Samaria. From: The Acts of The Creator: Philip Galle. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST BARTHOLOMEW. PLATE 5. FROM: CHRIST AND THE APOSTLES, C.1545. CREATOR: LAMBERT SUAVIUS.

St Bartholomew. Plate 5. From: Christ and the Apostles, c.1545. This is one of the most vivid prints in the series: apprehension is evident in Bartholomew's pose - has he detected an enemy or vice versa? In his left hand, he carries a large knife: this alludes to his grisly martyrdom, in which he was skinned alive. St Bartholomew. Plate 5. From: Christ and the Apostles, c.1545. Creator: Lambert Suavius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST ANDREW. PLATE 3. FROM: CHRIST AND THE APOSTLES, C.1545. CREATOR: LAMBERT SUAVIUS.

St Andrew. Plate 3. From: Christ and the Apostles, c.1545. This figure of St Andrew makes eye contact with the viewer; this, together with the sharply foreshortened wall to the right, creates a disconcerting effect. Within the niche of the wall is a pitcher, the handle of which is in the shape of a small creature, possibly a demon. As an apostle, accounts claim that Andrew performed miraculous acts including the excisement of demons and extinguishing a fire, surely explaining the pitcher's presence. Behind him is the characteristic X-shaped cross named after him; it represents his martyrdom on such a cross - he considered himself unworthy of being crucified on one like Christ's. St Andrew. Plate 3. From: Christ and the Apostles, c.1545. Creator: Lambert Suavius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST SIMON. PLATE 4. FROM: CHRIST AND THE APOSTLES, 1545. CREATOR: LAMBERT SUAVIUS.

St Simon. Plate 4. From: Christ and the Apostles, 1545. St Simon is shown in a very classicised pose, concentrating intently on the religious tome that he is reading. The book rests on a block which is decorated with a heraldic device featuring a two-handled saw, which alludes to Simon's martyrdom in which such a device was used to kill him. St Simon. Plate 4. From: Christ and the Apostles, 1545. Creator: Lambert Suavius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST PHILIP. PLATE 8. FROM: CHRIST AND THE APOSTLES, C.1545. CREATOR: LAMBERT SUAVIUS.

St Philip. Plate 8. From: Christ and the Apostles, c.1545. St Philip is depicted, like all the others in the series, full-length. Although elderly, he has impressive musculature. Each saint in the series is located in an architectural setting,especially evident here in the overgrown ancient ruins, sprouting self-sewn vegetation. St Philip. Plate 8. From: Christ and the Apostles, c.1545. Creator: Lambert Suavius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST PAUL. PLATE 10. FROM: CHRIST AND THE APOSTLES, 1545. CREATOR: LAMBERT SUAVIUS.

St Paul. Plate 10. From: Christ and the Apostles, 1545. St Paul is looking to his left, and holds a tablet in his left hand and a scroll in his right - probably a reference to his authorship of the Biblical Letters of St Paul. His left foot rests on a rock. His garments are somewhat knotted, and his beard is long and scruffy. On the bottom right (by his left leg) is a shield which bears an image of a word, an allusion to St Paul's martyrdom. St Paul. Plate 10. From: Christ and the Apostles, 1545. Creator: Lambert Suavius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST JAMES MAJOR. PLATE 6. FROM: CHRIST AND THE APOSTLES, 1545. CREATOR: LAMBERT SUAVIUS.

St James Major. Plate 6. From: Christ and the Apostles, 1545. St James Major is depicted leaning against a pole in an elaborate niche which looks like an architectural model. Indeed, each saint in the series is located in an architectural setting. St James Major. Plate 6. From: Christ and the Apostles, 1545. Creator: Lambert Suavius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE LAST SUPPER, PLATE 1 FROM THE PASSION OF CHRIST, 1598. CREATOR: HENDRIK GOLTZIUS.

The Last Supper, plate 1 from The Passion of Christ, 1598. The Last Supper, plate 1 from The Passion of Christ, 1598. Creator: Hendrik Goltzius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CHRIST BEFORE PILATE, PLATE 5 FROM THE PASSION OF CHRIST, 1596. CREATOR: HENDRIK GOLTZIUS.

Christ before Pilate, plate 5 from The Passion of Christ, 1596. Christ before Pilate, plate 5 from The Passion of Christ, 1596. Creator: Hendrik Goltzius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MELENCOLIA I, 1514. CREATOR: ALBRECHT DURER.

Melencolia I, 1514. The standard interpretation highlights the depressive or melancholy state of the human condition, and explains the many important symbols in the print accordingly. Melencolia I, 1514. Creator: Albrecht Durer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DEMOLITION OF ST. JAMES' HALL, EXTERIOR, 1907. CREATOR: DAVID MUIRHEAD BONE.

Demolition of St. James' Hall, exterior, 1907. Located on a site between Regent Street and Piccadilly, St James' Hall was a celebrated London concert hall where handsome performances were held for almost half a century between 1858 and 1905. The demolition of the hall occurred in 1905. The artist captures the cavernous rib cage of the structure lying stark and bare, the vaults of the building bleaching in dramatic sunlight. Workmen swarm around the remains of the hall, their ropes and pulleys delicately hanging off the structure, while horses and carriages pass the demolition through the street in the foreground. Demolition of St. James' Hall, exterior, 1907. Creator: David Muirhead Bone. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

STRAND WITH SKY, 1916. CREATOR: FRANCIS DODD.

Strand with sky, 1916. Strand with sky, 1916. Creator: Francis Dodd. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST. MARY LE STRAND, 1916. CREATOR: FRANCIS DODD.

St. Mary le Strand, 1916. Shows James Gibbs's early 18th century church of St Mary le Strand, in London's West End. St. Mary le Strand, 1916. Creator: Francis Dodd. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SURVIVORS AT ARRAS, 1917. CREATOR: CRW NEVINSON.

Survivors at Arras, 1917. Survivors at Arras, 1917. Creator: CRW Nevinson. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

WESTMINSTER FROM A SAVOY WINDOW, 1925 -1926. CREATOR: CRW NEVINSON.

Westminster from a Savoy window, 1925 -1926. A winter view of the River Thames looking south west from an upper window at Savoy Hotel. Westminster from a Savoy window, 1925 -1926. Creator: CRW Nevinson. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VENICE, THE DOGE'S PALACE, 1881. CREATOR: PIERRE-AUGUSTE RENOIR.

Venice, The Doge's Palace, 1881. Venice, The Doge's Palace, 1881. Creator: Pierre-Auguste Renoir. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD WITH SAINTS FRANCIS, ANDREW, PAUL, PETER, STEPHEN, AND LOUIS OF TOULOUSE, C1317-21 CREATOR: UGOLINO DA SIENA.

Virgin and Child with Saints Francis, Andrew, Paul, Peter, Stephen, and Louis of Toulouse, c. 1317-21. Six Christian saints occupy arched panels on both sides of the Virgin Mary and infant Jesus, as angels peer down from above. Jesus reappears in the center of the upper tier, surrounded by Hebrew prophets. This painting’s rounded panels and triangular pinnacles suggest the architecture of its original location—it was made for the altar of a church. Altarpieces like this one, with gold backgrounds that would have reflected flickering candlelight, were designed to encourage churchgoers in their devotions. Virgin and Child with Saints Francis, Andrew, Paul, Peter, Stephen, and Louis of Toulouse, c1317-21 Creator: Ugolino da Siena. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PEREGRINE RESCUING EMILIA FROM THE INN FIRE, C1786. CREATOR: THOMAS ROWLANDSON.

Peregrine Rescuing Emilia From The Inn Fire, c1786. "From the noticeboard we find the Dover, Deal, Margate and Canterbury Coaches are advertised to set out from the caravansary in question. The strangers are rudely disturbed, while the flames are lapping the old building and serpentining their way round the flammable wooden balconies. The entire population of the building has fled into the coach yard - men and women in various (and amusing) states of dress and undress abound - fire roars from the windows at upper left. A sufferer from gout is being conveyed in a wheelbarrow out of the imminent danger of being roasted alive.an antiquated husband is holding a ladder for the escape of his pretty wife; the curmudgeon is furious that the personal attractions of his better half should be thus displayed to the less privileged males around, who are assisting her delicate descent. The dangers of the fire are increased by the reckless impulse characteristic of similar casualties, in which blazing objects are hurled out of the window, spreading the flames to places which have hitherto escaped ignition. Mirrors and tablets, sheets and other objects, are sent flying from the upper galleries on to the heads of the scared travellers below." Peregrine Rescuing Emilia From The Inn Fire, c1786. Creator: Thomas Rowlandson. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MELROSE ABBEY: THE EAST WINDOW, 1800. CREATOR: THOMAS GIRTIN.

Melrose Abbey: The East Window, 1800. Melrose Abbey: The East Window, 1800. Creator: Thomas Girtin. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

KITCHEN INTERIOR, C1862. CREATOR: THEODULE RIBOT.

Kitchen Interior, c1862. Kitchen Interior, c1862. Creator: Theodule Ribot. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD WITH SAINT JOHN THE BAPTIST, C1490. CREATORS: WORKSHOP OF SANDRO BOTTICELLI, SANDRO BOTTICELLI.

Virgin And Child With Saint John The Baptist, c1490. The Virgin Mary tenderly embraces her infant son, Jesus, while a young John the Baptist prays devoutly. The Latin inscription on his scroll translates as, “Behold the Lamb of God.” John would later speak these words to his followers when introducing Jesus, prophesying Christ’s fate as an innocent lamb sacrificed to redeem humankind from its sins. The scene is painted as a tondo, a circular format often used for devotional pictures intended for domestic settings in fifteenth-century Florence. Sandro Botticelli and Studio Virgin And Child With Saint John The Baptist, c1490. Creators: Workshop of Sandro Botticelli, Sandro Botticelli. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VENICE, THE DOGE'S PALACE, 1881. CREATOR: PIERRE-AUGUSTE RENOIR.

Venice, The Doge's Palace, 1881. Venice, The Doge's Palace, 1881. Creator: Pierre-Auguste Renoir. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD ENTHRONED WITH FOUR ANGELS, C1460-70. CREATOR: PIERO DELLA FRANCESCA.

Virgin And Child Enthroned With Four Angels, c1460-70. The Virgin Mary and Jesus are attended by angels, whose wings are partly visible. The angel in red directs our attention to the infant reaching for a flower offered by his mother, an interaction which may symbolize divine love or allude to Jesus’s fate. The angel in white casts a shadow across the base of Mary’s throne, suggesting the painting originally hung to the right of a window. Piero was an influential artist and mathematician particularly interested in perspective and in Greco-Roman antiquity. Virgin And Child Enthroned With Four Angels, c1460-70. Creator: Piero della Francesca. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIRGIN AND CHILD WITH MUSIC-MAKING ANGELS, C1400-1410. CREATOR: MASTER OF THE STRAUSS MADONNA.

Virgin And Child With Music-Making Angels, c1400-1410. Virgin And Child With Music-Making Angels, c1400-1410. Creator: Master of the Strauss Madonna. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

COTTAGE, C1850. CREATOR: LIONEL CONSTABLE.

Cottage, c1850. Cottage, c1850. Creator: Lionel Constable. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SALISBURY CATHEDRAL FROM THE RIVER NADDER, C1829. CREATOR: JOHN CONSTABLE.

Salisbury Cathedral From The River Nadder, c1829. Salisbury Cathedral From The River Nadder, c1829. Creator: John Constable. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

YARMOUTH JETTY, C1822-23. CREATOR: JOHN CONSTABLE.

Yarmouth Jetty, c1822-23. Yarmouth Jetty, c1822-23. Creator: John Constable. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DISTANT VIEW OF SALISBURY CATHEDRAL, 1821. CREATOR: JOHN CONSTABLE.

Distant View Of Salisbury Cathedral, 1821. Distant View Of Salisbury Cathedral, 1821. Creator: John Constable. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CASTEL SANT'ANGELO, ROME, C1830-32. CREATOR: JEAN-BAPTISTE-CAMILLE COROT.

Castel Sant'Angelo, Rome, c1830-32. The row of houses on the left provides a counterpoint to the monumental structure on the right—the Castel Sant'Angelo, originally built as a mausoleum for the Roman Emperor Hadrian. The arches of the bridge mimic the dome of Saint Peter’s Basilica. Bold patches of unblended paint give the scene a freshness and spontaneity. Castel Sant'Angelo, Rome, c1830-32. Creator: Jean-Baptiste-Camille Corot. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ROMAN RUINS WITH LAUNDRESSES, C1777. CREATOR: HUBERT ROBERT.

Roman Ruins With Laundresses, c1777. Roman Ruins With Laundresses, c1777. Creator: Hubert Robert. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

TWO CARYATID FIGURES FRAMING A CARTOUCHE WITH TWO CUPIDS (DEUX FIGURES DE CARIATIDES..., LATE 1770S. CREATOR: GIUSEPPE CADES.

Two Caryatid Figures Framing A Cartouche With Two Cupids (Deux Figures De Cariatides Encadrant Une Cartouche Surmontée De Deux Amours), late 1770s. Two Caryatid Figures Framing A Cartouche With Two Cupids (Deux Figures De Cariatides..., late 1770s. Creator: Giuseppe Cades. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ROUEN CATHEDRAL, THE FAÇADE IN SUNLIGHT, C1892-94. CREATOR: CLAUDE MONET.

Rouen Cathedral, The Façade In Sunlight, c1892-94. Rouen Cathedral, The Façade In Sunlight, c1892-94. Creator: Claude Monet. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

BRIDGE AT DOLCEACQUA, 1884. CREATOR: CLAUDE MONET.

Bridge At Dolceacqua, 1884. Bridge At Dolceacqua, 1884. Creator: Claude Monet. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

A RUIN ON THE PALATINE HILL, 1630-35. CREATOR: CLAUDE LORRAIN.

A Ruin On The Palatine Hill, 1630-35. A Ruin On The Palatine Hill, 1630-35. Creator: Claude Lorrain. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

HELEN GOULD'S, BETWEEN C1910 AND C1915. CREATOR: BAIN NEWS SERVICE.

Helen Gould's, between c1910 and c1915. Shows Lyndhurst, home of Helen Gould, daughter of financier Jay Gould, in Tarrytown, New York. Home is now operated as a museum by the National Trust for Historic Preservation. Helen Gould's, between c1910 and c1915. Creator: Bain News Service. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

HOME OF J.P. MORGAN JR., BETWEEN C1910 AND C1915. CREATOR: BAIN NEWS SERVICE.

Home of J.P. Morgan Jr., between c1910 and c1915. Shows home of financier John Pierpont "Jack" Morgan, Jr. (1867-1943) at 228-231 Madison Ave. (southeast corner of 37th Street), New York City. Home of J.P. Morgan Jr., between c1910 and c1915. Creator: Bain News Service. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

STUYVESANT SQ. - ST. GEORGE'S AT TIME OF MORGAN FUNERAL, 1913. CREATOR: BAIN NEWS SERVICE.

Stuyvesant Sq. - St. George's at time of Morgan funeral, 1913. Shows funeral of financier John Pierpont Morgan (1837-1913) which took place on April 14, 1913 in New York City. Stuyvesant Sq. - St. George's at time of Morgan funeral, 1913. Creator: Bain News Service. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)