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CANTON - TEMPLE OF 500 GODS, BETWEEN C1910 AND C1915. CREATOR: BAIN NEWS SERVICE.

Canton - temple of 500 gods, between c1910 and c1915. Canton - temple of 500 gods, between c1910 and c1915. Creator: Bain News Service. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIEWS IN CHINA: THE LITTLE ORPHAN ROCK, ON THE RIVER YANG-TZE-KIANG, 1864. CREATOR: UNKNOWN.

Views in China: the Little Orphan Rock, on the River Yang-Tze-Kiang, 1864. Engraving from a sketch by Mr. F. L. Bedwell, of '...a view of the Little Orphan Rock - a most remarkable islet, situated in the River Yang-Tze-Kiang. It is about 400 ft. high, and inaccessible, except by one flight of steps. A few Buddhist monks live here, in a temple erected on a ledge near the summit'. From "Illustrated London News", 1864. Views in China: the Little Orphan Rock, on the River Yang-Tze-Kiang, 1864. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

VIEWS IN CHINA: THE CLIFF AND TEMPLE AT HUKAU, 1864. CREATOR: UNKNOWN.

Views in China: the cliff and temple at Hukau, 1864. Engraving from a sketch by Mr. F. L. Bedwell, of '...the Cliff and Temple at Hukau, which place, at the entrance of the Poyang Lake, has a very singular aspect. The River Yang-Tze-Kiang washes the foot of this cliff. The overhanging rock rises to a height of about 200 ft., and on the summit is perched a temple, occupied by a few priests. The water-marks on the side of the rock show most clearly the great height to which the river rises in the summer, whin swollen by the mountain torrents'. From "Illustrated London News", 1864. Views in China: the cliff and temple at Hukau, 1864. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

DEATH GOD YAMA, 16TH CENTURY. CREATOR: CHINESE MASTER.

Death god Yama, 16th century. Found in the Collection of the Potala-Palast, Lhasa. Death god Yama, 16th century. Creator: Chinese Master. (KEYSTONE/HERITAGE IMAGES/FINE ART IMAGES)

MAHASIDDHA DAMARUPA, FIRST QUARTER OF THE 16TH CENTURY. CREATOR: TIBETAN CULTURE.

Mahasiddha Damarupa, First quarter of the 16th century. Found in the Collection of the Das Kloster Mindroelling. Mahasiddha Damarupa, First quarter of the 16th century. Creator: Tibetan Culture. (KEYSTONE/HERITAGE IMAGES/FINE ART IMAGES)

MAITREYA WITH THE THIRTY-FIVE BUDDHAS OF FORGIVENESS OF SINS AND THE MASTER OF THE..., 15TH CENT. CREATOR: TIBETAN CULTURE.

Maitreya with the thirty-five Buddhas of forgiveness of sins and the master of the Kagyuepa school, 15th century. Found in the Collection of the MAO - Museo d'Arte Orientale, Torino. Maitreya with the thirty-five Buddhas of forgiveness of sins and the master of the..., 15th cent. Creator: Tibetan Culture. (KEYSTONE/HERITAGE IMAGES/FINE ART IMAGES)

STATUE OF THE TWELVE-ARMED AVALOKITESHVARA, 8TH CENTURY. CREATOR: TIBETAN CULTURE.

Statue of the twelve-armed Avalokiteshvara, 8th century. Found in the Collection of the Archaeological Museum, Nalanda. Statue of the twelve-armed Avalokiteshvara, 8th century. Creator: Tibetan Culture. (KEYSTONE/HERITAGE IMAGES/FINE ART IMAGES)

PADMASAMBHAVA IN THE COPPER MOUNTAIN PARADISE, 19TH CENTURY. CREATOR: TIBETAN CULTURE.

Padmasambhava in the Copper Mountain Paradise, 19th century. Private Collection Padmasambhava in the Copper Mountain Paradise, 19th century. Creator: Tibetan Culture. (KEYSTONE/HERITAGE IMAGES/FINE ART IMAGES)

FUGEN BOSATSU (SAMANTABHADRA), 18TH CENTURY. CREATOR: UNKNOWN MASTER.

Fugen Bosatsu (Samantabhadra), 18th century. Private Collection Fugen Bosatsu (Samantabhadra), 18th century. Creator: Unknown Master. (KEYSTONE/HERITAGE IMAGES/FINE ART IMAGES)

RADHA KRISHNA AND THE GOPIS (PICHWAI PAINTING), END OF 19TH CENTURY. CREATOR: INDISCHE KUNST.

Radha Krishna and the Gopis (Pichwai painting), End of 19th century. Private Collection Radha Krishna and the Gopis (Pichwai painting), End of 19th century. Creator: Indische Kunst. (KEYSTONE/HERITAGE IMAGES/FINE ART IMAGES)

AVALOKITESHVARA, 18TH CENTURY. CREATOR: CHINESE MASTER.

Avalokiteshvara, 18th century. Private Collection Avalokiteshvara, 18th century. Creator: Chinese Master. (KEYSTONE/HERITAGE IMAGES/FINE ART IMAGES)

GUANYIN WITH TWO ACCOMPANYING FIGURES. CREATOR: CHINESE MASTER.

Guanyin with two accompanying figures. Private Collection Guanyin with two accompanying figures. Creator: Chinese Master. (KEYSTONE/HERITAGE IMAGES/FINE ART IMAGES)

BEGTSE THANGKA, 18TH CENTURY. CREATOR: UNKNOWN MASTER.

Begtse Thangka, 18th century. Private Collection Begtse Thangka, 18th century. Creator: Unknown Master. (KEYSTONE/HERITAGE IMAGES/FINE ART IMAGES)

THANGKA OF DORJE DROLO, 17TH CENTURY. CREATOR: TIBETAN CULTURE.

Thangka of Dorje Drolo, 17th century. Private Collection Thangka of Dorje Drolo, 17th century. Creator: Tibetan Culture. (KEYSTONE/HERITAGE IMAGES/FINE ART IMAGES)

THANGKA OF AMITABHA IN THE PURE LAND OF SUKHAVATI, 19TH CENTURY. CREATOR: TIBETAN CULTURE.

Thangka of Amitabha in the pure land of Sukhavati, 19th century. Private Collection Thangka of Amitabha in the pure land of Sukhavati, 19th century. Creator: Tibetan Culture. (KEYSTONE/HERITAGE IMAGES/FINE ART IMAGES)

ARHAT THANGKA, 18TH CENTURY. CREATOR: TIBETAN CULTURE.

Arhat Thangka, 18th century. Private Collection Arhat Thangka, 18th century. Creator: Tibetan Culture. (KEYSTONE/HERITAGE IMAGES/FINE ART IMAGES)

MANDALA OF AMITAYUS, FIRST HALF OF THE 15TH CENTURY. CREATOR: TIBETAN CULTURE.

Mandala of Amitayus, First half of the 15th century. Private Collection Mandala of Amitayus, First half of the 15th century. Creator: Tibetan Culture. (KEYSTONE/HERITAGE IMAGES/FINE ART IMAGES)

NEPAL, KHUMBU, TRAVELER WALKING TOWARDS STUPA IN HIMALAYAS

Nepal, Khumbu, Traveler walking towards stupa in Himalayas (KEYSTONE/WESTEND61/ALUN RICHARDSON)

NEPAL, KHUMBU, DINGBOCHE, PRAYER FLAGS IN CHUKLA LARE

Nepal, Khumbu, Dingboche, Prayer flags in Chukla Lare (KEYSTONE/WESTEND61/ALUN RICHARDSON)

NEPAL, KHUMBU, DINGBOCHE, REMOTE STUPAS IN HIMALAYAS

Nepal, Khumbu, Dingboche, Remote stupas in Himalayas (KEYSTONE/WESTEND61/ALUN RICHARDSON)

NEPAL, KHUMBU, THYANGBOCHE MONASTERY WITH PRAYER FLAGS HANGING IN FOREGROUND

Nepal, Khumbu, Thyangboche Monastery with prayer flags hanging in foreground (KEYSTONE/WESTEND61/ALUN RICHARDSON)

NEPAL, KHUMBU, PANORAMIC VIEW OF THYANGBOCHE MONASTERY

Nepal, Khumbu, Panoramic view of Thyangboche Monastery (KEYSTONE/WESTEND61/ALUN RICHARDSON)

NEPAL, KHUMBU, REMOTE STUPA IN HIMALAYAS WITH AMA DABLAM IN BACKGROUND

Nepal, Khumbu, Remote stupa in Himalayas with Ama Dablam in background (KEYSTONE/WESTEND61/ALUN RICHARDSON)

NEPAL, KHUMBU, REMOTE STUPA IN HIMALAYAS

Nepal, Khumbu, Remote stupa in Himalayas (KEYSTONE/WESTEND61/ALUN RICHARDSON)

NEPAL, KHUMBU, PRAYER FLAGS HANGING AGAINST BLACK BACKGROUND

Nepal, Khumbu, Prayer flags hanging against black background (KEYSTONE/WESTEND61/ALUN RICHARDSON)

ZEN POSTER WITH BUDDHA FACE AND TYPOGRAPHY

Zen Plakat mit Buddha Geischt und Typographie Zen poster with Buddha face and typography (KEYSTONE/mauritius images/BUSSE & YANKUSHEV)

SZ PHOTO 03543012

Rituelles Abendessen im Zen-Kloster Eisenbuch in Niederbayern. (KEYSTONE/SUEDDEUTSCHE ZEITUNG PHOTO/Sebastian Beck)

THE INTERNATIONAL EXHIBITION: DRINKING-CUP FORMED FROM A HUMAN SKULL..., 1862. CREATOR: UNKNOWN.

The International Exhibition: drinking-cup formed from a human skull, in the Chinese Court, 1862. 'This object...was taken from the Summer Palace of Pekin...by an officer of Fane's Horse [a cavalry regiment of the British Indian Army]...The skull is set in massive gold...a few very small jewels are added; the arch-shaped base the triangular foot, and the cover being entirely formed of solid gold...In the horizontal band, which may be regarded as the rim of the cup, a series of small stones are set, and in the broad vertical band surrounding the lid there are also jewels; likewise in the knob at the top there are stones...Peculiar interest is excited by this work, as it is said to be formed of the skull of Confucius, and that it is mounted in this rich style in honour of its former owner. Others affirm that this is not the case, and that the skull belonged to a great rebel who was slain, and as the head of John the Baptist was presented to Herodius on a charger, so the skull of the enemy was presented to the chief of the Celestial Empire to satisfy his malignity...we should rather judge it to be a sacred than profane cup; and to us, with but limited knowledge of the worship of the Chinese, it seems to bear upon it tokens of religious service'. From "Illustrated London News", 1862. The International Exhibition: drinking-cup formed from a human skull..., 1862. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

ROCK TEMPLE OF MAMALLAPURAM (MAHAMALEIPUR), INDIA, 1858. CREATOR: JOSEPH SELLENY.

Rock temple of Mamallapuram (Mahamaleipur), India, 1858. Rock temple of Mamallapuram (Mahamaleipur), India, 1858. Creator: Joseph Selleny. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

STREET IN MADRAS WITH A TEMPLE, 1858. CREATOR: JOSEPH SELLENY.

Street in Madras with a temple, 1858. Street in Madras with a temple, 1858. Creator: Joseph Selleny. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

JALI AND KANHAJINA ARE BROUGHT BEFORE THEIR GRANDFATHER KING SANJAYA..., 19TH CENTURY. CREATOR: UNKNOWN.

Jali and Kanhajina are Brought Before Their Grandfather King Sanjaya Along with Their Captor, the Ugly Brahmin Jujaka, Scene from Vessantara Jataka, 19th century. Jali and Kanhajina are Brought Before Their Grandfather King Sanjaya..., 19th century. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PRINCE VESSANTARA GIVES AWAY HIS WHITE ELEPHANT, SCENE FROM VESSANTARA..., BETWEEN C1860 AND C1890. CREATOR: UNKNOWN.

Prince Vessantara Gives Away His White Elephant, Scene from Vessantara Jataka on Generosity, between c1860 and c1890. Prince Vessantara Gives Away His White Elephant, Scene from Vessantara..., between c1860 and c1890. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MADDI FAINTS AT LOSS OF CHILDREN; VESSANTARA REVIVES HER..., BETWEEN C1860 AND C1890. CREATOR: UNKNOWN.

Maddi Faints at Loss of Children; Vessantara Revives Her, Scenes from a Vessantara Jataka, between c1860 and c1890. Maddi Faints at Loss of Children; Vessantara Revives Her..., between c1860 and c1890. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

REUNION OF VESSANTARA AND MADDI WITH THEIR CHILDREN AND PARENTS..., BETWEEN 1820 AND 1840. CREATOR: UNKNOWN.

Reunion of Vessantara and Maddi with Their Children and Parents, Scene from the Vessantaraataka, between 1820 and 1840. Reunion of Vessantara and Maddi with Their Children and Parents..., between 1820 and 1840. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

TRADING LAMA JAMSE, ORIGINALLY FROM KHOSHUN BARIN (IN SOUTHEASTERN MONGOLIA)..., 1899. CREATOR: UNKNOWN.

Trading lama Jamse, originally from Khoshun Barin (in southeastern Mongolia), from the Chin-sume monastery, 1899. This collection consists of diverse materials belonging to Grigorii Nikolaevich Potanin (1835-1920) and Nikolai Mikhailovich Iadrintsev (1842-94), two prominent Siberian scholars, social and political activists, and leaders of the regional-studies movement. The materials include their correspondence with friends and social activists (eighty-five items), photographs from N. G. Potanin's expedition to Mongolia in 1899 (seventeen items), and photographs from the journal of Nina Aleksandrovna Adrianova, who was the daughter of Aleksandr Vasil'evich Adrianov, a specialist in regional studies (eight items). Trading lama Jamse, originally from Khoshun Barin (in southeastern Mongolia)..., 1899. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ONANSKI DATZAN OR A BUDDHIST MONASTERY, TRANS BAIKAL [IE, TRANSBAIKALIA], BETWEEN 1885 AND 1886. CREATOR: UNKNOWN.

Onanski Datzan or a Buddhist monastery, Trans Baikal [ie, Transbaikalia], between 1885 and 1886. Onanski Datzan or a Buddhist monastery, Trans Baikal [ie, Transbaikalia], between 1885 and 1886. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

FULL-LENGTH PORTRAIT OF THE GRAND LAMA OF THE SELENGINSK LAMASERY, SEATED..., BETWEEN 1870 AND 86. CREATOR: UNKNOWN.

Full-length portrait of the grand lama of the Selenginsk lamasery, seated, facing front, between 1870 and 1886. Full-length portrait of the grand lama of the Selenginsk lamasery, seated..., between 1870 and 86. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

BUDDHIST ICON ON STONE, 1880. CREATOR: NIKOLAI NIKOLAEVICH PETROV.

Buddhist icon on stone, 1880. From a collection of 71 items (photographs and negatives on glass) made in the late 19th century and early 20th century by the famous revolutionary-populist and social and political activist N.A. Charushin (1851-1937) and by N. Petrov. Charushin began serving a hard labor sentence in the Transbaikal Territory in 1878. The collection illustrates aspects of Transbaikal history in this period, with a particular emphasis on the tea trade with China, which at that time was one of the main branches of the economy of the region. The photographs show various technological processes of growing and preparing tea, sections of trade routes, as well as views of China, Mongolia, Buryatia, and various towns and villages of Transbaikal, as well as images of local people of different ethnicities and nationalities. Several of the photographs, including one of the large and imposing Russian consulate, were taken in Urga, at that time the capital of Outer Mongolia (and known today as Ulaanbaatar, the capital of Mongolia). Buddhist icon on stone, 1880. Creator: Nikolai Nikolaevich Petrov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

A GROUP OF BUDDHIST MONKS IN THE DATSAN, 1880. CREATOR: NIKOLAI NIKOLAEVICH PETROV.

A group of Buddhist monks in the datsan, 1880. From a collection of 71 items (photographs and negatives on glass) made in the late 19th century and early 20th century by the famous revolutionary-populist and social and political activist N.A. Charushin (1851-1937) and by N. Petrov. Charushin began serving a hard labor sentence in the Transbaikal Territory in 1878. The collection illustrates aspects of Transbaikal history in this period, with a particular emphasis on the tea trade with China, which at that time was one of the main branches of the economy of the region. The photographs show various technological processes of growing and preparing tea, sections of trade routes, as well as views of China, Mongolia, Buryatia, and various towns and villages of Transbaikal, as well as images of local people of different ethnicities and nationalities. Several of the photographs, including one of the large and imposing Russian consulate, were taken in Urga, at that time the capital of Outer Mongolia (and known today as Ulaanbaatar, the capital of Mongolia). A group of Buddhist monks in the datsan, 1880. Creator: Nikolai Nikolaevich Petrov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ASIAN TRADERS IN FRONT OF THE DATSAN, 1880. CREATOR: NIKOLAI NIKOLAEVICH PETROV.

Asian traders in front of the datsan, 1880. From a collection of 71 items (photographs and negatives on glass) made in the late 19th century and early 20th century by the famous revolutionary-populist and social and political activist N.A. Charushin (1851-1937) and by N. Petrov. Charushin began serving a hard labor sentence in the Transbaikal Territory in 1878. The collection illustrates aspects of Transbaikal history in this period, with a particular emphasis on the tea trade with China, which at that time was one of the main branches of the economy of the region. The photographs show various technological processes of growing and preparing tea, sections of trade routes, as well as views of China, Mongolia, Buryatia, and various towns and villages of Transbaikal, as well as images of local people of different ethnicities and nationalities. Several of the photographs, including one of the large and imposing Russian consulate, were taken in Urga, at that time the capital of Outer Mongolia (and known today as Ulaanbaatar, the capital of Mongolia). Asian traders in front of the datsan, 1880. Creator: Nikolai Nikolaevich Petrov. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

GUSINOOZERSK DATSAN KHAMBA LAMA (ABBOT (1)), LAMAS AND LAMA MUSICIANS..., 1880-1889. CREATOR: PETER ADAMOVICH MILEVSKIY.

Gusinoozersk Datsan Khamba Lama (abbot (1)), lamas and lama musicians. During the service, Khamba Lama holds a 'honkho' in his hands, that is, a bell and a vachir (2), and shakes them at the moments when spells are read. (1) In 1886 Dan was the Khamba Lama., 1880-1889. From an album of photographs and prints showing highlights of the city of Irkutsk and its surrounding region in the late 19th century. Irkutsk was at that time the center of Siberian cultural and intellectual life. The buildings shown include the Museum of Regional Studies, a technical school, orphanage, hotels, and the Church of Our Lady of Kazan. Other photographs in the album show the suburb of Glazkovo and villages in the Irkutsk region, including one on the shores of Lake Baikal. The album also includes photographs of the native Buriat people, who are Buddhist, and the local Buddhist datsan (university monastery). The album contains 20 photographs and, at the end, three prints. The prints are of drawings showing the natural beauty of the region. Gusinoozersk Datsan Khamba Lama (abbot (1)), lamas and lama musicians..., 1880-1889. Creator: Peter Adamovich Milevskiy. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LAMAS IN MASKS AND COSTUMES PARTICIPATING IN A RELIGIOUS DANCE (TSAM)..., 1880-1889. CREATOR: PETER ADAMOVICH MILEVSKIY.

Lamas in masks and costumes participating in a religious dance (tsam) in the Gusinoozersk datsan during the annual holiday in honor of dokshits (idols). Note. The white old man "Tsagan-Ubyugun" depicts Khashin Khan., 1880-1889. From an album of photographs and prints showing highlights of the city of Irkutsk and its surrounding region in the late 19th century. Irkutsk was at that time the center of Siberian cultural and intellectual life. The buildings shown include the Museum of Regional Studies, a technical school, orphanage, hotels, and the Church of Our Lady of Kazan. Other photographs in the album show the suburb of Glazkovo and villages in the Irkutsk region, including one on the shores of Lake Baikal. The album also includes photographs of the native Buriat people, who are Buddhist, and the local Buddhist datsan (university monastery). The album contains 20 photographs and, at the end, three prints. The prints are of drawings showing the natural beauty of the region. Lamas in masks and costumes participating in a religious dance (tsam)..., 1880-1889. Creator: Peter Adamovich Milevskiy. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

GUSINOOZERSKY DATSAN. MASKS OF GODS, EARLY 19TH CENTURY. CREATOR: NIKOLAI APOLLONOVICH CHARUSHIN.

Gusinoozersky datsan. Masks of gods, early 19th century. This album consists of fifty-three photographs by the Siberian photographer N. A. Charushin. Most of the photographs were taken on the Udunginsk and Circumbaikal Roads and represent images of bridges, rail stations, quays, ferries, and other construction. Gusinoozersky datsan. Masks of gods, early 19th century. Creator: Nikolai Apollonovich Charushin. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

JING'AN TEMPLE WITH VARIOUS BUILDINGS IN SHANGHAI CITY ON SUNNY DAY

Jing'an temple with various buildings in Shanghai city on sunny day (KEYSTONE/WESTEND61/MARIO MARTINEZ)

VERGOLDETE BUDDHASTATUEN (BHUMISPARA-MUDRA: BUDDHA GAUTAMA IM AUGENBLICK DER ERLEUCHTUNG), WAT PHO, BANGKOK, THAILAND, ASIEN

Vergoldete Buddhastatuen (Bhumispara-mudra: Buddha Gautama im Augenblick der Erleuchtung), Wat Pho, Bangkok, Thailand, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

BESCHRIFTETE GOLDPLÄTTCHEN VON WUNSCHGLÖCKCHEN ODER OPFERGLÖCKCHEN, GOLDEN MOUNT, BANGKOK, THAILAND, ASIEN

Beschriftete Goldplättchen von Wunschglöckchen oder Opferglöckchen, Golden Mount, Bangkok, Thailand, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

WAT TRI THOTSATHEP WORAWIHAN, DAHINTER GOLDEN MOUNT UND DIE SKYLINE VON BANGKOK, THAILAND, ASIEN

Wat Tri Thotsathep Worawihan, dahinter Golden Mount und die Skyline von Bangkok, Thailand, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

QUANZHOU, KAIYUAN-TEMPEL, ÖSTLICHE PAGODE / FOTO

Quanzhou (Provinz Fujian, China),.Kaiyuan Si / Tempel des Beginns des Neuen Zeitalters (buddhistischer Tempelkomplex; gegründet 686 in der Tang-Dynastie),.Shuang Ta / Zwillingspagoden,.Zhenguo Ta (östliche Pagode; erster Bau 860/73; nach Zerstörungen 1155 und 1227 Neubau 1238; Song-Dynastie, Höhe 48 m)...- Ansicht. - ..Foto, undatiert. (KEYSTONE/akg-images/Roland & Sabrina Michaud / akg-i)

GIEBELFELD MIT BUDDHA, WAT SI SAKET, VIENTIANE, PROVINZ VIENTIANE, LAOS, ASIEN

Giebelfeld mit Buddha, Wat Si Saket, Vientiane, Provinz Vientiane, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

ANTIKE BUDDHA-STATUEN IM INNENHOF DES WAT SI SAKET, VIENTIANE, PROVINZ VIENTIANE, LAOS, ASIEN

Antike Buddha-Statuen im Innenhof des Wat Si Saket, Vientiane, Provinz Vientiane, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

ANTIKE BUDDHA-STATUEN IM INNENHOF DES WAT SI SAKET, VIENTIANE, PROVINZ VIENTIANE, LAOS, ASIEN

Antike Buddha-Statuen im Innenhof des Wat Si Saket, Vientiane, Provinz Vientiane, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

ANTIKE BUDDHA-STATUEN IM HAUPTGEBÄUDE DES WAT SI SAKET, VIENTIANE, PROVINZ VIENTIANE, LAOS, ASIEN

Antike Buddha-Statuen im Hauptgebäude des Wat Si Saket, Vientiane, Provinz Vientiane, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

ANTIKE BUDDHA-STATUEN IM INNENHOF DES WAT SI SAKET, VIENTIANE, PROVINZ VIENTIANE, LAOS, ASIEN

Antike Buddha-Statuen im Innenhof des Wat Si Saket, Vientiane, Provinz Vientiane, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

ZAHLREICHE BUDDHASTATUEN IN DER HÖHLE PAK OU CAVE, EINE HEILIGE STÄTTE, PAK OU, PROVINZ LOUANGPHABANG, LAOS, ASIEN

Zahlreiche Buddhastatuen in der Höhle Pak Ou Cave, eine heilige Stätte, Pak Ou, Provinz Louangphabang, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

ZAHLREICHE BUDDHASTATUEN IN DER HÖHLE PAK OU CAVE, EINE HEILIGE STÄTTE, PAK OU, PROVINZ LOUANGPHABANG, LAOS, ASIEN

Zahlreiche Buddhastatuen in der Höhle Pak Ou Cave, eine heilige Stätte, Pak Ou, Provinz Louangphabang, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

ZAHLREICHE BUDDHASTATUEN IN DER HÖHLE PAK OU CAVE, EINE HEILIGE STÄTTE, PAK OU, PROVINZ LOUANGPHABANG, LAOS, ASIEN

Zahlreiche Buddhastatuen in der Höhle Pak Ou Cave, eine heilige Stätte, Pak Ou, Provinz Louangphabang, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

ZAHLREICHE BUDDHASTATUEN IN DER HÖHLE PAK OU CAVE, EINE HEILIGE STÄTTE, PAK OU, PROVINZ LOUANGPHABANG, LAOS, ASIEN

Zahlreiche Buddhastatuen in der Höhle Pak Ou Cave, eine heilige Stätte, Pak Ou, Provinz Louangphabang, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

GOLDENE BUDDHASTATUE, BHUMISPARA-MUDRA, BUDDHA GAUTAMA IM AUGENBLICK DER ERLEUCHTUNG, WAT LONG KOON, LUANG PRABANG, LAOS, ASIEN

Goldene Buddhastatue, Bhumispara-mudra, Buddha Gautama im Augenblick der Erleuchtung, Wat Long Koon, Luang Prabang, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

GOLDENE BUDDHASTATUE, BHUMISPARA-MUDRA, BUDDHA GAUTAMA IM AUGENBLICK DER ERLEUCHTUNG, WAT LONG KOON, LUANG PRABANG, LAOS, ASIEN

Goldene Buddhastatue, Bhumispara-mudra, Buddha Gautama im Augenblick der Erleuchtung, Wat Long Koon, Luang Prabang, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

PANORAMA ÜBER LUANG PRABANG MIT NAM KHAN RIVER UND DEM WAT PHOL PAO IM HINTERGRUND, LAOS, ASIEN

Panorama über Luang Prabang mit Nam Khan River und dem Wat Phol Pao im Hintergrund, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

GOLDENE BUDDHASTATUE, BHUMISPARA-MUDRA, BUDDHA GAUTAMA IM AUGENBLICK DER ERLEUCHTUNG, WAT LONG KOON, LUANG PRABANG, LAOS, ASIEN

Goldene Buddhastatue, Bhumispara-mudra, Buddha Gautama im Augenblick der Erleuchtung, Wat Long Koon, Luang Prabang, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

GOLDENE BUDDHASTATUE, BHUMISPARA-MUDRA, BUDDHA GAUTAMA IM AUGENBLICK DER ERLEUCHTUNG, WAT LONG KOON, LUANG PRABANG, LAOS, ASIEN

Goldene Buddhastatue, Bhumispara-mudra, Buddha Gautama im Augenblick der Erleuchtung, Wat Long Koon, Luang Prabang, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

PANORAMA ÜBER LUANG PRABANG MIT NAM KHAN RIVER UND DEM WAT PHOL PAO IM HINTERGRUND, LAOS, ASIEN

Panorama über Luang Prabang mit Nam Khan River und dem Wat Phol Pao im Hintergrund, Laos, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)

PANORAMA VOM GOLDEN MOUNT ZU DEN BELEUCHTETEN WAT RATCHABOPHIT, WAT RACHAPRADIT, WAT PHO UND WAT ARUN, BANGKOK, THAILAND, ASIEN

Panorama vom Golden Mount zu den beleuchteten Wat Ratchabophit, Wat Rachapradit, Wat Pho und Wat Arun, Bangkok, Thailand, Asien (KEYSTONE/CHROMORANGE/Walter G. Allgöwer)