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(RM) 609487285
RAISING THE COLOSSAL BRONZE STATUE OF HERCULES FOUND UNDERGROUND IN THE CAMPO DEI FIORI, ROME, 1864. CREATOR: UNKNOWN.
Raising the colossal bronze statue of Hercules found underground in the Campo dei Fiori, Rome, 1864. Engraving from a sketch by M. Carli, a French artist. 'A discovery of some antiquarian and artistic value has just been made...[under] an old palace in one of the dirtiest parts of Rome, called the Biscione...[It is] a magnificent gilt bronze statue of a youthful Hercules, 14 ft. high. Over the gilding, which is very thick and bright, is a rough calcareous incrustation, which must be carefully removed before the beauty of the statue can be thoroughly appreciated. It was found imbedded in marble chips, such as form the sweepings of a sculptor's studio...It may once have stood in the Temple of Hercules, whence it may have been removed and buried in later times, to prevent its being carried off by the despoilers of Rome. There are, however, some who insist that it is a portrait of Domitian represented as Hercules...men are busy exploring, in the hope of finding one of the feet, which is missing. The club has come up in three pieces, and the lion's skin, which was hung over the shoulder...and which has evidently been cast separately, is especially interesting, as showing the mode in which the ancients executed their work of casting'. From "Illustrated London News", 1864. Raising the colossal bronze statue of Hercules found underground in the Campo dei Fiori, Rome, 1864. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)
(RM) 609486095
THE RUINS OF COPAN, CENTRAL AMERICA: SQUARE STONE WITH SIDES FACING THE POINTS OF THE COMPASS, 1864. CREATOR: UNKNOWN.
The Ruins of Copan, Central America: square stone with sides facing the points of the compass, 1864. Engraving from a photograph by Mr. Osbert Salvin. 'Just where the ruins stand...the valley opens out into a small alluvial plain of great fertility. Over this plain, wherever the vegetation has been left untouched, forest grows. It would be difficult to determine how far the ruins extend throughout the valley, as sculptured stones are to be seen all along the road leading to what appears to be the central point of the ruins...the natives point in the hills to a painted stone here and a carved stone there. The ruins of Copan comprise the walls of a supposed temple, 624 ft. in length, and many pyramidal structures...sculptured stones of all sizes lie scattered in profusion, some bearing hieroglyphics...With the exception of a few monoliths, hardly any of the ruins remain undisturbed. The terraces and pyramidal mounds have had their steps and stonework almost universally displaced. The mere force of the roots of the trees which grow upon and between the stones, or even the earthquakes to which they must have been subjected from time to time, seem insufficient to account for so general a dislocation'. From "Illustrated London News", 1864. The Ruins of Copan, Central America: square stone with sides facing the points of the compass, 1864. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)
(RM) 609486090
THE RUINS OF COPAN, CENTRAL AMERICA: ALTAR-STONE, 1864. CREATOR: UNKNOWN.
The Ruins of Copan, Central America: altar-stone, 1864. Engraving from a photograph by Mr. Osbert Salvin. 'Just where the ruins stand...the valley opens out into a small alluvial plain of great fertility. Over this plain, wherever the vegetation has been left untouched, forest grows. It would be difficult to determine how far the ruins extend throughout the valley, as sculptured stones are to be seen all along the road leading to what appears to be the central point of the ruins...The traveller comes unexpectedly upon sculptured fragments in almost every direction, and the natives point in the hills to a painted stone here and a carved stone there. The ruins of Copan comprise the walls of a supposed temple, 624 ft. in length, and many pyramidal structures...sculptured stones of all sizes lie scattered in profusion, some bearing hieroglyphics...With the exception of a few monoliths, hardly any of the ruins remain undisturbed. The terraces and pyramidal mounds have had their steps and stonework almost universally displaced. The mere force of the roots of the trees which grow upon and between the stones, or even the earthquakes to which they must have been subjected from time to time, seem insufficient to account for so general a dislocation'. From "Illustrated London News", 1864. The Ruins of Copan, Central America: altar-stone, 1864. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)
(RM) 609486085
THE RUINS OF COPAN, CENTRAL AMERICA: MONOLITH, 1864. CREATOR: UNKNOWN.
The Ruins of Copan, Central America: monolith, 1864. Engraving from a photograph by Mr. Osbert Salvin. 'Just where the ruins stand...the valley opens out into a small alluvial plain of great fertility. Over this plain, wherever the vegetation has been left untouched, forest grows. It would be difficult to determine how far the ruins extend throughout the valley, as sculptured stones are to be seen all along the road leading to what appears to be the central point of the ruins...The traveller comes unexpectedly upon sculptured fragments in almost every direction, and the natives point in the hills to a painted stone here and a carved stone there. The ruins of Copan comprise the walls of a supposed temple, 624 ft. in length, and many pyramidal structures...sculptured stones of all sizes lie scattered in profusion, some bearing hieroglyphics...With the exception of a few monoliths, hardly any of the ruins remain undisturbed. The terraces and pyramidal mounds have had their steps and stonework almost universally displaced. The mere force of the roots of the trees which grow upon and between the stones, or even the earthquakes to which they must have been subjected from time to time, seem insufficient to account for so general a dislocation'. From "Illustrated London News", 1864. The Ruins of Copan, Central America: monolith, 1864. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)
(RM) 609485370
THE BARTLOW HILLS (GRAVE MOUNDS OF THE ROMANS), ESSEX, 1864. CREATOR: UNKNOWN.
The Bartlow Hills (Grave Mounds of the Romans), Essex, 1864. Engraving from a photograph by Mr. G. Collins, of '...four tumuli, arranged in a row and varying in size, the largest being 142 ft. in diameter at the base and 44ft. high...Excavations...distinctly prove them to be Roman works. Many curious and valuable sepulchral relics were discovered in them, but they were unfortunately lost in the fire which burned down Easton Lodge, near Dunmow, the seat of Viscount Maynard, on whose estates the hills are situated. It was feared that these venerable landmarks were condemned to destruction in order to accommodate a feeder of the Great Eastern Railway...the Archaeological Institute...at once addressed a remonstrance to the railway directors. At a recent meeting of the institute, Mr. Purnell, the secretary, read the correspondence which had passed with the Great Eastern Railway Company on the subject. The engineer-in-chief, in one of his letters, states that it was never his intention to injure the hills, but he admits his design to bring the proposed line between two of them. Here the matter at present rests. It is to bo hoped that the good feeling of the railway directors will cause them to spare these famous Roman grave-mounds'. From "Illustrated London News", 1864. The Bartlow Hills (Grave Mounds of the Romans), Essex, 1864. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)
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