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HAPPY WOMAN HOLDING DISPOSABLE COFFEE CUP IN CITY

Happy woman holding disposable coffee cup in city (KEYSTONE/WESTEND61/ANTHONY PHOTOGRAPHY)

BERLIN, DEUTSCHLAND, ANSICHT MARIE-ELISABETH-LUEDERS-HAUS AM SPR

23.04.2024, Berlin, Deutschland, Europa - Ansicht von Westen auf das futuristische Marie-Elisabeth-Lueders-Haus am Spreeufer im Regierungsbezirk im Berliner Bezirk Mitte, entworfen vom deutschen Architekten Stephan Braunfels. (KEYSTONE/SUEDDEUTSCHE ZEITUNG PHOTO/Olaf Schülke)

BERLIN, DEUTSCHLAND, ANSICHT MARIE-ELISABETH-LUEDERS-HAUS AM SPR

23.04.2024, Berlin, Deutschland, Europa - Ansicht von Westen auf das futuristische Marie-Elisabeth-Lueders-Haus am Spreeufer im Regierungsbezirk im Berliner Bezirk Mitte, entworfen vom deutschen Architekten Stephan Braunfels. (KEYSTONE/SUEDDEUTSCHE ZEITUNG PHOTO/Olaf Schülke)

THE MASSACRE OF THE INNOCENTS, 1586. CREATOR: LUCAS VAN VALCKENBORCH.

The Massacre of the Innocents, 1586. The Massacre of the Innocents, 1586. Creator: Lucas van Valckenborch. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SELF- PORTRAIT PLAYING THE LUTE, 1663. CREATOR: JAN STEEN.

Self- Portrait playing the Lute, 1663. Self- Portrait playing the Lute, 1663. Creator: Jan Steen. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE EXPULSION OF HAGAR, 1520. CREATOR: JAN MOSTAERT.

The Expulsion of Hagar, 1520. The subject depicted in the foreground of this panel, is an episode from the Old Testament, as are the other episodes depicted in the background. The Expulsion of Hagar, 1520. Creator: Jan Mostaert. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PARADISE, 1588. CREATOR: JACOPO TINTORETTO.

Paradise, 1588. Paradise, 1588. Creator: Jacopo Tintoretto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE EXPULSION OF THE MONEY-CHANGERS FROM THE TEMPLE, 1724. CREATOR: GIOVANNI PAOLO PANINI.

The Expulsion of the Money-changers from the Temple, 1724. The Expulsion of the Money-changers from the Temple, 1724. Creator: Giovanni Paolo Panini. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE VILLAGE FÊTE, 1650. CREATOR: DAVID TENIERS II.

The Village Fête, 1650. Under the watchful eye of the innkeepers standing at the doorway, a tranquil group of figures is seated around a table. In addition, the group of dancers in the centre and the group of the left who start to show the results of excessive consumption of alcohol all provide further opportunities for depicting poses and movements. Teniers used the middle-ground of the painting for additional groups of figures seen in animated conversation. The Village Fête, 1650. Creator: David Teniers II. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MOUNTAIN LANDSCAPE WITH A CASTLE, 1609. CREATOR: ROELANDT SAVERY.

Mountain Landscape with a Castle, 1609. Mountain Landscape with a Castle, 1609. Creator: Roelandt Savery. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE WEST FAÇADE OF THE CHURCH OF SAINT MARY IN UTRECHT, 1662. CREATOR: PIETER JANSZ SAENREDAM.

The West Façade of the Church of Saint Mary in Utrecht, 1662. The West Façade of the Church of Saint Mary in Utrecht, 1662. Creator: Pieter Jansz Saenredam. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

TRAVELLER AT A COTTAGE DOOR, 1649. CREATOR: ISAAC VAN OSTADE.

Traveller at a Cottage Door, 1649. A traveller or possibly an itinerant worker to judge from his clothes and the objects he carries (a satchel and sheepskin rucksack) at the entrance to a humble dwelling. Van Ostade used the façade of this poor cottage as the backdrop for the traveller and the three members of a peasant family. The traveller is seen standing, leaning on his staff while he speaks to the woman seated on the ground who has placed her spinning tools beside her. Their young son, with his hat on the ground, timidly hides his face in his mother’s lap. Meanwhile the father, inside the cottage, leans out of the door to look at the stranger and listens attentively to the conversation. Traveller at a Cottage Door, 1649. Creator: Isaac van Ostade. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

TAVERN INTERIOR, 1661. CREATOR: ADRIAEN VAN OSTADE.

Tavern Interior, 1661. In this tavern scene Van Ostade depicted some of the leisure activities of the humblest social classes such as board games, drinking and smoking. The backgammon board on the table in the background is the focus of interest of the three figures in the window, along with their tobacco and drink, while the seated figure in the foreground is also depicted smoking. Tavern Interior, 1661. Creator: Adriaen van Ostade. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE REST ON THE FLIGHT INTO EGYPT, 1515. CREATOR: BERNAERT VAN ORLEY.

The Rest on the Flight into Egypt, 1515. The Rest on the Flight into Egypt, 1515. Creator: Bernaert van Orley. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

OYSTER EATERS, 1665. CREATOR: JACOB OCHTERVELT.

Oyster Eaters, 1665. The three figures are grouped around a table on which the older woman is placing a tray of oysters. This shellfish had erotic connotations and was thought to be an aphrodisiac, an allusion which, combined with that of music, suggests an amorous theme for the painting. To judge from the figures and the other elements this scene might be set in a brothel. Oyster Eaters, 1665. Creator: Jacob Ochtervelt. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIEW OF A VILLAGE BESIDE A RIVER, UNKNOWN DATE. CREATOR: MASTER OF THE MONOGRAM IDM.

View of a Village beside a River, unknown date. View of a Village beside a River, unknown date. Creator: Master of the Monogram IDM. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIEW OF A RIVER PORT WITH THE CASTEL SANT'ANGELO, UNKNOWN DATE. CREATOR: MASTER OF THE MONOGRAM IDM.

View of a River Port with the Castel Sant'Angelo, unknown date. View of a River Port with the Castel Sant'Angelo, unknown date. Creator: Master of the Monogram IDM. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LANDSCAPE WITH A FARM AND A BRIDGE, UNKNOWN DATE. CREATOR: GOVAERT FLINCK.

Landscape with a Farm and a Bridge, unknown date. Landscape with a Farm and a Bridge, unknown date. Creator: Govaert Flinck. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VILLAGE SCENE WITH MEN DRINKING, 1631. CREATOR: ADRIAEN BROUWER.

Village Scene with Men drinking, 1631. Village Scene with Men drinking, 1631. Creator: Adriaen Brouwer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE REST ON THE FLIGHT INTO EGYPT, 1540. CREATOR: ANON.

The Rest on the Flight into Egypt, 1540. The Rest on the Flight into Egypt, 1540. Creator: Anon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CASTLE IN A FOREST, 1667. CREATOR: JAN WIJNANTS.

Castle in a Forest, 1667. Castle in a Forest, 1667. Creator: Jan Wijnants. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE SCHOENBERG SEEN FROM HOISERNRADALPE, 1833. CREATOR: FERDINAND GEORG WALDMULLER.

The Schoenberg seen from Hoisernradalpe, 1833. The Schoenberg seen from Hoisernradalpe, 1833. Creator: Ferdinand Georg Waldmuller. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

A STORMY SEA, 1748. CREATOR: CLAUDE-JOSEPH VERNET.

A Stormy Sea, 1748. A Stormy Sea, 1748. Creator: Claude-Joseph Vernet. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LANDSCAPE WITH ARMED MEN, UNKNOWN DATE. CREATOR: HERCULES SEGHERS.

Landscape with Armed Men, unknown date. Landscape with Armed Men, unknown date. Creator: Hercules Seghers. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

HOUSES ON THE RIVER (THE OLD TOWN), 1914. CREATOR: EGON SCHIELE.

Houses on the River (The Old Town), 1914. For a long time, this urban landscape was wrongly identified as an urban view of Wachau, a town in lower Austria where Schiele painted on several occasions, until it was subsequently demonstrated that the scene in fact represented Krumau, a small Bohemian village on the banks of the river Moldava (now Cesky´ Krumlov, Czech Republic). Houses on the River (The Old Town), 1914. Creator: Egon Schiele. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

WINTER LANDSCAPE, 1670. CREATOR: JACOB VAN RUISDAEL.

Winter Landscape, 1670. Winter Landscape, 1670. Creator: Jacob van Ruisdael. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

RUE SAINT-HONORÉ IN THE AFTERNOON. EFFECT OF RAIN, 1897. CREATOR: CAMILLE PISSARRO.

Rue Saint-Honoré in the Afternoon. Effect of Rain, 1897. Rue Saint-Honoré in the Afternoon. Effect of Rain, 1897. Creator: Camille Pissarro. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE GRAND CANAL WITH SANTA MARIA DELLA SALUTE, 1738. CREATOR: MICHELE MARIESCHI.

The Grand Canal with Santa Maria della Salute, 1738. The Grand Canal with Santa Maria della Salute, 1738. Creator: Michele Marieschi. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE FORT AND TEN POUND ISLAND, GLOUCESTER, MASSACHUSETTS, 1847. CREATOR: FITZ HUGH LANE.

The Fort and Ten Pound Island, Gloucester, Massachusetts, 1847. The Fort and Ten Pound Island, Gloucester, Massachusetts, 1847. Creator: Fitz Hugh Lane. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE JUNKERBODEN UNDER SNOW, 1936. CREATOR: ERNST KIRCHNER.

The Junkerboden under Snow, 1936. The Junkerboden under Snow, 1936. Creator: Ernst Kirchner. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ALPINE KITCHEN, 1918. CREATOR: ERNST KIRCHNER.

Alpine Kitchen, 1918. Alpine Kitchen, 1918. Creator: Ernst Kirchner. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LANDSCAPE WITH THE PALACE AT CASERTA AND VESUVIUS, 1793. CREATOR: JACOB PHILIP HACKERT.

Landscape with the Palace at Caserta and Vesuvius, 1793. Landscape with the Palace at Caserta and Vesuvius, 1793. Creator: Jacob Philip Hackert. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE GRAND CANAL WITH SANTA LUCIA AND SANTA MARIA DI NAZARETH, 1780. CREATOR: FRANCESCO GUARDI.

The Grand Canal with Santa Lucia and Santa Maria di Nazareth, 1780. The Grand Canal with Santa Lucia and Santa Maria di Nazareth, 1780. Creator: Francesco Guardi. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

INTERIOR OF THE CHURCH AT MANTES, 1865. CREATOR: JEAN-BAPTISTE-CAMILLE COROT.

Interior of the Church at Mantes, 1865. Interior of the Church at Mantes, 1865. Creator: Jean-Baptiste-Camille Corot. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE SOUTH FAÇADE OF WARWICK CASTLE, 1748. CREATOR: CANALETTO.

The South Façade of Warwick Castle, 1748. The South Façade of Warwick Castle, 1748. Creator: Canaletto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE BUCINTORO, 1745. CREATOR: CANALETTO.

The Bucintoro, 1745. The Bucintoro was the official galley of the Doge of Venice, which is depicted here moored between gondolas and other boats beside the Piazzetta. The Bucintoro, 1745. Creator: Canaletto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE PIAZZA SAN MARCO IN VENICE, 1723. CREATOR: CANALETTO.

The Piazza San Marco in Venice, 1723. The Piazza San Marco in Venice, 1723. Creator: Canaletto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE GRAND CANAL FROM SAN VIO, VENICE, 1723. CREATOR: CANALETTO.

The Grand Canal from San Vio, Venice, 1723. The Grand Canal from San Vio, Venice, 1723. Creator: Canaletto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIEW OF THE BINNENHOF, THE HAGUE, 1690. CREATOR: GERRIT BERCKHEYDE.

View of the Binnenhof, The Hague, 1690. Using a high viewpoint, the artist locates us within one of the city’s most famous open spaces, the Binnenhof (interior courtyard) of the residence of the Counts of Holland, with the west façade of the Ridderzaal (Knights’ Hall) in the background. View of the Binnenhof, The Hague, 1690. Creator: Gerrit Berckheyde. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE NIEUWEZIJDS VOORBURGSWAL WITH THE FLOWER MARKET, AMSTERDAM, 1686. CREATOR: GERRIT BERCKHEYDE.

The Nieuwezijds Voorburgswal with the Flower Market, Amsterdam, 1686. The Nieuwezijds Voorburgswal with the Flower Market, Amsterdam, 1686. Creator: Gerrit Berckheyde. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CAPRICCIO WITH A RIVER AND BRIDGE, 1745. CREATOR: BERNARDO BELLOTTO.

Capriccio with a River and Bridge, 1745. Capriccio with a River and Bridge, 1745. Creator: Bernardo Bellotto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ICHIKAWA OF THE MATSUBAYA, 1790-1800. CREATOR: KITAGAWA UTAMARO.

Ichikawa of the Matsubaya, 1790-1800. The oiran, or high-ranking yuejo ‘woman of pleasure’ Ichikawa, who worked in the Matsuba house in the Edomachi Itchome district of the Yoshiwara. She is pictured here in the loose, flowing garments and informal front - tyingobi (sash), fashionable with yuejo of the time. She holds a brass pipe in her right hand and sits with a lacquer box of smoking utensils. The koi (carp) leaping upwards through a waterfall on her gorgeous uchikake (over-kimono) was associated with perseverance, and with love. The first quality is suggested in Ichikawa’s tired, poignant pose and expression, reflecting her resignation to the harsh indenture of the quarters. The latter reference is more ironic, as there was little true love to be found in brothel engagements. Ichikawa of the Matsubaya, 1790-1800. Creator: Kitagawa Utamaro. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PACHYSTEGIA INSIGNIS, C.1885. CREATOR: SARAH FEATON.

Pachystegia insignis, c.1885. Pachystegia insignis, c.1885. Creator: Sarah Featon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

OLEARIA ANGUSTIFOLIA: MUTTON BIRD SCRUB, TETEAWEKA; OLEARIA FRUFURACEA: AKIPIRAU, C.1885. CREATOR: SARAH FEATON.

Olearia angustifolia: mutton bird scrub, Teteaweka; Olearia frufuracea: Akipirau, c.1885. Olearia angustifolia: mutton bird scrub, Teteaweka; Olearia frufuracea: Akipirau, c.1885. Creator: Sarah Featon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CHILDREN PLAYING, 1879. CREATOR: CATHERINE GREENAWAY.

Children playing, 1879. Children playing, 1879. Creator: Catherine Greenaway. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CROIX DE MOULIN DES PLANCHES, 1827. CREATOR: RICHARD PARKES BONINGTON.

Croix de Moulin des Planches, 1827. Croix de Moulin des Planches, 1827. Creator: Richard Parkes Bonington. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE "ADAM AND EVE", OLD CHELSEA, 1879. CREATOR: JAMES ABBOTT MCNEILL WHISTLER.

The "Adam and Eve", Old Chelsea, 1879. The "Adam and Eve", Old Chelsea, 1879. Creator: James Abbott McNeill Whistler. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

AMOENISSIMÆ ALIQUOT LOCORUM ... EFFIGIES. PLATE 18. ZU COELLEN, 1635. CREATOR: WENCESLAUS HOLLAR.

Amoenissimæ aliquot locorum ... Effigies. Plate 18. Zu Coellen, 1635. Amoenissimæ aliquot locorum ... Effigies. Plate 18. Zu Coellen, 1635. Creator: Wenceslaus Hollar. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

AMOENISSIMÆ ALIQUOT LOCORUM ... EFFIGIES. PLATE 14. RUDESSHEIM IM RINCKOW, 1635. CREATOR: WENCESLAUS HOLLAR.

Amoenissimæ aliquot locorum ... effigies. Plate 14. Rudeßheim im Rinckow, 1635. Amoenissimæ aliquot locorum ... effigies. Plate 14. Rudeßheim im Rinckow, 1635. Creator: Wenceslaus Hollar. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

AMOENISSIMÆ ALIQUOT LOCORUM ... EFFIGIES. PLATE 13. ZU FRANCFORT, 1635. CREATOR: WENCESLAUS HOLLAR.

Amoenissimæ aliquot locorum ... effigies. Plate 13. Zu Francfort, 1635. Amoenissimæ aliquot locorum ... effigies. Plate 13. Zu Francfort, 1635. Creator: Wenceslaus Hollar. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

AMOENISSIMÆ ALIQUOT LOCORUM ... EFFIGIES. PLATE 17. ZU COELLEN, 1635. CREATOR: WENCESLAUS HOLLAR.

Amoenissimæ aliquot locorum ... effigies. Plate 17. Zu Coellen, 1635. Zu Coellen (Cologne) is Plate 17 of a collection of 24 etchings, Amoenissimae aliquot locorum. This print depicts a prospect of Cologne and the contiguous settlement of Deutz, from the vantage point of the Suedstadt of Cologne on the other side of the Rhine. The church beyond the foreground windmill is St Severin, a historic basilica with a Romanesque core. The very tall tower and spire are later gothic additions. Amoenissimae aliquot locorum is the earliest of Hollar's recorded publications. The Latin title of the series translates as 'Delightful likenesses of some places lying in various countries'. It records Hollar’s long and winding journey from his native Prague all the way to the Netherlands between 1627 and 1634. Amoenissimæ aliquot locorum ... effigies. Plate 17. Zu Coellen, 1635. Creator: Wenceslaus Hollar. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE REST BEFORE THE INN, C.1652-55. CREATOR: NICOLAES BERCHEM.

The rest before the inn, c.1652-55. The rest before the inn, c.1652-55. Creator: Nicolaes Berchem. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

HIGH NOON IN THE BOATYARD, RYE, 1909. CREATOR: MARTIN HARDIE.

High noon in the boatyard, Rye, 1909. High noon in the boatyard, Rye, 1909. Creator: Martin Hardie. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DIE ROEMISCHEN ANSICHTEN (VIEWS OF ROME)/ ACQUEDOTTI SOTTO S. BONAVENTURA IN ROMA, 1810. CREATOR: JOSEPH ANTON KOCH.

Die Roemischen Ansichten (Views of Rome)/ Acquedotti sotto S. Bonaventura in Roma, 1810. From a series of 20 etchings in the series Die Roemischen Ansichten (Views of Rome). This depicts the terminus of a branch of the Claudian aqueduct under the monastery of San Bonaventura in Rome. The aqueduct is a memorial to ancient Roman technology - it was built under the orders of the emperor Domitian to supplement the water supply to the Palatine complex. Die Roemischen Ansichten (Views of Rome)/ Acquedotti sotto S. Bonaventura in Roma, 1810. Creator: Joseph Anton Koch. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DIE ROEMISCHEN ANSICHTEN (VIEWS OF ROME)/ SUBIACO, 1810. CREATOR: JOSEPH ANTON KOCH.

Die Roemischen Ansichten (Views of Rome)/ Subiaco, 1810. Seventh plate in the series 'Die Roemischen Ansichten (Views of Rome)' and as the title implies, it depicts the famous and spectacularly sited medieval St Benedict's Abbey. Subiaco is 73 km. east of Rome. Die Roemischen Ansichten (Views of Rome)/ Subiaco, 1810. Creator: Joseph Anton Koch. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DIE ROEMISCHEN ANSICHTEN (VIEWS OF ROME)/ROVINE DEL PALAZZO DE CESARI, 1810. CREATOR: JOSEPH ANTON KOCH.

Die Roemischen Ansichten (Views of Rome)/Rovine del Palazzo de Cesari, 1810. From a series of 20 etchings in the series Die Roemischen Ansichten (Views of Rome). Depicts, as the Italian title beneath the image implies, the ruins of the Palace of the Caesars. In the foreground, social interactions enliven the sublime yet idyllic scene before us: there's a seated man with his dog in the foreground, and a woman and child walking past, both looking back at him. To the right, there is a group of happy peasant like figures, one of whom is playing a guitar-like instrument. Die Roemischen Ansichten (Views of Rome)/Rovine del Palazzo de Cesari, 1810. Creator: Joseph Anton Koch. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DIE ROEMISCHEN ANSICHTEN (VIEWS OF ROME)/ RUINE DEL PALAZZO DE'CESARI IN ROMA, 1810. CREATOR: JOSEPH ANTON KOCH.

Die Roemischen Ansichten (Views of Rome)/ Ruine del Palazzo de'Cesari in Roma, 1810. From a series of 20 etchings in the series Die Roemischen Ansichten (Views of Rome). It depicts the ruins of the Palace of the Caesars on the Palatine Hill, Rome. Die Roemischen Ansichten (Views of Rome)/ Ruine del Palazzo de'Cesari in Roma, 1810. Creator: Joseph Anton Koch. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE POOL., 1859. CREATOR: JAMES ABBOTT MCNEILL WHISTLER.

The pool., 1859. The pool., 1859. Creator: James Abbott McNeill Whistler. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MEPPERSHALL CHAPEL, 1915. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

Meppershall Chapel, 1915. Meppershall Chapel, 1915. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST. BOTOLPH'S, BOSTON, 1925. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

St. Botolph's, Boston, 1925. St. Botolph's, Boston, 1925. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE ALMONRY, 1925. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

The Almonry, 1925. The Almonry, 1925. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST. MARY'S, NOTTINGHAM, 1928. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

St. Mary's, Nottingham, 1928. St. Mary's, Nottingham, 1928. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

POTTER'S BOW, 1924. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

Potter's bow, 1924. Architectural fantasy of a magnificent, semi-ruined abbey (or small cathedral) and its approaches, the main building with period features such as a Romanesque south transept and a Perpendicular Gothic nave. Potter's bow, 1924. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CASTOR, 1927. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

Castor, 1927. Architectural fantasy - towards the right, we see a magnificent Romanesque church tower topped by a relatively stumpy gothic spire, rendered in fainter, silvery inks to suggest distance and grandeur. A solitary figure, in what appears 17th century dress, emphasises the pathos and the enormity of the then recent destruction Castor, 1927. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)