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SZ PHOTO 03552156

Wenige Dutzend Menschen versammelten sich am 24.4.2024 am Marienplatz in München, um für einen Waffenstillstand in Gaza und um die Opfer des Kriegs zu trauern. (KEYSTONE/SUEDDEUTSCHE ZEITUNG PHOTO/Lorenzo Filippucci)

SZ PHOTO 03552154

Wenige Dutzend Menschen versammelten sich am 24.4.2024 am Marienplatz in München, um für einen Waffenstillstand in Gaza und um die Opfer des Kriegs zu trauern. (KEYSTONE/SUEDDEUTSCHE ZEITUNG PHOTO/Lorenzo Filippucci)

BOMBE AUF DER STRASSE. HINTERGRUND EINE NUKLEARE EXPLOSION.

Bombe auf der Straße. Hintergrund eine nukleare Explosion. (KEYSTONE/CHROMORANGE/Ales Utouka)

BERLIN, DEUTSCHLAND, PROTEST-CAMP VON PRO-PALAESTINA DEMONSTRANT

23.04.2024, Berlin, Deutschland, Europa - EIn Protest-Camp von pro-Palaestina Demonstranten und Friedensaktivisten mit Zelten und palaestinensischen Fahnen auf einer Wiese gegenueber dem Bundestag im Regierungsviertel in Tiergarten. In diesem Zeltlager campieren u.a. radikale Palaestinenser Seite an Seite mit Aktivisten und protestieren gegen Israel und die Juden. Sie werfen Israel einen Voelkermord an den Menschen im Gaza-Streifen vor und beschuldigen die Bundesregierung der Beihilfe am Voelkermord in Gaza durch Waffenlieferungen an Israel aus Deutschland. Die Demonstranten fordern einen sofortigen Waffenstillstand und Friedensverhandlungen zwischen Gaza und Israel. (KEYSTONE/SUEDDEUTSCHE ZEITUNG PHOTO/Olaf Schülke)

BERLIN, DEUTSCHLAND, PROTEST-CAMP VON PRO-PALAESTINA DEMONSTRANT

23.04.2024, Berlin, Deutschland, Europa - EIn Protest-Camp von pro-Palaestina Demonstranten und Friedensaktivisten mit Zelten und palaestinensischen Fahnen auf einer Wiese gegenueber dem Bundestag im Regierungsviertel in Tiergarten. In diesem Zeltlager campieren u.a. radikale Palaestinenser Seite an Seite mit Aktivisten und protestieren gegen Israel und die Juden. Sie werfen Israel einen Voelkermord an den Menschen im Gaza-Streifen vor und beschuldigen die Bundesregierung der Beihilfe am Voelkermord in Gaza durch Waffenlieferungen an Israel aus Deutschland. Die Demonstranten fordern einen sofortigen Waffenstillstand und Friedensverhandlungen zwischen Gaza und Israel. (KEYSTONE/SUEDDEUTSCHE ZEITUNG PHOTO/Olaf Schülke)

BERLIN, DEUTSCHLAND, PROTEST-CAMP VON PRO-PALAESTINA DEMONSTRANT

23.04.2024, Berlin, Deutschland, Europa - EIn Protest-Camp von pro-Palaestina Demonstranten und Friedensaktivisten mit Zelten und palaestinensischen Fahnen auf einer Wiese gegenueber dem Bundestag im Regierungsviertel in Tiergarten. In diesem Zeltlager campieren u.a. radikale Palaestinenser Seite an Seite mit Aktivisten und protestieren gegen Israel und die Juden. Sie werfen Israel einen Voelkermord an den Menschen im Gaza-Streifen vor und beschuldigen die Bundesregierung der Beihilfe am Voelkermord in Gaza durch Waffenlieferungen an Israel aus Deutschland. Die Demonstranten fordern einen sofortigen Waffenstillstand und Friedensverhandlungen zwischen Gaza und Israel. (KEYSTONE/SUEDDEUTSCHE ZEITUNG PHOTO/Olaf Schülke)

BERLIN, DEUTSCHLAND, PROTEST-CAMP VON PRO-PALAESTINA DEMONSTRANT

23.04.2024, Berlin, Deutschland, Europa - EIn Protest-Camp von pro-Palaestina Demonstranten und Friedensaktivisten mit Zelten und palaestinensischen Fahnen auf einer Wiese gegenueber dem Bundestag im Regierungsviertel in Tiergarten. In diesem Zeltlager campieren u.a. radikale Palaestinenser Seite an Seite mit Aktivisten und protestieren gegen Israel und die Juden. Sie werfen Israel einen Voelkermord an den Menschen im Gaza-Streifen vor und beschuldigen die Bundesregierung der Beihilfe am Voelkermord in Gaza durch Waffenlieferungen an Israel aus Deutschland. Die Demonstranten fordern einen sofortigen Waffenstillstand und Friedensverhandlungen zwischen Gaza und Israel. (KEYSTONE/SUEDDEUTSCHE ZEITUNG PHOTO/Olaf Schülke)

BERLIN, DEUTSCHLAND, PROTEST-CAMP VON PRO-PALAESTINA DEMONSTRANT

23.04.2024, Berlin, Deutschland, Europa - EIn Protest-Camp von pro-Palaestina Demonstranten und Friedensaktivisten mit Zelten und palaestinensischen Fahnen auf einer Wiese gegenueber dem Bundestag im Regierungsviertel in Tiergarten. In diesem Zeltlager campieren u.a. radikale Palaestinenser Seite an Seite mit Aktivisten und protestieren gegen Israel und die Juden. Sie werfen Israel einen Voelkermord an den Menschen im Gaza-Streifen vor und beschuldigen die Bundesregierung der Beihilfe am Voelkermord in Gaza durch Waffenlieferungen an Israel aus Deutschland. Die Demonstranten fordern einen sofortigen Waffenstillstand und Friedensverhandlungen zwischen Gaza und Israel. (KEYSTONE/SUEDDEUTSCHE ZEITUNG PHOTO/Olaf Schülke)

THE CRUCIFIXION, 1335. CREATOR: VITALE DA BOLOGNA.

The Crucifixion, 1335. The Crucifixion, 1335. Creator: Vitale da Bologna. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE BLINDING OF SAMSON, 1609. CREATOR: PETER PAUL RUBENS.

The Blinding of Samson, 1609. An episode from the life of Samson recounted in the Old Testament. According to this account, the Philistines entrusted Delilah with seducing Samson in order to discover the secret of his great strength and thus capture him. The Blinding of Samson, 1609. Creator: Peter Paul Rubens. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PORTRAIT OF GIOVANNI BATTISTA DI CASTALDO, 1550. CREATOR: ANTONIS MOR.

Portrait of Giovanni Battista di Castaldo, 1550. Portrait of Giovanni Battista di Castaldo, 1550. Creator: Antonis Mor. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SAINT PAUL, 1525. CREATOR: CIRCLE OF LUCAS VAN LEYDEN.

Saint Paul, 1525. Saint Paul, 1525. Creator: Circle of Lucas van Leyden. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PORTRAIT OF A MAN, 1640. CREATOR: GOVAERT FLINCK.

Portrait of a Man, 1640. Portrait of a Man, 1640. Creator: Govaert Flinck. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PORTRAIT OF A YOUNG MAN AS SAINT SEBASTIAN, 1533. CREATOR: AGNOLO BRONZINO.

Portrait of a young Man as Saint Sebastian, 1533. Portrait of a young Man as Saint Sebastian, 1533. Creator: Agnolo Bronzino. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE GOOD CENTURION, 1477. CREATOR: DERICK BAEGERT.

The Good Centurion, 1477. The Good Centurion, 1477. Creator: Derick Baegert. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE DEATH OF SOPHONISBA, 1760. CREATOR: GIOVANNI BATTISTA TIEPOLO.

The Death of Sophonisba, 1760. Sophonisba, who lived from 235 to 203BC, was Queen of Numidia and daughter of the Carthaginian general Hasdrubal. She married one of the Numidian chiefs, Syphax, an ally of Rome, but succeeded in dissuading him against his commitments to the Republic. Syphax was defeated at the battle of Utica by Masinissa, another Numidian chief, whom Sophonisba married, having been betrothed to him before her marriage to Syphax. Worried that this new union would also result in the defection of an ally from the Roman side, Scipio Africanus ordered Masinissa to hand over Sophonisba in order to take her as a prisoner to Rome. Unable to enter into conflict with the Roman general but determined to avoid dishonour, Masinissa sent his wife a cup of poison which she drank. The Death of Sophonisba, 1760. Creator: Giovanni Battista Tiepolo. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST. MICHAEL EXPELLING LUCIFER AND THE REBEL ANGELS, 1622. CREATOR: WORKSHOP OF PETER PAUL RUBENS.

St. Michael expelling Lucifer and the Rebel Angels, 1622. A subject that found new life during the Counter-Reformation and was used in the 17th century to symbolise the triumph of the Catholic Church in the form of Saint Michael, over the Protestants. This episode of the archangel saint, a figure referred to in the Book of Daniel, is to be found in the Revelation of Saint John. St. Michael expelling Lucifer and the Rebel Angels, 1622. Creator: Workshop of Peter Paul Rubens. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VENUS AND CUPID, 1606. CREATOR: PETER PAUL RUBENS.

Venus and Cupid, 1606. Venus and Cupid, 1606. Creator: Peter Paul Rubens. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE SACRIFICE OF POLYXENA, UNKNOWN DATE, (C1730S). CREATOR: WORKSHOP OF GIOVANNI BATTISTA PITTONI.

The Sacrifice of Polyxena, unknown date, (c1730s). Polyxena, with whom Achilles fell in love, was the younger daughter of Priam and Hecuba, the king and queen of Troy. She was partly responsible for Achilles’ death, having promised him her hand if he raised the siege on the city, a false promise and a trap that would bring about his death. The Sacrifice of Polyxena, unknown date, (c1730s). Creator: Workshop of Giovanni Battista Pittoni. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE SACRIFICE OF ISAAC, 1715. CREATOR: GIOVANNI BATTISTA PIAZZETTA.

The Sacrifice of Isaac, 1715. The Sacrifice of Isaac, 1715. Creator: Giovanni Battista Piazzetta. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PORTRAIT OF MADAME BOURET AS DIANA, 1745. CREATOR: JEAN-MARC NATTIER.

Portrait of Madame Bouret as Diana, 1745. Portrait of Madame Bouret as Diana, 1745. Creator: Jean-Marc Nattier. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SAINT CATHERINE OF ALEXANDRIA, 1598. CREATOR: MICHELANGELO CARAVAGGIO.

Saint Catherine of Alexandria, 1598. Saint Catherine of Alexandria, 1598. Creator: Michelangelo Caravaggio. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DAVID WITH THE HEAD OF GOLIATH AND TWO SOLDIERS, 1620. CREATOR: VALENTIN DE BOULOGNE.

David With the Head of Goliath and Two Soldiers, 1620. David With the Head of Goliath and Two Soldiers, 1620. Creator: Valentin de Boulogne. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SAINT SEBASTIAN ATTENDED BY SAINT IRENE AND HER MAID, 1615. CREATOR: DIRCK VAN BABUREN.

Saint Sebastian attended by Saint Irene and her Maid, 1615. Saint Sebastian attended by Saint Irene and her Maid, 1615. Creator: Dirck van Baburen. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SAINT JEROME IN THE DESERT, 1450. CREATOR: MARCO ZOPPO.

Saint Jerome in the Desert, 1450. Saint Jerome in the Desert, 1450. Creator: Marco Zoppo. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SAINT SEBASTIAN (VERSO), 1480. CREATOR: MASTER OF THE MAGDALEN LEGEND.

Saint Sebastian (verso), 1480. Saint Sebastian (verso), 1480. Creator: Master of the Magdalen Legend. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SAINT GEORGE (EXTERIOR RIGHT WING), 1514. CREATOR: LUCAS CRANACH THE ELDER.

Saint George (Exterior Right Wing), 1514. Saint George (Exterior Right Wing), 1514. Creator: Lucas Cranach the Elder. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

COSIMO DE MEDICI IN ARMOUR, 1545. CREATOR: AGNOLO BRONZINO.

Cosimo de Medici in Armour, 1545. Cosimo de Medici in Armour, 1545. Creator: Agnolo Bronzino. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE PRESENTATION OF THE CAPTAIN GENERAL'S BATON TO ANTONIO MONCADA BY THE QUEEN REGENT....1410, 1664 CREATORS: DAVID TENIERS II, JAN VAN KESSEL.

The Presentation of the Captain General's Baton to Antonio Moncada by the Queen Regent Blanca of Sicily in 1410, 1664. As in the previous scene, the events take place in an interior, but here the solemn event is witnessed by a large group of prelates and other dignitaries gathered before the queen’s throne. In this case Van Kessel decorated his border with putti and numerous objects and instruments relating to war, including coats-of-arms, lances, swords, arrows and standards, as well as various military musical instruments such as drums and trumpets. Van Kessel framed the scenes at the sides with pilasters and two busts symbolising Justice and Liberalitas Regis. The Presentation of the Captain General's Baton to Antonio Moncada by the Queen Regent....1410, 1664 Creators: David Teniers II, Jan van Kessel. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE SUBMISSION OF THE SICILIAN REBELS TO ANTONIO MONCADA IN 1411, 1663. CREATORS: DAVID TENIERS II, JAN VAN KESSEL.

The Submission of the Sicilian Rebels to Antonio Moncada in 1411, 1663. Antonio de Moncada, having defeated the rebels, represented by two kneeling men in the foreground, receives the keys of the city held by a young boy on a tray. Wearing ceremonial armour and holding the baton of captain-general in his hand, Antonio de Moncada accepts the gift, standing under an ornate blue canopy. Teniers completes the scene with other figures wearing decorative armour. The border by Van Kessel has six small putti playing or holding objects such as a glass of wine, flowers, crowns or swinging from large ribbons. The musical instruments, pieces of armour, flowers and two concerts of exotic birds at the top provide a brilliant framework for the historical episode. The Submission of the Sicilian Rebels to Antonio Moncada in 1411, 1663. Creators: David Teniers II, Jan van Kessel. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

HUSSARS ON A SORTIE, 1913. CREATOR: AUGUST MACKE.

Hussars on a Sortie, 1913. Hussars on a Sortie, 1913. Creator: August Macke. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CORNER OF A LIBRARY, 1711. CREATOR: JAN VAN DER HEYDEN.

Corner of a Library, 1711. An interior set against a plain wall with a bookcase to one side on which are neatly arranged volumes in perfect order. The bookcase is designed to allow easy access to the top shelves on which the largest volumes are kept, while a striking element is the curtain intended to protect them from dust and light. Leaning against the side of the bookcase are what appear to be rolled-up maps, together with an oriental lance, one of the various oriental items in the room. The foreground is used for a table covered with a splendid Chinese textile on which the artist has depicted a terrestrial and a celestial globe, an armillary sphere and an atlas. The furniture is completed by three chairs, one with a walking stick resting on it, and the candelabrum in the space nearest the viewer. Corner of a Library, 1711. Creator: Jan van der Heyden. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

YOUNG KNIGHT IN A LANDSCAPE, 1505. CREATOR: VITTORE CARPACCIO.

Young Knight in a Landscape, 1505. Young Knight in a Landscape, 1505. Creator: Vittore Carpaccio. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE CRUCIFIXION, 1330. CREATOR: BERNARDO DADDI.

The Crucifixion, 1330. The Crucifixion, 1330. Creator: Bernardo Daddi. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ICHIKAWA DANJURO VIII AS SUKEROKU, FROM THE PLAY 'SUKEROKU YUKARI EDO ZAKURA' (THE FLOWER..., 1832. CREATOR: UTAGAWA KUNISADA.

Ichikawa Danjuro VIII as Sukeroku, from the play 'Sukeroku yukari Edo zakura' (The Flower of Edo), 1832. Ichikawa Danjuro VIII as Sukeroku, from the play 'Sukeroku yukari Edo zakura' (The Flower..., 1832. Creator: Utagawa Kunisada. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST. CATHERINE, 1505-1507. CREATOR: HANS BALDUNG.

St. Catherine, 1505-1507. St Catherine of Alexandria is beautiful, lavishly dressed and serene. Her studiousness is denoted by the holy volume that she holds. Beside her are the instruments of her martyrdom, the wheel and the sword. St. Catherine, 1505-1507. Creator: Hans Baldung. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SHEBA, C.1929. CREATOR: MARY TRIPE.

Sheba, c.1929. This is a portrait of Allison Kirkcaldie, who was part of the family that owned Wellington’s Kirkcaldie and Stains department store. She is painted in fancy dress, as the Queen of Sheba. In 1928, Allison Kirkcaldie was one of six young Wellington women chosen to participate in the Dream of Fair Women Pageant. The pageant was held in the Town Hall, with each participant dressed as a different queen. It was part of a fundraising carnival to raise money for the establishment of a National Art Gallery. Sheba, c.1929. Creator: Mary Tripe. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

EAUX-FORTES MODERNES. PLATE 197. ARABES D'ORAN (ARABS OF ORAN), 1833. CREATOR: EUGENE DELACROIX.

Eaux-Fortes Modernes. Plate 197. Arabes d'Oran (Arabs of Oran), 1833. Shows an outdoor setting with two men, one reclining and facing the viewer, the other seated with his legs drawn into his chest and gazing out to the right. They are dressed in robes and wear Arabic 'Guhtra' headdresses. They have rifles at their sides. In the background on the right are two men, one riding a horse, who go towards a group of buildings in the distance. Eaux-Fortes Modernes. Plate 197. Arabes d'Oran (Arabs of Oran), 1833. Creator: Eugene Delacroix. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DROUET, 1859. CREATOR: JAMES ABBOTT MCNEILL WHISTLER.

Drouet, 1859. Drouet, 1859. Creator: James Abbott McNeill Whistler. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

BREAKING UP OF THE AGAMEMNON, 1870. CREATOR: FRANCIS SEYMOUR HADEN.

Breaking up of the Agamemnon, 1870. The 'Agamemnon', the last surviving wooden-hulled battle ship in the British navy. Depicted being dismantled, moored to a buoy in the Thames opposite Greenwich, a nasty, deeply silhouetted wrecking barge beside it, going about its foul deed. Breaking up of the Agamemnon, 1870. Creator: Francis Seymour Haden. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE BEHEADING OF JOHN THE BAPTIST, 1625-1630. CREATOR: GIUSEPPE CALETTI.

The beheading of John the Baptist, 1625-1630. Plate 12 of series ' Esemplari per facilitar gli amatori del disegno' (Specimens to make drawing for enthusiasts easier) and corresponds to a booklet of thirteen, dedicated to Roberto Canonici. It depicts an ugly and brutal executioner - almost certainly influenced by earlier German 'Little Master' printmakers - holding up the head of St John the Baptist to the beautifully dressed, rather stiffly posed Salome, who holds a metal charger to accommodate it. The beheading of John the Baptist, 1625-1630. Creator: Giuseppe Caletti. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

NO TITLE - (LANCER MOUNTING HORSE), 1792-1831. CREATOR: CHRISTIAN DAVID GEBAUER.

No title - (Lancer mounting horse), 1792-1831. The setting is nondescript but lonely countryside. The main theme is a lancer (cavalry soldier) holding his weapon in his left hand, mounting a horse seen in profile. To the left is his packhorse, with its head lowered. No title - (Lancer mounting horse), 1792-1831. Creator: Christian David Gebauer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LE MINISTÈRE DE LA MARINE (THE MINISTRY OF THE NAVY), 1865. CREATOR: CHARLES MERYON.

Le Ministère de la Marine (The Ministry of the Navy), 1865. The French Admiralty building is shown under attack from bizarre mythological forces seen flying across the sky above the Place de la Concorde. The crowd below is thrown into disarray as Roman charioteers, whales and whaleboats, a waka with sails, an anchor, serpents, cowboys and horses with fishtails prepare for landing. Le Ministère de la Marine (The Ministry of the Navy), 1865. Creator: Charles Meryon. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE PEASANTS' QUARREL, 1653. CREATOR: ADRIAEN VAN OSTADE.

The peasants' quarrel, 1653. In a plain interor, three men are involved in a violent quarrel. One the fiercest - armed with two knives - raising one of them high - has just got up from his chair, clearly enraged. His evident adversary on the right holds just one knife, with his tall hat in his other hand as an improvised shield. A third man, seated between them, his back turned to the viewer, attempts to restrain the chief antagonist. A woman seated opposite him, flinches fearfully and protects her baby. The peasants' quarrel, 1653. Creator: Adriaen van Ostade. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

EXPEDITION TO NOVAYA ZEMLYA; WALRUS HUNT IN MAGDALENEFJORDEN (NORWAY), 1680. CREATOR: JAN LUYKEN.

Expedition to Novaya Zemlya; Walrus hunt in Magdalenefjorden (Norway), 1680. Depicting a highlight on the Third Arctic Expedition of Willem Barentsz (1596). The inscription translates as 'The trip to Novaya Zemlya', and the scene here depicts a walrus hunt in Magdalenefjorden (present day Norway). It shows a small crew of Dutchmen in their sailing boat attacking a huge, obviously doomed walrus. There are other walruses on the right, and two large sailing vessels in right background, while whales spout in far distance. Expedition to Novaya Zemlya; Walrus hunt in Magdalenefjorden (Norway), 1680. Creator: Jan Luyken. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ST BARTHOLOMEW. PLATE 5. FROM: CHRIST AND THE APOSTLES, C.1545. CREATOR: LAMBERT SUAVIUS.

St Bartholomew. Plate 5. From: Christ and the Apostles, c.1545. This is one of the most vivid prints in the series: apprehension is evident in Bartholomew's pose - has he detected an enemy or vice versa? In his left hand, he carries a large knife: this alludes to his grisly martyrdom, in which he was skinned alive. St Bartholomew. Plate 5. From: Christ and the Apostles, c.1545. Creator: Lambert Suavius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PICCADILLY CIRCUS, 1915. CREATOR: DAVID MUIRHEAD BONE.

Piccadilly Circus, 1915. A dramatic scene of crowds as they move through Piccadilly Circus, a circular road junction and major public space bordered by stately buildings in London’s West End. The buildings rise up around the crowd, their facades emanating a soft light from their shop fronts, the most prominent being the edifice of the County Fire Office on the far left; the Pavilion is beyond the crowd near the centre of the work. A tense feeling of war hangs over the scene; search lights slice through the dark ink of the sky and street lamps, their regulation war lampshades cast an eerie light throughout the crowd, silhouetting the motor cars and the Shaftesbury Memorial (Eros). Piccadilly Circus, 1915. Creator: David Muirhead Bone. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SURVIVORS AT ARRAS, 1917. CREATOR: CRW NEVINSON.

Survivors at Arras, 1917. Survivors at Arras, 1917. Creator: CRW Nevinson. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

TRUMPETER OF THE HUSSARS, C1815-20. CREATOR: THEODORE GERICAULT.

Trumpeter Of The Hussars, c1815-20. This figure’s uniform identifies him as a member of the hussars—notoriously fearless cavalry—in the French army. He sits astride his horse, at a distance from the raging battle, with his trumpet at his side. Trumpeters needed visibility to sound a charge or retreat, yet his isolation may also symbolize the widespread disillusionment with the French military after the fall of Napoleon in 1815. Trumpeter Of The Hussars, c1815-20. Creator: Theodore Gericault. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SECOND SCENE OF BURGLARS: THE BURGLARS ARRESTED, 1810. CREATOR: LOUIS LEOPOLD BOILLY.

Second Scene Of Burglars: The Burglars Arrested, 1810. The work is one of a pair: the first scene depicts the burglary of a bourgeois home in progress, while this painting shows the second scene—the discovery of the crime. The dramatic story, told through the figures’ theatrical gestures and expressions, inspired a play based on the two compositions. Second Scene Of Burglars: The Burglars Arrested, 1810. Creator: Louis Leopold Boilly. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

WISDOM SUPPORTING LIBERTY, C1889. CREATOR: JULES DALOU.

Wisdom Supporting Liberty, c1889. Wisdom Supporting Liberty, c1889. Creator: Jules Dalou. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE WARRIOR, C1770. CREATOR: JEAN-HONORE FRAGONARD.

The Warrior, c1770. This figure may be an arrogant warrior from some bygone age or he may be one of the artist’s contemporaries in disguise. The features of his face are individualized, but his costume is invented, described in the artist’s time as “Spanish in manner.” The Warrior, c1770. Creator: Jean-Honore Fragonard. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SIR JEFFREY AMHERST, K. B., 1766. CREATOR: JAMES WATSON.

Sir Jeffrey Amherst, K. B., 1766. Sir Jeffrey Amherst, K. B., 1766. Creator: James Watson. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

COMTE HENRI-AMÉDÉE-MERCURE DE TURENNE-D'AYNAC, 1816. CREATOR: JACQUES-LOUIS DAVID.

Comte Henri-Amédée-Mercure De Turenne-D'Aynac, 1816. The Comte de Turenne is portrayed wearing a uniform and medals, which record his distinguished service in the French army. Comte Henri-Amédée-Mercure De Turenne-D'Aynac, 1816. Creator: Jacques-Louis David. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE FOUR HORSEMEN OF THE APOCALYPSE, C1915-35. CREATOR: HERMANN WOHLER.

The Four Horsemen Of The Apocalypse, c1915-35. The Four Horsemen Of The Apocalypse, c1915-35. Creator: Hermann Wohler. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

GALLOPING CENTAUR, C1755-1765. CREATOR: GIOVANNI DOMENICO TIEPOLO.

Galloping Centaur, c1755-1765. Galloping Centaur, c1755-1765. Creator: Giovanni Domenico Tiepolo. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DISMOUNTED: THE FOURTH TROOPERS MOVING THE LED HORSES, 1890. CREATOR: FREDERIC REMINGTON.

Dismounted: The Fourth Troopers Moving The Led Horses, 1890. The horses in Remington’s painting thunder towards us, kicking up clouds of dust. Chaos seems imminent, but this military maneuver is well practiced. In every group of troopers, three dismount to pursue the battle while the fourth leads the riderless steeds to safety. Each animal is distinctly different, but the mustachioed troopers look alike, all seemingly based on the same model. Dismounted: The Fourth Troopers Moving The Led Horses, 1890. Creator: Frederic Remington. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE WOUNDED BUNKIE, 1896. CREATOR: FREDERIC REMINGTON.

The Wounded Bunkie, 1896. A cavalryman attempts to help his wounded bunkmate to safety. The bullet hole visible in the bunkie’s chest and the animal skull lying on the ground suggest an unhappy ending to the story. The Wounded Bunkie, 1896. Creator: Frederic Remington. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VULCAN PRESENTING ARMS TO VENUS FOR AENEAS, 1756. CREATOR: FRANCOIS BOUCHER.

Vulcan Presenting Arms To Venus For Aeneas, 1756. In Virgil’s epic Aeneid, Venus seduces Vulcan and persuades him to forge weapons for her son Aeneas. This painting shows Vulcan offering the goddess a sword; at his feet are two putti playing with a plumed helmet, and behind him are a shield and armor. This work was a preliminary sketch for a tapestry design—one of a set commissioned from four different artists by the marquis de Marigny, an influential arts administrator under King Louis XV. Vulcan Presenting Arms To Venus For Aeneas, 1756. Creator: Francois Boucher. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE FIELD OF THE SLAIN, C1914-16. CREATOR: MARY EVELYN DE MORGAN.

The Field Of The Slain, c1914-16. The Field Of The Slain, c1914-16. Creator: Mary Evelyn de Morgan. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PHILIP IV, 1862. CREATOR: EDOUARD MANET.

Philip IV, 1862. Philip IV, 1862. Creator: Edouard Manet. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE YOUNG CARD PLAYERS, 1643. CREATOR: ANTOINE LE NAIN.

The Young Card Players, 1643. These rosy-cheeked children appear to play cards innocently, however they are actually trying to cheat the well-dressed boy, second from right. The Young Card Players, 1643. Creator: Antoine Le Nain. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CHAMPIGNY, 2 DECEMBER 1870, C1875-77. CREATOR: ALPHONSE DE NEUVILLE.

Champigny, 2 December 1870, c1875-77. Eight French soldiers—desperate, wounded, and lacking provisions—making a final stand in a small, badly damaged garret. The scene conveys a sense of patriotism, the soldiers retaining their dignity even in the face of defeat. Champigny, 2 December 1870, c1875-77. Creator: Alphonse de Neuville. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PORTRAIT OF ACHILLE DEBAN DE LABORDE, 1817. CREATOR: ALEXANDRE-JEAN DUBOIS-DRAHONET.

Portrait Of Achille Deban De Laborde, 1817. Painted during the Bourbon restoration, this portrait depicts the son of a fallen Napoleonic hero during a time of anti-imperialism in France. Eight-year-old Achille wears a miniature version of the embroidered Hussar uniform his father, Baron Jean-Baptiste Deban de Laborde, would have worn. His father’s military awards, notably the ceremonial sword and Légion d’honneur hanging in the upper left, surround the young boy. Achille would ultimately rise to the rank of colonel in the French cavalry. Portrait Of Achille Deban De Laborde, 1817. Creator: Alexandre-Jean Dubois-Drahonet. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)