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SOMMER EINE WOLKE MASSAGE AUF HIMMEL. INSEL MIT PALMEN IM OZEAN. UNTERWASSERBLICK

Sommer eine Wolke Massage auf Himmel. Insel mit Palmen im Ozean. Unterwasserblick (KEYSTONE/CHROMORANGE/Ales Utouka)

WOLKENHERZ AM HIMMEL SCHÖN

Wolkenherz am Himmel schön (KEYSTONE/CHROMORANGE/Ales Utouka)

PLANET ERDE BRENNT IN EINER BRATPFANNE AUF EINEM GASBRENNER AUF EINEM BLAUEN HINTERGRUND, KONZEPT. GLOBALE ERWÄRMUNG UND KLIMAWANDEL, KREATIVE IDEE. RETTET DEN PLANETEN ERDE

Planet Erde brennt in einer Bratpfanne auf einem Gasbrenner auf einem blauen Hintergrund, Konzept. Globale Erwärmung und Klimawandel, kreative Idee. Rettet den Planeten Erde (KEYSTONE/CHROMORANGE/Ales Utouka)

DAS THERMOMETER ZEIGT EINE ABNORM HEISSE TEMPERATUR VOR DEM HINTERGRUND DES BRENNENDEN PLANETEN ERDE, KONZEPT. GLOBALE ERWÄRMUNG, KREATIVE IDEE. KLIMAWANDEL UND GEFAHR

Das Thermometer zeigt eine abnorm heiße Temperatur vor dem Hintergrund des brennenden Planeten Erde, Konzept. Globale Erwärmung, kreative Idee. Klimawandel und Gefahr (KEYSTONE/CHROMORANGE/Ales Utouka)

THE MASSACRE OF THE INNOCENTS, 1586. CREATOR: LUCAS VAN VALCKENBORCH.

The Massacre of the Innocents, 1586. The Massacre of the Innocents, 1586. Creator: Lucas van Valckenborch. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE GOOD SAMARITAN, 1622. CREATOR: WORKSHOP OF DOMENICO FETTI.

The Good Samaritan, 1622. The Good Samaritan, 1622. Creator: Workshop of Domenico Fetti. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE PARABLE OF THE WEEDS, 1622. CREATOR: DOMENICO FETTI.

The Parable of the Weeds, 1622. The Parable of the Weeds, 1622. Creator: Domenico Fetti. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CHRIST IN THE STORM ON THE SEA OF GALILEE, 1596. CREATOR: JAN BRUEGHEL THE ELDER.

Christ in the Storm on the Sea of Galilee, 1596. Christ in the Storm on the Sea of Galilee, 1596. Creator: Jan Brueghel the Elder. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PARADISE, 1588. CREATOR: JACOPO TINTORETTO.

Paradise, 1588. Paradise, 1588. Creator: Jacopo Tintoretto. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE APOTHEOSIS OF HERCULES, 1765. CREATOR: GIOVANNI DOMENICO TIEPOLO.

The Apotheosis of Hercules, 1765. The Apotheosis of Hercules, along with other similar scenes of figures elevated into the heavens, was a commonly depicted subject in Baroque art, used for decorative cycles and in particular for ceiling paintings. The death and subsequent elevation of Hercules to the heavens on the wish of Jupiter is recounted by Ovid in The Metamorphoses. The Apotheosis of Hercules, 1765. Creator: Giovanni Domenico Tiepolo. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

A STORMY SEA, 1748. CREATOR: CLAUDE-JOSEPH VERNET.

A Stormy Sea, 1748. A Stormy Sea, 1748. Creator: Claude-Joseph Vernet. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

STORMY SEA WITH SAILING VESSELS, 1668. CREATOR: JACOB VAN RUISDAEL.

Stormy Sea with Sailing Vessels, 1668. Stormy Sea with Sailing Vessels, 1668. Creator: Jacob van Ruisdael. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LANDSCAPE WITH A STORM, 1701. CREATOR: MARCO RICCI.

Landscape with a Storm, 1701. Landscape with a Storm, 1701. Creator: Marco Ricci. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

RUE SAINT-HONORÉ IN THE AFTERNOON. EFFECT OF RAIN, 1897. CREATOR: CAMILLE PISSARRO.

Rue Saint-Honoré in the Afternoon. Effect of Rain, 1897. Rue Saint-Honoré in the Afternoon. Effect of Rain, 1897. Creator: Camille Pissarro. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE JUNKERBODEN UNDER SNOW, 1936. CREATOR: ERNST KIRCHNER.

The Junkerboden under Snow, 1936. The Junkerboden under Snow, 1936. Creator: Ernst Kirchner. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LAKE GEORGE, 1860. CREATOR: JOHN FREDERICK KENSETT.

Lake George, 1860. Lake George, the largest in the Adirondacks region north east of New York state and initially called Lac du Sant Sacrament by the Jesuits, became a tourist attraction following the arrival of the railway in the 1850s. Apart from a beauty spot, it was a place imbued with historical associations and nostalgia, as it had been the scene of several military campaigns during the French and Indian War (1755-63) and during the American Revolution (1775-81). Lake George, 1860. Creator: John Frederick Kensett. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

WINTER LANDSCAPE WITH FIGURES, 1750. CREATOR: FRANCESCO FOSCHI.

Winter Landscape with Figures, 1750. Winter Landscape with Figures, 1750. Creator: Francesco Foschi. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

GATHERING SEAWEED, 1860S-1880S. CREATOR: RICHARD BEAVIS.

Gathering seaweed, 1860s-1880s. Gathering Seaweed is a coastal landscape displaying the collaboration between people and animals. Farm animals, especially horses, were acknowledged as helpers in the development of civilisation and modernity. Though the horse in this work is not actively helping in gathering the seaweed, its participation is implied by the big cart to the left, which it will surely have to pull later on. It is also a very atmospheric landscape: two thirds of the composition consist entirely of sky and clouds, and the cold, windy condition is indicated through the horse’s mane and blanket being blown to the side. Gathering seaweed, 1860s-1880s. Creator: Richard Beavis. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE HILLTOP, C.1908. CREATOR: FRANCES HODGKINS.

The hilltop, c.1908. The hilltop, c.1908. Creator: Frances Hodgkins. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE TEMPLE OF DIANA, C.1740. CREATOR: GIOVANNI PAOLO PANINI.

The Temple of Diana, c.1740. The Temple of Diana, c.1740. Creator: Giovanni Paolo Panini. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

AMOENISSIMÆ ALIQUOT LOCORUM ... EFFIGIES. PLATE 18. ZU COELLEN, 1635. CREATOR: WENCESLAUS HOLLAR.

Amoenissimæ aliquot locorum ... Effigies. Plate 18. Zu Coellen, 1635. Amoenissimæ aliquot locorum ... Effigies. Plate 18. Zu Coellen, 1635. Creator: Wenceslaus Hollar. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

AMOENISSIMÆ ALIQUOT LOCORUM ... EFFIGIES. PLATE 17. ZU COELLEN, 1635. CREATOR: WENCESLAUS HOLLAR.

Amoenissimæ aliquot locorum ... effigies. Plate 17. Zu Coellen, 1635. Zu Coellen (Cologne) is Plate 17 of a collection of 24 etchings, Amoenissimae aliquot locorum. This print depicts a prospect of Cologne and the contiguous settlement of Deutz, from the vantage point of the Suedstadt of Cologne on the other side of the Rhine. The church beyond the foreground windmill is St Severin, a historic basilica with a Romanesque core. The very tall tower and spire are later gothic additions. Amoenissimae aliquot locorum is the earliest of Hollar's recorded publications. The Latin title of the series translates as 'Delightful likenesses of some places lying in various countries'. It records Hollar’s long and winding journey from his native Prague all the way to the Netherlands between 1627 and 1634. Amoenissimæ aliquot locorum ... effigies. Plate 17. Zu Coellen, 1635. Creator: Wenceslaus Hollar. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SEASCAPES WITH VIEWS OF THE IJ AND AMSTERDAM, ROTTERDAM, KATWIJK, ETC. UNTITLED, 1701. CREATOR: LUDOLF BAKHUIZEN.

Seascapes with views of the Ij and Amsterdam, Rotterdam, Katwijk, etc. Untitled, 1701. The foreground emphasises the swirling seas, and leads to two listing vessels. The larger of these leads a dinghy in tow. The latter's large flag features and lion rampart and the initials 'LB', doubling up wittily as Ludolf Bakhuizen's monogram. Seascapes with views of the Ij and Amsterdam, Rotterdam, Katwijk, etc. Untitled, 1701. Creator: Ludolf Bakhuizen. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SIX LANDSCAPES. PLATE 6: THREE FIGURES STANDING ON A COUNTRY ROAD, 1683. CREATOR: JAN VAN ALMELOVEEN.

Six landscapes. Plate 6: Three figures standing on a country road, 1683. Six landscapes. Plate 6: Three figures standing on a country road, 1683. Creator: Jan van Almeloveen. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE ALMONRY, 1925. CREATOR: FREDERICK LANDSEER MAUR GRIGGS.

The Almonry, 1925. The Almonry, 1925. Creator: Frederick Landseer Maur Griggs. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PEKING CITY WALL. FROM: FAR EASTERN PLATES, 1911. CREATOR: ERNEST STEPHEN LUMSDEN.

Peking City Wall. From: Far Eastern plates, 1911. Peking City Wall. From: Far Eastern plates, 1911. Creator: Ernest Stephen Lumsden. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE SWAN, 1915, SWEDEN. CREATOR: ANDERS LEONARD ZORN.

The swan, 1915, Sweden. Depicting a young nude woman unveiling herself while standing on rocks in a marine landscape. The white flesh and white drapery, as well as her sinuous forms, explain the title. There are connotations too of the birth of Venus. The swan, 1915, Sweden. Creator: Anders Leonard Zorn. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VIEWS OF AMSTERDAM. PLATE 3. DE MEULENDE BLAEU BRUGH, 1663-1690. CREATOR: ABRAHAM BLOOTELING.

Views of Amsterdam. Plate 3. De Meulende Blaeu brugh, 1663-1690. Depicting the windmill near the Blauwbrug in Amsterdam. Views of Amsterdam. Plate 3. De Meulende Blaeu brugh, 1663-1690. Creator: Abraham Blooteling. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

JESUS CHRIST. PLATE 12. FROM: CHRIST AND THE APOSTLES, 1548. CREATOR: LAMBERT SUAVIUS.

Jesus Christ. Plate 12. From: Christ and the Apostles, 1548. This is the twelfth of 14 engravings depicting Christ, St Paul and the Twelve Apostles. Alone of the prints, Christ is not placed in an architectural setting and again, unlike all the Apostles, who are viewed in various profile vantage points, he is rigorously frontal, formal and symmetrical, surrounded by a mandorla of clouds. The eyeballs are left blank, the effect of which, like the plinth on which he stands, is to suggest classical statuary. Above all, the print aims to emphasise Christ's divinity. Jesus Christ. Plate 12. From: Christ and the Apostles, 1548. Creator: Lambert Suavius. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MELENCOLIA I, 1514. CREATOR: ALBRECHT DURER.

Melencolia I, 1514. The standard interpretation highlights the depressive or melancholy state of the human condition, and explains the many important symbols in the print accordingly. Melencolia I, 1514. Creator: Albrecht Durer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

STRAND WITH SKY, 1916. CREATOR: FRANCIS DODD.

Strand with sky, 1916. Strand with sky, 1916. Creator: Francis Dodd. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DRIVING HOME IN THE RAIN, 1914. CREATOR: EDMUND BLAMPIED.

Driving home in the rain, 1914. Driving home in the rain, 1914. Creator: Edmund Blampied. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

WESTMINSTER FROM A SAVOY WINDOW, 1925 -1926. CREATOR: CRW NEVINSON.

Westminster from a Savoy window, 1925 -1926. A winter view of the River Thames looking south west from an upper window at Savoy Hotel. Westminster from a Savoy window, 1925 -1926. Creator: CRW Nevinson. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SLEIGH RIDE, C1890-95. CREATOR: WINSLOW HOMER.

Sleigh Ride, c1890-95. Tracks in the snow, painted with subtle touches of blue and pink, lead our eyes to a sleigh about to disappear over the ridge of a hill. The occupants of the sleigh, one outlined in yellow moonlight, the other wearing a red scarf, seem almost incidental in the quiet grandeur of the landscape. This small, unsigned canvas remained in Homer’s studio until his death and was perhaps never intended to be exhibited in public. Sleigh Ride, c1890-95. Creator: Winslow Homer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SUMMER SQUALL, 1877. CREATOR: WINSLOW HOMER.

Summer Squall, 1877. Summer Squall was inspired by a sudden storm Homer observed from his studio at Prouts Neck, Maine. Thick strokes of white paint suggest the foaming water violently surging over and around the flat rock in the foreground, which in better weather was one of the artist’s favorite fishing spots. The solitary sailboat in the distance enhances the painting’s drama, evoking the human struggle with the forces of nature. Summer Squall, 1877. Creator: Winslow Homer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

WEST POINT, PROUT'S NECK, 1900. CREATOR: WINSLOW HOMER.

West Point, Prout's Neck, 1900. Seawater surges around massive rocks as bands of brilliant colour stretch across the horizon, casting a rosy glow over the ocean. "The picture is painted fifteen minutes after sunset, not one minute before," wrote Homer about this work, which he considered to be among his best paintings. To record such a fleeting moment, he explained, took "many days of careful observation" from a specific point along the Maine coast, near his studio in Prouts Neck. West Point, Prout's Neck, 1900. Creator: Winslow Homer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SACO BAY, 1896. CREATOR: WINSLOW HOMER.

Saco Bay, 1896. Sunset - two women, carrying fishing nets and lobster traps, seem as solid and enduring as the rocks beneath their feet. Saco Bay, 1896. Creator: Winslow Homer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LOW TIDE, YPORT, 1883. CREATOR: PIERRE-AUGUSTE RENOIR.

Low Tide, Yport, 1883. Low Tide, Yport, 1883. Creator: Pierre-Auguste Renoir. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE TWO GREAT OAKS, 1854. CREATOR: NARCISSE VIRGILE DIAZ DE LA PENA.

The Two Great Oaks, 1854. The Two Great Oaks, 1854. Creator: Narcisse Virgile Diaz de la Pena. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

EXTENSIVE LANDSCAPE WITH CLOUDS, C1850. CREATOR: LIONEL CONSTABLE.

Extensive Landscape With Clouds, c1850. Extensive Landscape With Clouds, c1850. Creator: Lionel Constable. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CLOUD STUDY, C1850. CREATOR: LIONEL CONSTABLE.

Cloud Study, c1850. Cloud Study, c1850. Creator: Lionel Constable. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ROCKETS AND BLUE LIGHTS (CLOSE AT HAND) TO WARN STEAMBOATS OF SHOAL WATER, 1840. CREATOR: JMW TURNER.

Rockets And Blue Lights (Close At Hand) To Warn Steamboats Of Shoal Water, 1840. Shows a storm raging in an English harbor town. Flares explode in the sky to alert ships to the location of shallow (shoal) water. On the shore huddled spectators stare out to sea, perhaps anxiously hoping their loved ones will survive the storm and return safely home. Rockets And Blue Lights (Close At Hand) To Warn Steamboats Of Shoal Water, 1840. Creator: JMW Turner. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

WATERLOO BRIDGE SEEN FROM WHITEHALL STAIRS, C1829. CREATOR: JOHN CONSTABLE.

Waterloo Bridge Seen From Whitehall Stairs, c1829. Waterloo Bridge Seen From Whitehall Stairs, c1829. Creator: John Constable. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

HARNHAM RIDGE, SALISBURY, C1829. CREATOR: JOHN CONSTABLE.

Harnham Ridge, Salisbury, c1829. Harnham Ridge, Salisbury, c1829. Creator: John Constable. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

YARMOUTH JETTY, C1822-23. CREATOR: JOHN CONSTABLE.

Yarmouth Jetty, c1822-23. Yarmouth Jetty, c1822-23. Creator: John Constable. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CLOUD STUDY, C1821-22. CREATOR: JOHN CONSTABLE.

Cloud Study, c1821-22. Cloud Study, c1821-22. Creator: John Constable. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

STUDY OF CLOUDS OVER A LANDSCAPE, C1821-22. CREATOR: JOHN CONSTABLE.

Study Of Clouds Over A Landscape, c1821-22. Study Of Clouds Over A Landscape, c1821-22. Creator: John Constable. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

FLAILING TURNIP-HEADS, EAST BERGHOLT, C1812-15. CREATOR: JOHN CONSTABLE.

Flailing Turnip-Heads, East Bergholt, c1812-15. Constable often painted farm laborers working in the countryside. Here, his father’s tenants are shown beating turnip heads to collect their oil-rich seeds, which were used to feed livestock. In the foreground, workers thresh and sift the seeds over a blanket, while other figures on the right burn the leftover flowers, stems, and leaves. Flailing Turnip-Heads, East Bergholt, c1812-15. Creator: John Constable. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

OSMINGTON BAY, 1816. CREATOR: JOHN CONSTABLE.

Osmington Bay, 1816. Portland Island and Chesil Beach separate Osmington Bay’s choppy waters from the expansive, cloudy sky. A handful of people populate the beach: a young boy with a crook, likely a shepherd, stands at right; a mother and child walk near a seated figure at middle distance; and further along, a fisherman mends a net near his boat. These figures reveal the beach as a site of both work and leisure. Osmington Bay, 1816. Creator: John Constable. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

EAST BERGHOLT COMMON, VIEW TOWARD THE RECTORY, 1813. CREATOR: JOHN CONSTABLE.

East Bergholt Common, View Toward The Rectory, 1813. East Bergholt Common, View Toward The Rectory, 1813. Creator: John Constable. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

BRIG ON THE WATER, 1856. CREATOR: GUSTAVE LE GRAY.

Brig On The Water, 1856. Brig On The Water, 1856. Creator: Gustave Le Gray. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE SAILBOAT (SEASCAPE), C1869. CREATOR: GUSTAVE COURBET.

The Sailboat (Seascape), c1869. The Sailboat (Seascape), c1869. Creator: Gustave Courbet. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

HOME AT MONTCLAIR, 1892. CREATOR: GEORGE INNESS.

Home At Montclair, 1892. Inness's property in Montclair, New Jersey, was the subject of many of his late works. In this winter scene, he captured the stillness of twilight in layers of thinly applied paint, evoking an atmosphere rather than recording topographical details. Home At Montclair, 1892. Creator: George Inness. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

FRIENDS OR FOES? (THE SCOUT), 1902-05. CREATOR: FREDERIC REMINGTON.

Friends Or Foes? (The Scout), 1902-05. A solitary Blackfoot Indian leans forward on his horse, gazing across a snowy landscape at the lights of a distant encampment. The figure’s pose, the horse’s breath, and the glimmering sky create an almost palpable stillness and tension, the rider has no way of knowing if he would be welcome at the camp. Friends Or Foes? (The Scout), 1902-05. Creator: Frederic Remington. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

VULCAN PRESENTING ARMS TO VENUS FOR AENEAS, 1756. CREATOR: FRANCOIS BOUCHER.

Vulcan Presenting Arms To Venus For Aeneas, 1756. In Virgil’s epic Aeneid, Venus seduces Vulcan and persuades him to forge weapons for her son Aeneas. This painting shows Vulcan offering the goddess a sword; at his feet are two putti playing with a plumed helmet, and behind him are a shield and armor. This work was a preliminary sketch for a tapestry design—one of a set commissioned from four different artists by the marquis de Marigny, an influential arts administrator under King Louis XV. Vulcan Presenting Arms To Venus For Aeneas, 1756. Creator: Francois Boucher. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

TWO HORSES FIGHTING IN A STORMY LANDSCAPE, C1828. CREATOR: EUGENE DELACROIX.

Two Horses Fighting In A Stormy Landscape, c1828. Two Horses Fighting In A Stormy Landscape, c1828. Creator: Eugene Delacroix. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PLOUGASTEL, THE FERRY CROSSING, 1873. CREATOR: EUGENE LOUIS BOUDIN.

Plougastel, The Ferry Crossing, 1873. When this picture was painted in 1873, the town of Plougastel in Brittany was linked to the city of Brest by ferry—probably the rowboat, filled with people, visible on the right. The boat’s small scale compared with the rocky shore and cloud-filled sky may have been intended to emphasize the grandeur of nature. Plougastel, The Ferry Crossing, 1873. Creator: Eugene Louis Boudin. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

TULIP FIELDS AT SASSENHEIM, 1886. CREATOR: CLAUDE MONET.

Tulip Fields At Sassenheim, 1886. Tulip Fields At Sassenheim, 1886. Creator: Claude Monet. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SEASCAPE, STORM, 1866. CREATOR: CLAUDE MONET.

Seascape, Storm, 1866. Seascape, Storm, 1866. Creator: Claude Monet. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PIETTE'S HOUSE AT MONTFOUCAULT, 1874. CREATOR: CAMILLE PISSARRO.

Piette's House At Montfoucault, 1874. The artist Ludovic Piette's farmhouse in the village of Montfoucault, southwest of Paris, blanketed in deep snow. Piette's House At Montfoucault, 1874. Creator: Camille Pissarro. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE RIVER OISE NEAR PONTOISE, 1873. CREATOR: CAMILLE PISSARRO.

The River Oise Near Pontoise, 1873. Pissarro made several paintings featuring the factory located across the river from his home in Pontoise. The River Oise Near Pontoise, 1873. Creator: Camille Pissarro. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ROUTE DE VERSAILLES, LOUVECIENNES, RAIN EFFECT, 1870. CREATOR: CAMILLE PISSARRO.

Route De Versailles, Louveciennes, Rain Effect, 1870. Route De Versailles, Louveciennes, Rain Effect, 1870. Creator: Camille Pissarro. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SUMMER SQUALL, 1904. CREATOR: ALFRED STEVENS.

Summer Squall, 1904. Summer Squall, 1904. Creator: Alfred Stevens. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE LOING AND THE MILLS OF MORET, SNOW EFFECT, 1891. CREATOR: ALFRED SISLEY.

The Loing And The Mills Of Moret, Snow Effect, 1891. Poplars cast long blue shadows across the riverbank, their trunks reflected in the icy water, while wispy clouds float across the blue sky. The crisp atmosphere of a winter’s day. The Loing And The Mills Of Moret, Snow Effect, 1891. Creator: Alfred Sisley. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)