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THE SMALL HOLZHAUSEN CASTLE IN FRANKFURT AM MAIN IS LOCATED IN THE MIDDLE OF A POND, HISTORICAL HESSE, GERMANY

Das kleine Holzhausenschloss in Frankfurt am Main liegt mitten in einem Teich, historisches Hessen, Deutschland The small Holzhausen castle in Frankfurt am Main is located in the middle of a pond, historical Hesse, Germany (KEYSTONE/mauritius images/JAN WEHNERT)

TSAVO CONSERVATION AREA

Close up portrait of an African buffalo, Syncerus caffer. Voi, Tsavo National Park, Kenya. (KEYSTONE/VWPICS/Sergio Pitamitz)

ADY OCT18 147

The region of the Milky Way in Puppis and Vela encompassing the vast Gum Nebula, a photographic object only. Sirius and Canis Major are at right; Canopus in Carina is at bottom. The False Cross and the open cluster NGC 2516 are at left. ..This is a stack of just 4 x 3-minute exposures at f/2.8 with the 35mm lens and filter-modified Canon 5D MkII at ISO 2000. Incoming clouds prevented more exposures. All on the iOptron Sky-Tracker. Taken April 20, 2017 from Tibuc Gardens Cottage, Coonabarabran, Australia. (KEYSTONE/VWPICS/Alan Dyer)

ADY OCT18 144

Splendours of the southern Milky Way from Vela (at top right) to Centaurus (at bottom left), including the Carina Nebula, Crux and Coal Sack, and Alpha and Beta Centauri. A part of the huge Gum Nebula is at far right. The False Cross is at right, with the large cluster NGC 2516, the Diamond Cluster, below it. The globular cluster Omega Centauri is at upper left. ..This is a stack of 4 x 3-minute exposures at f/2.8 with the 35mm lens and filter-modified Canon 5D MkII at ISO 2000. Median combined to help eliminate cloud that was moving in. On the iOptron Sky-Tracker. (KEYSTONE/VWPICS/Alan Dyer)

ADY OCT18 103

The wonderful open star clusrter NGC 6124 in Scorpius amid a field of dark nebulas and on the edge of a bright star cloud with red emission nebulosity. I call this the Dark River Cluster. ..The small star cluster NGC 6192 is at bottom. Taken with a telephoto lens to simulate a binocular field of view. ..This is a stack of 4 x 2-minute exposures at f/2.8 with the 200mm telephoto lens, and filter-modified Canon 5D MkII at ISO 2500. Tracked on the AP 400 mount. (KEYSTONE/VWPICS/Alan Dyer)

JGM (89)

Pelicans in flight, Buenaventura, Valle del cauca, Colombia (KEYSTONE/VWPICS/Jorge García)

REFLECTION OF THE JOCHBERG IN THE KOCHELSEE, SCHLEHDORF, UPPER BAVARIA, BAVARIA, GERMANY

Spiegelung des Jochberg im Kochelsee, Schlehdorf, Oberbayern, Bayern, Deutschland Reflection of the Jochberg in the Kochelsee, Schlehdorf, Upper Bavaria, Bavaria, Germany (KEYSTONE/mauritius images/CHRISTIAN BAECK)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

BELFAST DIARY

*** special fee *** from the series "Belfast Diary", Belfast, Northern Ireland, 2017 || The DIARY series look at the individual city and respond to preconceived ideas in working out a specific identity to that very city I am working in. I am a flaneur, but my gaze is static. I am framing the structure and the complexity of that very space. I observe and record what I find during my travels related to culture and civilization. As an artist, who has realized most of his projects in a context where countries and cities are still in the process of shaping their identities, my interest is not with the sights, the landscape, the events that are usually related to that very place. While I go along the project emerges in its form fuelled by knowledge and intuition. I am interested in the overlooked, things you may find anywhere, which are not so easy to read, but when you look at them in the right way, are loaded with meaning. (KEYSTONE/LAIF/Peter Bialobrzeski)

THE ARMORY AT THE KREMLIN, MOSCOW, RUSSIAN FEDERATION

The Armory at the Kremlin, Moscow, Russian Federation (KEYSTONE/mauritius images/LUIS CASTANEDA)

TEHRAN CITY VIEW, IRAN

Blick auf die Stadt Teheran, Iran Tehran city view, Iran (KEYSTONE/mauritius images/SAMANEH KHOSRAVI)

IRANIAN WOMAN ON A WALL, PARCOURS IN THE CITY OF TEHRAN, IRAN

iranische Frau an einer Mauer, Parcours in der Stadt Tehran, Iran Iranian woman on a wall, parcours in the city of Tehran, Iran (KEYSTONE/mauritius images/SAMANEH KHOSRAVI)

GRAY SEAL ON HELIGOLAND.

Kegelrobbe auf Helgoland. Gray seal on Heligoland. (KEYSTONE/mauritius images/SVEN HERDT)

GRAY SEAL ON HELIGOLAND.

Kegelrobbe auf Helgoland. Gray seal on Heligoland. (KEYSTONE/mauritius images/SVEN HERDT)

OYSTERCATCHER ON THE BEACH.

Austernfischer am Strand. Oystercatcher on the beach. (KEYSTONE/mauritius images/SVEN HERDT)

BAATOELPEL ON HELIGOLAND.

Baatoelpel auf Helgoland. Baatoelpel on Heligoland. (KEYSTONE/mauritius images/SVEN HERDT)

EIDER ON THE BEACH.

Eiderente am Strand. Eider on the beach. (KEYSTONE/mauritius images/SVEN HERDT)

21691170

Freiarbeit in jahrgangsuebergreifenden Klassen an einer Grundschule..Engl.: Schools in Germany, diverse types of school, learning accessories and material for pupils and students, illustration, illustrations, illustrative, education, symbol, symbolic images of everyday school life and learning situations in all school types, from elementary to trade, vocational and training schools (KEYSTONE/LAIF/Theodor Barth)

21691167

Freiarbeit in jahrgangsuebergreifenden Klassen an einer Grundschule...Engl.: Schools in Germany, diverse types of school, learning accessories and material for pupils and students, illustration, illustrations, illustrative, education, symbol, symbolic images of everyday school life and learning situations in all school types, from elementary to trade, vocational and training schools (KEYSTONE/LAIF/Theodor Barth)

21691171

Freiarbeit in jahrgangsuebergreifenden Klassen an einer Grundschule..Engl.: Schools in Germany, diverse types of school, learning accessories and material for pupils and students, illustration, illustrations, illustrative, education, symbol, symbolic images of everyday school life and learning situations in all school types, from elementary to trade, vocational and training schools (KEYSTONE/LAIF/Theodor Barth)

BLACK VULTURE AND GRIFFON VULTURE, EXTREMADURA, EXTREMADURA, SPAIN

Mönchsgeier und Gänsegeier, Extremadura, Extremadura, Spanien Black Vulture and Griffon Vulture, Extremadura, Extremadura, Spain (KEYSTONE/imageBROKER/FRANZ CHRISTOPH ROBILLER)

CINEREOUS VULTURE (AEGYPIUS MONACHUS) IN FLIGHT, ENDANGERED SPECIES, EXTREMADURA, SPAIN

Mönchsgeier (Aegypius monachus) im Flug, bedrohte Tierart, Extremadura, Spanien Cinereous vulture (Aegypius monachus) in flight, endangered species, Extremadura, Spain (KEYSTONE/imageBROKER/FRANZ CHRISTOPH ROBILLER)

21635207

Symbolbild Unterrichtsalltag an einer Grundschule..Engl.: Schools in Germany, diverse types of school, learning accessories and material for pupils and students, illustration, illustrations, illustrative, education, symbol, symbolic images of everyday school life and learning situations in all school types, from elementary to trade, vocational and training schools (KEYSTONE/LAIF/Theodor Barth)

BLACKTHORN, PRUNUS SPINOSA, BLOSSOM

Schlehdorn, Prunus spinosa, Bluete Blackthorn, Prunus spinosa, blossom (KEYSTONE/mauritius images/J. BORRIS)

BLACKTHORN, PRUNUS SPINOSA, BLOSSOM

Schlehdorn, Prunus spinosa, Bluete Blackthorn, Prunus spinosa, blossom (KEYSTONE/mauritius images/J. BORRIS)

20437064

Selena Gaba, 40, catholic, Kakwa aus Yei, Suedsudan, drei Tage Fussmarsch aus Angst vor den Regierungstruppen mit 11 Kindern, Fluechtlingscamp Bidibidi, Arua, World Food Programme, Hunger, Uganda (KEYSTONE/LAIF/Maria Feck)

20437074

Essensration Bohnen und Mehl, Selena Gaba, 40, catholic, Kakwa aus Yei, Suedsudan, drei Tage Fussmarsch aus Angst vor den Regierungstruppen mit 11 Kindern, Fluechtlingscamp Bidibidi, Arua, World Food Programme, Hunger, Uganda (KEYSTONE/LAIF/Maria Feck)

20437015

Arbeiter laden 50 Kilo Saecke mit Nahrung von einem LKW, Lagerhaus des World Food Programmee mit sechs Hallen, Verteilung: 300 Tonnen pro Tag, Fluechtlingscamp Bidibidi, Arua, Uganda (KEYSTONE/LAIF/Maria Feck)

20437012

Lagerhaus des World Food Programmee mit sechs Hallen – Verteilung: 300 Tonnen pro Tag, hier lagert in 50 Kilo Saecken Sorghum, Bohnen und Mais, Fluechtlingscamp Bidibidi, Arua, Uganda (KEYSTONE/LAIF/Maria Feck)

20437016

Arbeiter laden 50 Kilo Saecke mit Nahrung von einem LKW, Lagerhaus des World Food Programmee mit sechs Hallen, Verteilung: 300 Tonnen pro Tag, Fluechtlingscamp Bidibidi, Arua, Uganda (KEYSTONE/LAIF/Maria Feck)

20437085

Selena Gaba, 40, catholic, Kakwa aus Yei, Suedsudan, drei Tage Fussmarsch aus Angst vor den Regierungstruppen mit 11 Kindern, Fluechtlingscamp Bidibidi, Arua, World Food Programme, Hunger, Uganda (KEYSTONE/LAIF/Maria Feck)

OVERLOOK OVER HARGEISA, SOMALILAND, SOMALIA

Überblick über Hargeisa, Somaliland, Somalia. Overlook over Hargeisa, Somaliland, Somalia. (KEYSTONE/imageBROKER/Michael Runkel)

OVERLOOK OVER HARGEISA, SOMALILAND, SOMALIA

Überblick über Hargeisa, Somaliland, Somalia. Overlook over Hargeisa, Somaliland, Somalia. (KEYSTONE/imageBROKER/Michael Runkel)

MONEY CHANGER IN THE MARKET OF HARGEISA, SOMALILAND, SOMALIA

Geldwechsler auf dem Markt von Hargeisa, Somaliland, Somalia. Money changer in the market of Hargeisa, Somaliland, Somalia. (KEYSTONE/imageBROKER/Michael Runkel)

OLD RUSSIAN MIG AIRPLANE IN THE CENTER OF HARGEISA, SOMALILAND, SOMALIA

Altes russisches MIG-Flugzeug im Zentrum von Hargeisa, Somaliland, Somalia. Old russian MIG airplane in the center of Hargeisa, Somaliland, Somalia. (KEYSTONE/imageBROKER/Michael Runkel)

OVERLOOK OVER HARGEISA, SOMALILAND, SOMALIA

Überblick über Hargeisa, Somaliland, Somalia. Overlook over Hargeisa, Somaliland, Somalia. (KEYSTONE/imageBROKER/Michael Runkel)

OLD RUSSIAN MIG AIRPLANE IN THE CENTER OF HARGEISA, SOMALILAND, SOMALIA

Altes russisches MIG-Flugzeug im Zentrum von Hargeisa, Somaliland, Somalia. Old russian MIG airplane in the center of Hargeisa, Somaliland, Somalia. (KEYSTONE/imageBROKER/Michael Runkel)

RED BRICK WALL

Red brick wall (KEYSTONE/mauritius images/RAIMUND LINKE)

THE LION HILL AT WATERLOO BATTLEFIELD, BRAINE-LÑAEÔALLEUD, WATERLOO, WALLOON BRABANT, BELGIUM

The Lion Hill at Waterloo battlefield, Braine-lñaeôAlleud, Waterloo, Walloon Brabant, Belgium (KEYSTONE/mauritius images/RAIMUND LINKE)

WHITE BRICK WALL

White brick wall (KEYSTONE/mauritius images/RAIMUND LINKE)

MALDIVIAN FISHING BOAT (DHONI) AND TROPICAL ISLAND, MALDIVES, INDIAN OCEAN, ASIA

Maldivian fishing boat (dhoni) and tropical island, Maldives, Indian Ocean, Asia (KEYSTONE/ROBERT HARDING/SAKIS PAPADOPOULOS)

A ZOO WITH MONKEYS, POLAR BEARS, ELEPHANTS AND PEOPLE,

Ein Zoo mit Affen, Eisbären, Elefanten und Menschen, A zoo with monkeys, polar bears, elephants and people (KEYSTONE/mauritius images/SABINE VOIGT)

REFUGE AT THE LOOKOUT POINT AT SCHÖNBURG, VIEW OF THE MIDDLE RHINE NEAR KAUB, BLÜCHER, RECOGNIZABLE: THE CASTLES OF GUTENFELS AND PFALZGRAFENSTEIN, THE CITY OF KAUB, THE KAUBER PLATTE, THE KAUBER WERTH, A LIVELY BOAT TRIP INCLUDING RIVER CRUISE, PART OF T

Schutzhütte am Aussichtspunkt bei der Schönburg, Blick auf den Mittelrhein bei Kaub, Blücher, zu erkennen: die Burgen Gutenfels und Pfalzgrafenstein, die Stadt Kaub, die Kauber Platte, der Kauber Werth, eine lebhafte Schiffahrt incl. Flusskreuzfahrt, Teil des "Unesco Welterbe oberes Mittelrheintal" Refuge at the lookout point at Schönburg, view of the Middle Rhine near Kaub, Blücher, recognizable: the castles of Gutenfels and Pfalzgrafenstein, the city of Kaub, the Kauber Platte, the Kauber Werth, a lively boat trip including river cruise, part of the "Unesco World Heritage Upper middle Rhine Valley " (KEYSTONE/mauritius images/ERHARD HESS)

RIVER CRUISE SHIP NEAR KAUB, FROM A LOOKOUT POINT NEAR SCHÖNBURG, VIEW OF THE MIDDLE RHINE NEAR KAUB, PART OF THE "UNESCO WORLD HERITAGE UPPER MIDDLE RHINE VALLEY"

Flusskreuzfahrtschiff bei Kaub, von einem Aussichtspunkkt bei der Schönburg, Blick auf den Mittelrhein bei Kaub, Teil des "Unesco Welterbe oberes Mittelrheintal" River cruise ship near Kaub, from a lookout point near Schönburg, view of the Middle Rhine near Kaub, part of the "Unesco World Heritage Upper Middle Rhine Valley" (KEYSTONE/mauritius images/ERHARD HESS)

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Stefan Mross, deutscher Trompeter, Saenger und Fernsehmoderator, Europa, Deutschland, Traunstein Bahnhof, 20.4.2017..Engl.:Stefan Mross, german musician, entertainer, trumpeter, europe, germany, traunstein, 20.4.2017 (KEYSTONE/LAIF/Sebastian Arlt)