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31037 Objekte

07.12.2023, Hessen, Frankfurt/Main: Mit einem Becher in der Hand bettelt eine Frau auf der Zeil in Frankfurt um etwas Kleingeld. Foto: Boris Roessler/dpa +++ dpa-Bildfunk +++ (KEYSTONE/DPA/Boris Roessler)

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DEUTSCHLAND ARMUT IN FRANKFURT

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FRANÇOISE RAVEL AS BERTRAND, 1855-1859.

Françoise Ravel as Bertrand, 1855-1859. Creator: Alfred Jacob Miller. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

(RM) 592558932

ARAB MENDICANT IN MEDITATION, C1860. IN THIS WORK, THE ARTIST DEPICTS THE FIGURE IN SUCH A WAY THAT MOST OF HIS FACE IS OBSCURED, CREATING A SENSE OF MYSTERY. EVERYTHING WE KNOW ABOUT THE CHARACTER OF THIS MAN IS EXPRESSED THOUGH HIS POSTURE, CLOTHES, AND

Arab Mendicant in Meditation, c1860. Creator: Charles Camino. Arab Mendicant in Meditation, c1860. In this work, the artist depicts the figure in such a way that most of his face is obscured, creating a sense of mystery. Everything we know about the character of this man is expressed though his posture, clothes, and objects, like his bowl containing a few coins. Very little is known about Camino’s training; he visited Algeria in the early 1850s, which inspired the art he made in the decades that followed. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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HERE IS THE PLEASURE, SIRS, HERE IS THE PLEASURE, C1860. BEAUMONT REVEALS THE ANTAGONISM AMONG WOMEN OF DIFFERENT SOCIAL CLASSES AND GENERATIONS. THE HARPING OLD HAG SHRIEKS AT THE YOUNG WOMAN, WHILE HER WORDS ARE DIRECTED TO UNSEEN MALE PATRONS. SHE EXPO

Here is the Pleasure, Sirs, Here is the Pleasure, c1860. Creator: Edouard de Beaumont. Here is the Pleasure, Sirs, Here is the Pleasure, c1860. Beaumont reveals the antagonism among women of different social classes and generations. The harping old hag shrieks at the young woman, while her words are directed to unseen male patrons. She exposes the demure and properly dressed woman as a "demi-mondaine," hawking her to passersby. The repetition of details makes clear that the jealous crone is a herald of the inevitable fall from grace that awaits the "jolie femme." The knot in the old woman's kerchief mimics the feather that adorns her counterpart's cap. The hag's open collar echoes the other's shawl. The graceful slope of the young woman's shoulders and delicate position of the hands at the waist will eventually give way to the hunched back and defiant gesture of her elder. Beaumont's visual dialogue between the two figures and the crude caption beneath tell a grim story in which the beholder is morally implicated. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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MISERY, C1855.

Misery, c1855. Creator: Paul Gavarni. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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VESSANTARA JATAKA, CHAPTER 5 (JUJAKA), C1920-1940. THE OLD BRAHMIN JUJAKA IS POOR BUT HAS A YOUNG, BEAUTIFUL WIFE NAMED AMITTATAPANA. WHEN AMITTATAPANA GOES TO FETCH WATER, THE VILLAGE WOMEN MOCK HER FOR BEING MARRIED TO AN OLD MAN. SHE PLEADS WITH JUJAKA

Vessantara Jataka, Chapter 5 (Jujaka), c1920-1940. Creator: Unknown. Vessantara Jataka, Chapter 5 (Jujaka), c1920-1940. The old brahmin Jujaka is poor but has a young, beautiful wife named Amittatapana. When Amittatapana goes to fetch water, the village women mock her for being married to an old man. She pleads with Jujaka to ask Vessantara for his children so that they can come and do her work, and she threatens to leave her husband unless her wish is granted. Amittatapana is seen getting teased and then returning to tell Jujaka her demand. Jujaka is also depicted twice: sitting in his small house and receiving the water from his wife. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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OLD WOMAN IN RED CAP, 1852-1866.

Old Woman in Red Cap, 1852-1866. Creator: Paul Gavarni. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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BEGGAR BOY AND HIS DOG, MID 19TH CENTURY.

Beggar Boy and His Dog, mid 19th century. Creator: Alfred Jacob Miller. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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THE LAST OF THE JEWS, ALL THAT WAS LEFT, 1828-1896.

The Last of the Jews, All That Was Left, 1828-1896. Creator: Augustus Hoppin. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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ODYSSEUS DEFEATING IRUS, 1589.

Odysseus Defeating Irus, 1589. Creator: Jan Muller. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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COSTUMES DE DIFFÉRENTS PAYS, 'LAZARONS, OU MENDIANTS NAPOLITAINS', C1797.

Costumes de Différents Pays, 'Lazarons, ou Mendiants Napolitains', c1797. Creator: Jacques Grasset de Saint-Sauveur. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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LES GUEUX (IMAGE 1 OF 23), C1621.

Les Gueux (image 1 of 23), c1621. Creator: Jacques Callot. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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MON DÉFUNT ME DONNE DES NUMÉROS.., 1833. 'MON DÉFUNT ME DONNE DES NUMÉROS, JE GAGNE UN QUATERNE, JE REÇOIS UNE AUBADE, JE ROULE SUR L'OR'. OLD WOMAN: 'MY DECEASED HUSBAND GIVES ME LOTTERY TICKETS, I HAVE FOUR WINNING NUMBERS, I RECEIVE A DAWN SERENADE, I

Mon défunt me donne des numéros.., 1833 Creator: Honore Daumier. Mon défunt me donne des numéros.., 1833. 'Mon défunt me donne des numéros, je gagne un quaterne, je reçois une aubade, je roule sur l'or'. Old woman: 'My deceased husband gives me lottery tickets, I have four winning numbers, I receive a dawn serenade, I am rolling in gold!' Series: L'Imagination; Periodical: Le Charivari, 14 January 1833. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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2 HEURES - LE GOUTER D'AZOR, 1839. 2 O'CLOCK - AZOR'S SNACK. 'QUE VOULEZ VOUS, MON CHER, CETTE BÊTE N'A QUE MOI, VOUS AVEZ TOUT LE MONDE'. (MAN FEEDING HIS DOG FROM A MARKET STALL AS A BEGGAR PUTS OUT HIS HAND: 'WHAT DO YOU WANT, MATE, THIS BEAST ONLY HAS

2 heures - Le gouter d'Azor, 1839. Creator: Honore Daumier. 2 heures - Le gouter d'Azor, 1839. 2 o'clock - Azor's snack. 'Que voulez vous, mon cher, cette bête n'a que moi, vous avez tout le monde'. (Man feeding his dog from a market stall as a beggar puts out his hand: 'What do you want, mate, this beast only has me, you have the whole world). Series: La Journée du Célibataire; Periodical: Le Charivari, 22 June 1839. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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OUI, MONSIEUR, MOYENNANT UN PETIT ABONNEMENT, 1838. 'OUI, MONSIEUR, MOYENNANT UN PETIT ABONNEMENT A NOTRE ASSURANCE VOUS SEREZ ASSURÉ DE MOURIR...DE MOURIR EN HOMME COMME IL FAUT; DE VOUS EN ALLER DANS UNE BONNE VOITURE, BIEN COMMODE, D'ÊTRE PLEURÉ PAR LE

Oui, Monsieur, moyennant un petit abonnement à notre assurance.., 1838. Creator: Honore Daumier. Oui, Monsieur, moyennant un petit abonnement, 1838. 'Oui, Monsieur, moyennant un petit abonnement a notre assurance vous serez assuré de mourir...de mourir en homme comme il faut; de vous en aller dans une bonne voiture, bien commode, d'être pleuré par les pauvres de l'arrondissement et de laisser une veuve inconsolable en lettre d'or sur votre tombeau...Et si vous ne teniez pas vos promesses? - alors il vous resterait nos quittances et votre [?] devant les tribunaux'. Robert Macaire (addressing man reading a newspaper article titled "Plus de Corbillard des Pauvres" (no more hearses for the poor): 'Yes sir for a small subscription to our insurance you will be assured of dying...of dying as a decent man; you will be carried in an excellent, comfortable hearse, of being mourned by the poor of the district, and of leaving an inconsolable widow in golden letters on your tomb... What if you didn't keep your promises? - then you would still have our receipts and your day in court'. Series: Caricaturana, plate 95; Periodical: Le Charivari, 4 November 1838; Periodical: Le Charivari, 4 November 1838. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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LE RAMASSEUR DE BOUTS DE CIGARES, 1841. 'ILS N'EN FINIRONT PAS CES OISEAUX LÀ! C'EST DES CLERCS D'HUISSIERS, ÇA FUME JUSQU' À LA CENDRE, ET PAS MOYEN DE LEUR TIRER DES CAROTTES'. THE CIGAR-BUTT COLLECTOR: 'IT'S ALWAYS THE SAME WITH THESE TYPES! THEY'RE BA

Le Ramasseur de Bouts de Cigares, 1841. Creator: Honore Daumier. Le Ramasseur de Bouts de Cigares, 1841. 'Ils n'en finiront pas ces oiseaux là! c'est des clercs d'huissiers, ça fume jusqu' à la cendre, et pas moyen de leur tirer des carottes'. The Cigar-butt Collector: 'It's always the same with these types! They're bailiffs' clerks, they smoke right down to the ash, and there's no way to get the better of them'. Series: Bohémiens de Paris; Periodical: Le Charivari, 5 December 1841. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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ST. MARTIN DIVIDING HIS CLOAK (IMAGE 1 OF 2), C1480.

St. Martin Dividing His Cloak (image 1 of 2), c1480. Creator: Martin Schongauer. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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ILLUSTRATION FROM TOM JONES, PUBLISHED 1750.

Illustration from Tom Jones, published 1750. Creator: Jan Punt. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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BEGGAR WITH A WOODEN LEG, 1632. FROM THE BEGGAR, PLATE 2.

Beggar with a Wooden Leg, 1632. Creator: Jan Georg van Vliet. Beggar with a Wooden Leg, 1632. From The Beggar, plate 2. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

(RM) 592534002

Oui, Monsieur, moyennant un petit abonnement, 1838. Creator: Honore Daumier. Oui, Monsieur, moyennant un petit abonnement, 1838. 'Oui, Monsieur, moyennant un petit abonnement a notre assurance vous serez assuré de mourir...de mourir en homme comme il faut; de vous en aller dans une bonne voiture, bien commode, d'être pleuré par les pauvres de l'arrondissement et de laisser une veuve inconsolable en lettre d'or sur votre tombeau...Et si vous ne teniez pas vos promesses? - alors il vous resterait nos quittances et votre [?] devant les tribunaux'. Macaire (addressing man reading a newspaper article titled "Plus de Corbillard des Pauvres" (no more hearses for the poor): 'Yes sir for a small subscription to our insurance you will be assured of dying...of dying as a decent man; you will be carried in an excellent, comfortable hearse, of being mourned by the poor of the district, and of leaving an inconsolable widow in golden letters on your tomb... What if you didn't keep your promises? - then you would still have our receipts and your day in court'. From Robert Macaire. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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LAISSEZ-MOI DONC TRANQUILLE, BAH!...BAH!...EST-CE QU'ON MEURT JAMAIS DE FAIM..., 1838. 'OH LEAVE ME ALONE, BAH!...BAH!...ARE WE DYING OF HUNGER?'. FROM CROQUIS D'EXPRESSIONS, PLATE 15.

Laissez-moi donc tranquille, Bah! Bah! est-ce qu'on meurt jamais de faim..., 1838. Creator: Honore Daumier. Laissez-moi donc tranquille, Bah!...Bah!...est-ce qu'on meurt jamais de faim..., 1838. 'Oh leave me alone, Bah!...Bah!...are we dying of hunger?'. From Croquis d'expressions, plate 15. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

(RM) 592531807

QU'ALLONS-NOUS DEVENIR, SEIGNEUR DIEU? QU'EST CE QUI SOUTIENDRA LE PAUVRE MONDE..., 1836. 'QU'ALLONS-NOUS DEVENIR, SEIGNEUR DIEU? QU'EST CE QUI SOUTIENDRA LE PAUVRE MONDE À PRÉSENT QU'Y A PLUS DE LOTERIE?'. TWO OLD WOMEN STANDING IN FRONT OF THE ROYAL LOT

Qu'allons-nous devenir, Seigneur dieu? qu'est ce qui soutiendra le pauvre monde..., 1836. Creator: Honore Daumier. Qu'allons-nous devenir, Seigneur dieu? qu'est ce qui soutiendra le pauvre monde..., 1836. 'Qu'allons-nous devenir, Seigneur dieu? qu'est ce qui soutiendra le pauvre monde à présent qu'y a plus de Loterie?'. Two old women standing in front of the Royal Lottery premises with 'shop for rent' sign: 'What will become of us, Lord God? who will support the poor world now that there is no Lottery?'. From Loterie Royale. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

(RM) 592528827

THE SERVANT INVITING THE SICK AND THE POOR TO THE BANQUET, 1559. FROM PARABLE OF THE KING WHO PREPARED A WEDDING, PL. 5.

The Servant Inviting the Sick and the Poor to the Banquet, 1559. Creator: Dirck Volkertsen Coornhert. The Servant Inviting the Sick and the Poor to the Banquet, 1559. From Parable of the King Who Prepared a Wedding, pl. 5. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

(RM) 592528692

ILLUSTRATION FOR 'UPRIGHTNESS AND HYPOCRISY', 1793. FROM ALMANAC: POCKET CALENDER OF GOTTING FOR THE YEAR 1794.

Illustration for 'Uprightness and Hypocrisy', 1793. Creator: Daniel Nikolaus Chodowiecki. Illustration for 'Uprightness and Hypocrisy', 1793. From almanac: Pocket Calender of Gotting for the year 1794. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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AN ITALIAN HOME NEAR HULL HOUSE, 1910, PRINTED 1920S. SERIES: HULL HOUSE, CHICAGO.

An Italian Home Near Hull House, 1910, Printed 1920s. Creator: Lewis Wickes Hine. An Italian Home Near Hull House, 1910, Printed 1920s. Series: Hull House, Chicago. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

(RM) 592937678

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Ana Marcela Latratos verkauft vor dem Coop am Aeschenplatz die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

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SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

(RM) 592937647

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

(RM) 592937622

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

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SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

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SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937461

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937448

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937443

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937438

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937433

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger haengt seine Tasche unter einen Christbaum waehrend dem verkauf der Surprise am Spalenberg, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937428

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937423

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937418

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937403

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937388

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937367

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937352

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937331

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937313

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937303

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937298

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937293

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937288

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937283

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

(RM) 592937278

SCHWEIZ BASEL SURPRISE STRASSENMAGAZIN

Surprise Strassenmagazin-Verkaeufer Hans Werner Hellinger verkauft am Spalenberg die aktuelle Surprise-Ausgabe, fotografiert am Donnerstag, 30. November 2023 in Basel. (KEYSTONE/Christian Beutler)

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EARLY HOME OF THE PRESIDENT OF THE UNITED STATES, ELIZABETH TOWN, KENTUCKY - FROM A PHOTOGRAPH BY S. ALSCHULER, CHICAGO, 1860. 'THE FATHER OF ABRAHAM LINCOLN WAS THROWN UPON HIS OWN RESOURCES WHILE YET A CHILD. TRAVELLING FROM PLACE TO PLACE, WORKING WHER

Early home of the President of the United States, Elizabeth Town, Kentucky..., 1860. Creator: Unknown. Early home of the President of the United States, Elizabeth Town, Kentucky - from a photograph by S. Alschuler, Chicago, 1860. 'The father of Abraham Lincoln was thrown upon his own resources while yet a child. Travelling from place to place, working wherever he could find employment, he grew up literally without education. He finally settled in Hardin County, Kentucky, where, in 1806, he was married to Nancy Hanks. The fruits of this union were a daughter and two sons. One of the latter died in infancy; the daughter died later in life. Abraham Lincoln was born February 12, 1809. It would be difficult to conceive of more unpromising circumstances than those under which he was ushered into life. His parents were poor and uneducated. They were under the social ban which slavery always entails upon poverty; and their habitation was in harmony with their broken fortunes'. From "Illustrated London News", 1860. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

(RM) 592524357

THE SPLENDID SHILLING, FROM "POETS' WIT AND HUMOUR", 1860. 'ALTOGETHER, THE RANGE OF THIS SELECTION IS VERY EXTENDED, AND THE TASTE AND HUMOUR WHICH HAVE GUIDED IT ARE EVERYWHERE APPARENT. THE ILLUSTRATIONS ARE IN PERFECT KEEPING WITH THE INTENTION OF THE

The Splendid Shilling, from "Poets' Wit and Humour", 1860. Creator: W Thomas. The Splendid Shilling, from "Poets' Wit and Humour", 1860. 'Altogether, the range of this selection is very extended, and the taste and humour which have guided it are everywhere apparent. The illustrations are in perfect keeping with the intention of the book. They are all admirably conceived and as admirably executed...[Shown here is] a sketch illustrating the passage in John Philip's poem of "The Splendid Shilling," which runs thus: "But I, whom griping penury surrounds, And hunger, sure attendant upon want, With scanty offals and small acid tiff (Wretched repast!) my meagre corpse sustain, Then solitary walk, or doze at home In garret vile, and with a warming puff Regale chill'd fingers, or from tube as black As winter-chimney or well-polish'd jet Exhale mundungus, ill-perfuming scent".' Illustration from "Poets' Wit and Humour" Selected by W. H. Wills. Illustrated with 100 Engravings from Drawings by Charles Bennett and George H. Thomas. (Bell and Daldy). Published in "Illustrated London News", 1860. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

(RM) 592298014

++ THEMENBILD ++ OBDACHLOSIGKEIT / OBDACHLOSE / ARMUT

ABD0009_20231129 - WIEN - ÖSTERREICH: ++ THEMENBILD ++ Illustration zum Thema "Obdachlosigkeit / Obdachlose / Armut": Eine Obdachlosen-Schlafstätte, aufgenommen am Mittwoch, 29. November 2023, bei einer U-Bahnstation in Wien. Der Wintereinbruch bringt Lebensgefahr für Menschen, die kein Zuhause haben. - FOTO: APA/HANS KLAUS TECHT

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++ THEMENBILD ++ OBDACHLOSIGKEIT / OBDACHLOSE / ARMUT

ABD0008_20231129 - WIEN - ÖSTERREICH: ++ THEMENBILD ++ Illustration zum Thema "Obdachlosigkeit / Obdachlose / Armut": Eine Obdachlosen-Schlafstätte, aufgenommen am Mittwoch, 29. November 2023, bei einer U-Bahnstation in Wien. Der Wintereinbruch bringt Lebensgefahr für Menschen, die kein Zuhause haben. - FOTO: APA/HANS KLAUS TECHT

(RM) 592297575

++ THEMENBILD ++ OBDACHLOSIGKEIT / OBDACHLOSE / ARMUT

ABD0007_20231129 - WIEN - ÖSTERREICH: ++ THEMENBILD ++ Illustration zum Thema "Obdachlosigkeit / Obdachlose / Armut": Eine Obdachlosen-Schlafstätte, aufgenommen am Mittwoch, 29. November 2023, bei einer U-Bahnstation in Wien. Der Wintereinbruch bringt Lebensgefahr für Menschen, die kein Zuhause haben. - FOTO: APA/HANS KLAUS TECHT

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LINE OF PEOPLE LOOKING ACROSS STEEP GAP AT OVERSIZED ONE EURO COIN

Line of people looking across steep gap at oversized one euro coin (KEYSTONE/WESTEND61/GARY WATERS)

(RM) 587453220

ILLUSTRATION FOR BASEDOW'S 'ELEMENTARY WORK', 1770. TABLE XXIV(B). A POPULAR ILLUSTRATED TEXTBOOK FOR CHILDREN.

Illustration for Basedow's 'Elementary Work', 1770. Table XXIV(b). A popular illustrated textbook for children. Illustration for Basedow's 'Elementary Work', 1770. Creator: Daniel Nikolaus Chodowiecki. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

(RM) 587450485

THE BROKEN SAUCER, PRINTED 1889-1891.

The Broken Saucer, Printed 1889-1891. The Broken Saucer, Printed 1889-1891. Creator: J. B. B. Wellington. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

(RM) 587421905

THE VICAR OF WAKEFIELD, C1817.

The Vicar of Wakefield, c1817. The Vicar of Wakefield, c1817. Creator: Thomas Rowlandson. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

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