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BERLIN, DEUTSCHLAND, KRITZELARTIGE SCHMIEREREIEN AUF EINEM BVG-F

05.03.2024, Berlin, Deutschland, Europa - Kritzelartige Schmierereien und mutwillig zerstoerte Oberflaechen auf einem BVG-Fahrscheinautomat am Kurfuerstendamm im Stadtteil Charlottenburg. (KEYSTONE/SUEDDEUTSCHE ZEITUNG PHOTO/Olaf Schülke)

BERLIN, DEUTSCHLAND, KRITZELARTIGE SCHMIEREREIEN AUF EINEM BVG-F

05.03.2024, Berlin, Deutschland, Europa - Kritzelartige Schmierereien und mutwillig zerstoerte Oberflaechen auf einem BVG-Fahrscheinautomat am Kurfuerstendamm im Stadtteil Charlottenburg. (KEYSTONE/SUEDDEUTSCHE ZEITUNG PHOTO/Olaf Schülke)

MAN STANDING ON DESTRUCTING GERMAN FLAG AND LOOKING THROUGH TELESCOPE AGAINST BLUE BACKGROUND

Man standing on destructing German flag and looking through telescope against blue background (KEYSTONE/WESTEND61/GARY WATERS)

MAN STANDING ON DESTRUCTING EUROPEAN FLAG AND LOOKING THROUGH TELESCOPE AGAINST BLUE BACKGROUND

Man standing on destructing European flag and looking through telescope against blue background (KEYSTONE/WESTEND61/GARY WATERS)

MAN STANDING ON DESTRUCTING AMERICAN FLAG AND LOOKING THROUGH TELESCOPE AGAINST BLUE BACKGROUND

Man standing on destructing American flag and looking through telescope against blue background (KEYSTONE/WESTEND61/GARY WATERS)

AU NEAR KLOSTERNEUBURG, 1893.

Au near Klosterneuburg, 1893. Creator: Hugo Charlemont. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DESTRUCTION BY FIRE OF THE QUEEN RAILWAY HOTEL AT CHESTER, [CHESHIRE], 1861. 'ON MONDAY WEEK THE QUEEN RAILWAY HOTEL, A MAGNIFICENT BUILDING, OPENED LAST SUMMER, AT CHESTER, WAS TO A GREAT EXTENT DESTROYED BY FIRE. THE CATASTROPHE ORIGINATED ABOUT FIVE O'

Destruction by fire of the Queen Railway Hotel at Chester, 1861. Creator: Unknown. Destruction by fire of the Queen Railway Hotel at Chester, [Cheshire], 1861. 'On Monday week the Queen Railway Hotel, a magnificent building, opened last summer, at Chester, was to a great extent destroyed by fire. The catastrophe originated about five o'clock from an overheated flue in the kitchen. The Mayor, the magistrates, and the militia were all quickly on the spot, with the Chester fire-engines. The Birkenhead and Crewe engines were telegraphed for and soon arrived. The Saltney engines were also present in good time. Captain Humberston, M.P., heading a small body of volunteers, supported the police, and every effort was made to protect the property. There was just time to save the plate and a large part of the furniture. At one period the railway station itself, which cost above a quarter of a million, was deemed in danger. The interior of the original part of the hotel is destroyed, but the large new wing is safe, so that the establishment may be soon reopened. The building is partially insured in the London and Liverpool Fire Office'. From "Illustrated London News", 1861. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

THE FALL OF A HOUSE IN HIGH-STREET, EDINBURGH: SEARCHING FOR THE DEAD AND WOUNDED BY TORCHLIGHT, 1861. CROWDS WATCH AS MEN CARRYING FLAMING TORCHES SEARCH THROUGH DEBRIS.

The fall of a house in High-Street, Edinburgh: searching for the dead and wounded by..., 1861. Creator: Unknown. The fall of a house in High-Street, Edinburgh: searching for the dead and wounded by torchlight, 1861. Crowds watch as men carrying flaming torches search through debris. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

THE SCARBOROUGH LIFE-BOAT AFTER THE STORM, 1861. '...THE BOAT WAS DASHED UP TO THE WALL...AND DOWN AGAIN SHE WAS PRECIPITATED INTO THE FOAMING BILLOWS, HER DESTRUCTION AND THE LOSS OF HER UNFORTUNATE CREW BEING APPARENTLY INEVITABLE...LORD CHARLES BEAUCLE

The Scarborough life-boat after the storm, 1861. Creator: Unknown. The Scarborough life-boat after the storm, 1861. '...the boat was dashed up to the wall...and down again she was precipitated into the foaming billows, her destruction and the loss of her unfortunate crew being apparently inevitable...Lord Charles Beauclerk...had rushed to the rescue of [his] fellow-men...A huge wave was seen to lift the boat with fearful force against the wall, and...he was washed to the foot of the cliff, where Mr. Sarony, the photographic artist, seeing his Lordship's great peril, ran down the incline to his assistance. Mr. Sarony succeeded, single-handed, in fastening a rope round his Lordship's body, when Mr. Rutter, superintendent of the engineering department at the Scarborough railway station, also went to his aid. He was drawn up the incline, the life just ebbing out of him...The life-boat, having broken away, drifted on the rocks under the cliff...where she was stove in, and rendered unlit for future use...Her conduct [had] justified every good opinion that had been expressed on her qualities as a lifeboat...On the intelligence of this sad disaster being conveyed to the...Royal National Life-boat Institution in London a new boat...was at once ordered to be transmitted to Scarborough to replace the wrecked boat'. From "Illustrated London News", 1861. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

INUNDATION OF THE NILE: VIEW OF VILLAGES AND ENCAMPMENT ON THE BANK OF THE NILE, 1861. 'EGYPT OWES ITS EXISTENCE AS A PRODUCTIVE AND HABITABLE REGION TO THE NILE, THE PERIODIC OVERFLOWINGS OF WHICH MORE THAN ANSWER THE PURPOSE OF RAIN...THE RISE OF THE NI

Inundation of the Nile: view of villages and encampment on the bank of the Nile, 1861. Creator: Richard Principal Leitch. Inundation of the Nile: view of villages and encampment on the bank of the Nile, 1861. 'Egypt owes its existence as a productive and habitable region to the Nile, the periodic overflowings of which more than answer the purpose of rain...The rise of the Nile begins in June...overflowing the low lands along its course. The Delta then looks like an immense marsh, interspersed with numerous islands, with villages, towns, and plantations of trees just above the water. Should the Nile rise a few feet above its customary elevation the inundation sweeps away the mud-built cottages of the Arabs, drowns their cattle, and involves the whole population in ruin...The banks in many places form as it were islands, on which the inhabitants, being driven from their mud villages, encamp, along with their camels, horses, sheep, and cattle, waiting patiently for the going down of the Nile...The Nile has risen this year seven feet and a half higher than the customary floods...in one village, sixty persons are believed to have perished. Some districts have lost the whole of their stores of grain, and it seems certain that a portion of the population will have to be supplied by Government both with food and with seed for the ensuing winter crops'. From "Illustrated London News", 1861. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

THE WAR IN AMERICA: FORT OCRACOKE, ON BEACON ISLAND, NORTH CAROLINA, DESTROYED BY FIRE ON THE 17TH SEPTEMBER BY THE FEDERALISTS, 1861. 'ON THE 16TH SEPTEMBER AN EXPEDITION LEFT FORTRESS MONROE TO TAKE AND DESTROY THE [CONFEDERATE] FORT ON BEACON ISLAND, N

The War in America: Fort Ocracoke, on Beacon Island, North Carolina, destroyed by fire on..., 1861. Creator: Unknown. The War in America: Fort Ocracoke, on Beacon Island, North Carolina, destroyed by fire on the 17th September by the Federalists, 1861. 'On the 16th September an expedition left Fortress Monroe to take and destroy the [Confederate] fort on Beacon Island, near the entrance to the Sound. It was under the command of Lieutenant Eastman, of the Pawnee, and consisted of sixty-five men from the Coast Guard, and a detachment of sailors and marines from the Pawnee, in the ship's launch. The Coast Guard were on board the Fanny, which towed the launch down. The landing was safely effected. The fort was found deserted. The remainder of the day and the next day were occupied in destroying the pieces of ordnance found in the fort, of which twenty-two were rendered unserviceable. The torch was then applied to the bombproofs and magazines, and also to the lighthouse on the island. The conflagration raged furiously all night, the light being plainly visible thirty miles distant. After having completed the destruction of the fort, the expedition returned to Fort Monroe without the loss of a man'. From "Illustrated London News", 1861. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

THE BURNING OF CAPESTHORNE HALL, CHESHIRE: THE SOUTH FRONT, 1861. 'THE STATELY MANSION...WAS...THE SCENE OF A TERRIBLE FIRE, WHICH COMPLETELY GUTTED THE SPACIOUS AND HANDSOME BUILDING, AND RESULTED IN DAMAGE AMOUNTING TO SEVERAL THOUSAND POUNDS...THE ONLY

The Burning of Capesthorne Hall, Cheshire: the South Front, 1861. Creator: Unknown. The Burning of Capesthorne Hall, Cheshire: the South Front, 1861. 'The stately mansion...was...the scene of a terrible fire, which completely gutted the spacious and handsome building, and resulted in damage amounting to several thousand pounds...the only inmates of the hall when the catastrophe occurred were the owner Arthur Henry Davenport, Esq. and a guest, and the usual servants. The fire...must have been in existence some time before discovered by the footman...[who] raised the alarm...but...within an hour or two the flames issued forth from almost every window in front of the mansion and from the roof...Engines from Macclesfield and Congleton were procured...[but] the only hope left was to concentrate every effort upon preventing the spread of the fire beyond the body of the hall, the interior of which began to fill with smoke...Nearly all the articles of worth...have been preserved...The drawing-room was denuded of its furniture, glasses, paintings, carpet, and ornaments before the flames burst through the door...The ante-room, the library, and Mr. Davenport's study are entirely gutted, nothing now remaining in them but charred beams, and the smouldering remains of the beds, bedding, and furniture for the rooms that were above'. From "Illustrated London News", 1861. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

THE GREAT FIRE IN SOUTHWARK: VIEW FROM COTTON'S YARD, SHOWING THE SPOT WHERE MR. BRAIDWOOD WAS KILLED, 1861. 'THE FIRE IS STILL BURNING WITH CONSIDERABLE POWER IN THE LOWER PART OF WHAT WAS LATELY COTTON'S WHARF, AND THE ADJOINING PORTION OF THE RUINS. LA

The Great Fire in Southwark: view from Cotton's Yard, showing the spot where Mr. Braidwood..., 1861. Creator: Unknown. The Great Fire in Southwark: view from Cotton's Yard, showing the spot where Mr. Braidwood was killed, 1861. 'The fire is still burning with considerable power in the lower part of what was lately Cotton's Wharf, and the adjoining portion of the ruins. Last Saturday evening the flames and smoke burst forth with great force, and at ten o'clock an explosion took place, causing considerable alarm. The wind having shifted, the smoke was blown direct over the houses in Tooley-street...At eleven o'clock on Sunday morning an immense body of flame forced its way upwards from the vaults...and created much alarm, owing to the high wind prevailing and the direction in which it was blown. The steam-float was brought to bear upon the body of fire, and after about an hour succeeded in reducing it within its former limit. Towards evening, however, it again broke out, but was again brought under control. At twelve o'clock it had again attained the ascendancy, and was distinctly seen from the various bridges in the metropolis. Experiments with the fire-annihilator have been made upon the ruins, but have not succeeded in extinguishing any of the immense bodies of fire pursuing their destructive course amongst the vaults and cellarage.' From "Illustrated London News", 1861. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

THE GREAT FIRE IN SOUTHWARK: THE RUINS OF COTTON'S WHARF AS SEEN FROM TOOLEY-STREET, 1861. 'LAST SATURDAY EVENING THE FLAMES AND SMOKE BURST FORTH WITH GREAT FORCE, AND AT TEN O'CLOCK AN EXPLOSION TOOK PLACE, CAUSING CONSIDERABLE ALARM. THE WIND HAVING SH

The Great Fire in Southwark: the ruins of Cotton's Wharf as seen from Tooley-Street, 1861. Creator: Unknown. The Great Fire in Southwark: the ruins of Cotton's Wharf as seen from Tooley-Street, 1861. 'Last Saturday evening the flames and smoke burst forth with great force, and at ten o'clock an explosion took place, causing considerable alarm. The wind having shifted, the smoke was blown direct over the houses in Tooley-street causing great annoyance to the inhabitants. At eleven o'clock on Sunday morning an immense body of flame forced its way upwards from the vaults, rising high above the surrounding walls, and created much alarm, owing to the high wind prevailing and the direction in which it was blown. The steam-float was brought to bear upon the body of fire, and after about an hour succeeded in reducing it within its former limit...About 17,000 bales of Surat cotton, and 6000 Tinnevelly, are entirely destroyed; while the large quantity of bacon, about 2000 bales, either consumed or consuming in the burning ruins, has augmented the price and placed dealers in a very awkward position, not a bale of fine bacon being left in the market. 300 tons of olive oil, 80,000 packages of tea, 900 tons of sugar, 427 cases of castor oil, and 8800 casks of tallow, form but a few amongst many of the goods consumed, or now at the mercy of the devouring element'. From "Illustrated London News", 1861. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

THE GREAT FIRE IN SOUTHWARK: PARTS OF COTTON'S WHARF AND HAYE'S WAREHOUSE, 1861. 'ALTHOUGH THE RUINED WAREHOUSES AND WHARVES IN TOOLEY-STREET STILL PRESENT THE APPEARANCE OF A HUGE FURNACE, ALL DANGER OF THE FIRE SPREADING SEEMS TO HAVE PASSED AWAY. THE F

The Great Fire in Southwark: parts of Cotton's Wharf and Haye's Warehouse, 1861. Creator: Unknown. The Great Fire in Southwark: parts of Cotton's Wharf and Haye's Warehouse, 1861. 'Although the ruined warehouses and wharves in Tooley-street still present the appearance of a huge furnace, all danger of the fire spreading seems to have passed away. The fire is still burning with considerable power in the lower part of what was lately Cotton's Wharf, and the adjoining portion of the ruins...Experiments with the fire-annihilator have been made upon the ruins, but have not succeeded in extinguishing any of the immense bodies of fire pursuing their destructive course amongst the vaults and cellarage. There are nine cellars, each 100 feet long and 20 wide, and in them at the present time about two feet of palm oil and melted tallow are floating and burning over the whole surface...The flames may be seen through several openings for an immense distance, like an underground lake of fire...'. From "Illustrated London News", 1861. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

ILLUSTRATION OF SILHOUETTE OF DISINTEGRATING WOMAN

Illustration of silhouette of disintegrating woman (KEYSTONE/WESTEND61/GARY WATERS)

ILLUSTRATION OF SILHOUETTE OF DISINTEGRATING MAN

Illustration of silhouette of disintegrating man (KEYSTONE/WESTEND61/GARY WATERS)

VAJRABHAIRAVA WITH VAJRAVETALI, 18TH CENTURY. THE ENLIGHTENED WRATHFUL DEITY VAJRABHAIRAVA, BUDDHIST CONQUEROR OF DEATH, EMBRACES HIS FEMALE PARTNER, VAJRAVETALI. HIS NINE HEADS INCLUDE THAT OF A BUFFALO, THE ANIMAL ASSOCIATED WITH THE DEFEATED GOD OF DEA

Vajrabhairava with Vajravetali, 18th century. Creator: Unknown. Vajrabhairava with Vajravetali, 18th century. The enlightened wrathful deity Vajrabhairava, Buddhist conqueror of death, embraces his female partner, Vajravetali. His nine heads include that of a buffalo, the animal associated with the defeated god of death, and the crowning yellow face of Manjushri, bodhisattva of wisdom, with whom Vajrabhairava is associated. Vajrabhairava’s central crown of skulls is topped with images of five peaceful Buddhas, a reminder that his gruesome imagery, by forcing us to confront what we fear, ultimately supports the goal of enlightenment. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE BATTLE OF THE LOWER TOBA AT FUSHIMI IN YAMASHIRO PROVINCE, 1874.

The Battle of the Lower Toba at Fushimi in Yamashiro Province, 1874. Creator: Tsukioka Yoshitoshi. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SAMSON DESTROYING THE TEMPLE, C1560. SERIES: THE STORY OF SAMSON, PL. 6.

Samson Destroying the Temple, c1560. Creator: Philip Galle. Samson Destroying the Temple, c1560. Series: The Story of Samson, pl. 6. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

'L'ARRET DU REPLI ALLEMAND; LE CRIME ALLEMAND DE BAPAUME: LES DECOMBRES DE L'HOTEL DE VILLE APRES L'EXPLOSION DU 27 MARS 1917, PROVOQUEE PAR UN ENGIN A RETARDEMENT. AU PREMIER PLAN, DES SOLDATS AUSTRALIENS', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOL

'L'Arret du repli allemand; Le crime allemand de Bapaume: les decombres de l'hotel de ville apres l' Creator: Unknown. 'L'Arret du repli allemand; Le crime allemand de Bapaume: les decombres de l'hotel de ville apres l'explosion du 27 mars 1917, provoquee par un engin a retardement. Au premier plan, des soldats australiens', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'L'ARRET DU REPLI ALLEMAND; LE PLUS ODIEUX PILLAGE: CERCUEILS FRACTURES ET VIDES DE LEURS CENDRES DANS LE CAVEAU DE LA FAMILLE D'ESCAYRAC-LAUTURE, A PASSEL, PRES DE NOYON', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924

'L'Arret du repli allemand; Le plus odieux pillage: cercueils fractures et vides de leurs cendres da Creator: Unknown. 'L'Arret du repli allemand; Le plus odieux pillage: cercueils fractures et vides de leurs cendres dans le caveau de la famille d'Escayrac-Lauture, a Passel, pres de Noyon', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'L'ARRET DU REPLI ALLEMAND; LE PLUS ODIEUX PILLAGE: CERCUEILS FRACTURES ET VIDES DE LEURS CENDRES DANS LE CAVEAU DE LA FAMILLE D'ESCAYRAC-LAUTURE, A PASSEL, PRES DE NOYON', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924

'L'Arret du repli allemand; Le plus odieux pillage: cercueils fractures et vides de leurs cendres da Creator: Unknown. 'L'Arret du repli allemand; Le plus odieux pillage: cercueils fractures et vides de leurs cendres dans le caveau de la famille d'Escayrac-Lauture, a Passel, pres de Noyon', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LE ROYAUME DE LA MORT'; MORSAIN, A 3 KILOMETRES SEULEMENT DES ANCIENNES LIGNES ET QUE L'ENNEMI A EVACUE PRECIPITAMMENT EN SE BORNANT A FAIRE SAUTER A LA MINE QUELQUES MAISONS', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS,

'Le Royaume de la Mort; Morsain, a 3 kilometres seulement des anciennes lignes et que l'ennemi a eva Creator: Unknown. 'Le Royaume de la Mort'; Morsain, a 3 kilometres seulement des anciennes lignes et que l'ennemi a evacue precipitamment en se bornant a faire sauter a la mine quelques maisons', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LE ROYAUME DE LA MORT'; VILLEQUIER-AU-MONT, PLUS RAPPROCHE, OU QUELQUES MURS PORTAIENT ENCORE DES TOITS', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'Le Royaume de la Mort'; Villequier-au-Mont, plus rapproche, ou quelques murs portaient encore des t Creator: Unknown. 'Le Royaume de la Mort'; Villequier-au-Mont, plus rapproche, ou quelques murs portaient encore des toits', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LE ROYAUME DE LA MORT'; JUSSY, UN DES VILLAGES LES PLUS ELOIGNES DE L'ANCIEN FRONT OU L'ENNEMI PUT S'ATTARDER ET QU'IL LAISSA LITTERALEMENT RASE', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'Le Royaume de la Mort'; Jussy, un des villages les plus eloignes de l'ancien front ou l'ennemi put Creator: Unknown. 'Le Royaume de la Mort'; Jussy, un des villages les plus eloignes de l'ancien front ou l'ennemi put s'attarder et qu'il laissa litteralement rase', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LE ROYAUME DE LA MORT'; UN SPECTACLE QUI MIT LA RAGE AU COEUR DE NOS SOLDATS PAYSANS: UNE RANGEE DE MAGNIFIQUES POMMIERS SCIES ET A BATTUS. SUR TOUTE L'ETENDUE DU TERRAIN DE LA RETRAITE ALLEMANDE, TOUS LES ARBRES FRUITIERS AVAIENT ETE METHODIQUEMENT TRAN

'Le Royaume de la Mort; Un spectacle qui mit la rage au coeur de nos soldats paysans: une rangee de Creator: Unknown. 'Le Royaume de la Mort'; Un spectacle qui mit la rage au coeur de nos soldats paysans: une rangee de magnifiques pommiers scies et a battus. Sur toute l'etendue du terrain de la retraite allemande, tous les arbres fruitiers avaient ete methodiquement tranches au pied et renverses', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LE ROYAUME DE LA MORT'; GOUTTIERES ET FEUILLES DE ZINC QUE LES ALLEMANDS AVAIENT AMASSES ET QU'ILS N'EURENT PAS LE TEMPS D'EMPORTER', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'Le Royaume de la Mort'; Gouttieres et feuilles de zinc que les allemands avaient amasses et qu'ils Creator: Unknown. 'Le Royaume de la Mort'; Gouttieres et feuilles de zinc que les allemands avaient amasses et qu'ils n'eurent pas le temps d'emporter', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LE ROYAUME DE LA MORT'; UNE DES NOMBREUSES EGLISES DE VILLAGE QUE L'ENNEMI A SYSTEMATIQUEMENT DETRUITES: L'EGLISE DE BEAULIEU-LES-FONTAINES', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'Le Royaume de la Mort'; Une des nombreuses eglises de village que l'ennemi a systematiquement detru Creator: Unknown. 'Le Royaume de la Mort'; Une des nombreuses eglises de village que l'ennemi a systematiquement detruites: l'eglise de Beaulieu-les-Fontaines', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LE ROYAUME DE LA MORT'; DANS LA PLAINE DE BEAULIEU, ENTRE LASSIGNY ET NESLE: INSTRUMENTS ARATOIRES DETRUITS ET DISPERSES', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'Le Royaume de la Mort'; Dans la plaine de Beaulieu, entre Lassigny et Nesle: instruments aratoires Creator: Unknown. 'Le Royaume de la Mort'; Dans la plaine de Beaulieu, entre Lassigny et Nesle: instruments aratoires detruits et disperses', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LE ROYAUME DE LA MORT'; APRES: COUCY-LE-CHATEAU, VU DU MEME POINT', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'Le Royaume de la Mort'; Apres: Coucy-le-Chateau, vu du meme point', 1917. Creator: Unknown. 'Le Royaume de la Mort'; Apres: Coucy-le-Chateau, vu du meme point', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LE ROYAUME DE LA MORT'; LA RUE SAINT-ELOI A CHAUNY: EN Y RENTRANTE LE 19 MARS 1917, NOS TROUPES TROUVERENT LA PETITE VILLE TOTALEMENT DETRUITE', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'Le Royaume de la Mort'; La rue Saint-Eloi a Chauny: en y rentrante le 19 mars 1917, nos troupes tro Creator: Unknown. 'Le Royaume de la Mort'; La rue Saint-Eloi a Chauny: en y rentrante le 19 mars 1917, nos troupes trouverent la petite ville totalement detruite', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LES ENTONNOIRS DE HAM', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'Les entonnoirs de Ham', 1917. Creator: Francois Flameng. 'Les entonnoirs de Ham', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LES POMMIERS COUPES A CUTS (OISE)', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'Les pommiers coupes a Cuts (Oise)', 1917. Creator: Francois Flameng. 'Les pommiers coupes a Cuts (Oise)', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LA RETRAITE ALLEMANDE (MARS 1917). COUCY-LE CHATEAU APRES LA DESTRUCTION ALLEMANDE', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'La retraite allemande (mars 1917). Coucy-le Chateau apres la destruction allemande', 1917. Creator: Francois Flameng. 'La retraite allemande (mars 1917). Coucy-le Chateau apres la destruction allemande', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'CATHEDRALE DE PERONNE', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'Cathedrale de Peronne', 1917. Creator: Francois Flameng. 'Cathedrale de Peronne', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'BIACHES', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'Biaches', 1917. Creator: Francois Flameng. 'Biaches', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'DANS LES VILLES LIBEREES (MARS 1917); SOLDATS ANGLAIS DANS LES VIEUX REMPARTS DE PERONNE', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'Dans les villes liberees (mars 1917); Soldats anglais dans les vieux remparts de Peronne', 1917. Creator: Francois Flameng. 'Dans les villes liberees (mars 1917); Soldats anglais dans les vieux remparts de Peronne', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'DE LA JOIE POUR TOUS; ENTOURES PAR LES ENFANTS D'UN VILLAGE RECONQUIS, DES CYCLISTES ANGLAIS ONT IMAGINE DE LEUR DONNER CE RARE BONHEUR DE LES PROMENER SUR LEURS BICYCLETTES. AU FOND, LE TRISTE FOURRE DE BRANCHAGES MORTS D'UN VERGER MUTILE. FROM "L'ALBUM

''De la joie pour Tous; Entoures par les enfants d'un village reconquis, des cyclistes anglais ont i Creator: Unknown. 'De la joie pour Tous; Entoures par les enfants d'un village reconquis, des cyclistes anglais ont imagine de leur donner ce rare bonheur de les promener sur leurs bicyclettes. Au fond, le triste fourre de branchages morts d'un verger mutile. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'DANS PERONNE SACCAGEE: LA PROFANATION DU MONUMENT DE CATHERINE DE POIX, DITE MARIE FOURE: LA STATUE DE L'HEROINE DE LA DEFENSE DE PERONNE, EN 1563, CONTRE LES TROUPES DE CHARLES-QUINT, A ETE ENLEVEE; ELLE AVAIT ETE REMPLACEE SUR LE SOCLE PAR UN MANNEQUIN

'Dans Peronne Saccagee: La profanation du monument de Catherine de Poix, dite Marie Foure: la statue Creator: Unknown. 'Dans Peronne Saccagee: La profanation du monument de Catherine de Poix, dite Marie Foure: la statue de l'heroine de la defense de Peronne, en 1563, contre les troupes de Charles-Quint, a ete enlevee; elle avait ete remplacee sur le socle par un mannequin dont on voit le long de la grille les elements principaux', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'L'ART DE DETRUIRE; LE BELIER DE MARGNY-AUX-CERISES', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'L'art de Detruire; Le Belier de Margny-Aux-Cerises', 1917. Creator: Unknown. 'L'art de Detruire; Le Belier de Margny-Aux-Cerises', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'DANS PERONNE SACCAGEE: LES RUINES DU PRECIEUX HOTEL DE VILLE DU XVI SIECLE ET L'INSCRIPTION QUE L'ENNEMI JUGEA PLAISANT D'Y LAISSER: NE PAS SE FACHER: ADMIRER SEULEMENT >>. ', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS,

'Dans Peronne Saccagee: Les ruines du precieux hotel de ville du XVI siecle et l'inscription que l'e Creator: Unknown. 'Dans Peronne Saccagee: Les ruines du precieux hotel de ville du XVI siecle et l'inscription que l'ennemi jugea plaisant d'y laisser: Ne pas se facher: admirer seulement >>. ', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'EN TERRITOIRE LIBERE; A HAM, REOCCUPE PAR NOS TROUPES LE 19 MARS: L'ASPECT DU CHATEAU DON’T L'ENNEMI A FAIT SAUTER LA GROSSE TOUR', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'En territoire libere; A Ham, reoccupe par nos troupes le 19 mars: l'aspect du chateau don’t l'ennem Creator: Unknown. 'En territoire libere; A Ham, reoccupe par nos troupes le 19 mars: l'aspect du chateau don’t l'ennemi a fait sauter la grosse tour', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'EN TERRITOIRE LIBERE; LE GENERAL FRANCHET D'ESPEREY DEVANT LES RUINES DU CHATEAU HISTORIQUE DE HAM',1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'En territoire libere; Le general Franchet d'Esperey devant les ruines du chateau historique de Ham' Creator: Unknown. 'En territoire libere; Le general Franchet d'Esperey devant les ruines du chateau historique de Ham',1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'EN TERRITOIRE LIBERE; LA GRANDE PLACE DE PERONNE A L'ENTREDES TROUPES BRITANNIQUES, LE 18 MARS 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

''En territoire libere; La grande place de Peronne a l'entredes troupes britanniques, le 18 mars 191 Creator: Unknown. 'En territoire libere; La grande place de Peronne a l'entredes troupes britanniques, le 18 mars 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'EN TERRITOIRE LIBERE; L'ENTRÉE, A L'EST, DE LA PETIT VILLE DE NESLE, OU LES TROUPES DE POURSUITE FRANCAISES ET BRITANNIQUES FIRENT LEUR JONCTION, LE 18 MARS', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'En territoire libere; L'entrée, a l'Est, de la petit ville de Nesle, ou les troupes de poursuite fr Creator: Unknown. 'En territoire libere; L'entrée, a l'Est, de la petit ville de Nesle, ou les troupes de poursuite francaises et britanniques firent leur jonction, le 18 mars', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'EN TERRITOIRE LIBERE; ENFANTS AGITANT UN DRAPEAU SUR LE PASSAGE DE NOS SOLDATS', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'En territoire libere; Enfants agitant un drapeau sur le passage de nos soldats', 1917. Creator: Unknown. 'En territoire libere; Enfants agitant un drapeau sur le passage de nos soldats', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'EN TERRITOIRE LIBERE; LES RUINES DE L'HOTEL DE VILLE DE ROYE', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'En territoire libere; Les ruines de l'hotel de ville de Roye', 1917. Creator: Unknown. 'En territoire libere; Les ruines de l'hotel de ville de Roye', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'EN TERRITOIRE LIBERE; LA RUE PRINCIPALE DE ROYE COUPEE PAR L'EXPLOSION D'UNE MINE ALLEMANDE, AVANT L'ABANDON DE LA VILLE PAR L'ENNEMI', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'En territoire libere; La rue principale de Roye coupee par l'explosion d'une mine allemande, avant Creator: Unknown. 'En territoire libere; La rue principale de Roye coupee par l'explosion d'une mine allemande, avant l'abandon de la ville par l'ennemi', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'EN TERRITOIRE LIBERE; LA LISIERE DU VILLAGE DE LASSIGNY, REPRIS PAR NOS TROUPES LE A7 MARS 1917', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'En territoire libere; La lisiere du village de Lassigny, repris par nos troupes le a7 mars 1917', 1 Creator: Unknown. 'En territoire libere; La lisiere du village de Lassigny, repris par nos troupes le a7 mars 1917', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'EN TERRITOIRE LIBERE; LES RUINES D'UN QUARTIER DE LASSIGNY', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'En territoire libere; Les ruines d'un quartier de Lassigny', 1917. Creator: Unknown. 'En territoire libere; Les ruines d'un quartier de Lassigny', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'EN TERRITOIRE LIBERE; L'EGLISE DE LASSIGNY', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'En territoire libere; l'eglise de Lassigny', 1917. Creator: Unknown. 'En territoire libere; l'eglise de Lassigny', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'EN TERRITOIRE LIBERE; L'HOTEL DE VILLE DE BAPAUME', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'En territoire libere; l'hotel de ville de Bapaume', 1917. Creator: Unknown. 'En territoire libere; l'hotel de ville de Bapaume', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LA RETRAITE ALLEMANDE; LES RESTES D'UN PAVILLON DANS LE PARC DU CHATEAU', 1917. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'La retraite allemande; Les restes d'un pavillon dans le parc du chateau', 1917. Creator: Unknown. 'La retraite allemande; Les restes d'un pavillon dans le parc du chateau', 1917. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'CONTRE DES VILLES OUVERTES; DEUX EXPOITS A PARIS DES "HEROS DE L'AIR" ALLEMANDS, AU COURS DU RAID DE ZEPPELINS DE LA NUIT DU 28 AU 29 JANVIER 1916',1916. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'Contre des villes Ouvertes; Deux expoits a Paris des "heros de l'air" allemands, au cours du raid d Creator: Unknown. 'Contre des villes Ouvertes; Deux expoits a Paris des "heros de l'air" allemands, au cours du raid de zeppelins de la nuit du 28 au 29 janvier 1916',1916. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LA DERNIERE ETAPE DE L'OFFENSIVE; LES COFFRES-FORTS PILLES PAR LES ALLEMANDS DANS LA PREFECTURE INCENDIEE', 1916. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'La derniere etape de l'offensive; Les coffres-forts pilles par les Allemands dans la prefecture inc Creator: Unknown. 'La derniere etape de l'offensive; Les coffres-forts pilles par les Allemands dans la prefecture incendiee', 1916. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

THE WAR IN CHINA - INTERIOR OF THE NORTH FORT PEIHO - FROM A SKETCH BY OUR SPECIAL ARTIST, 1860. BRITISH FORCES IN THE FAR EAST. 'THE TARTARS FOUGHT BRAVELY, EVEN AFTER OUR MEN GOT IN, USING SPEARS AND SWORDS, AS WELL AS MATCHLOCKS, AND WERE SHOT AND BAYO

The War in China - interior of the North Fort Peiho - from a sketch by our special artist, 1860. Creator: Unknown. The War in China - interior of the North Fort Peiho - from a sketch by our special artist, 1860. British forces in the Far East. 'The Tartars fought bravely, even after our men got in, using spears and swords, as well as matchlocks, and were shot and bayonetted in numbers'. From "Illustrated London News", 1860. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

PEOPLE STANDING IN FRONT OF BROKEN PLANET EARTH AGAINST BROWN BACKGROUND

People standing in front of broken planet earth against brown background (KEYSTONE/WESTEND61/GARY WATERS)

PALAESTINA NAHOST KONFLIKT

epa10952951 Palestinians search for bodies and survivors among the rubble following Israeli airstrikes on Al Falouja in Jabalia town, northern Gaza, 01 November 2023. More than 8,500 Palestinians and at least 1,400 Israelis have been killed, according to the IDF and the Palestinian health authority, since Hamas militants launched an attack against Israel from the Gaza Strip on 07 October, and the Israeli operations in Gaza and the West Bank which followed it. (KEYSTONE/EPA/MOHAMMED SABER)

THE GREAT FIRE AT RYOGOKU BRIDGE, VIEWED FROM ASAKUSA BRIDGE ON THE 26TH OF JANUARY, 1881, 1881.

The Great Fire at Ryogoku Bridge, Viewed from Asakusa Bridge on the 26th of January, 1881, 1881. The Great Fire at Ryogoku Bridge, Viewed from Asakusa Bridge on the 26th of January, 1881, 1881. Creator: Kobayashi Kiyochika. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DROWNED LANDS OF THE RAQUETTE LARE, PRINTED 1888.

Drowned Lands Of The Raquette Lare, Printed 1888. Drowned Lands Of The Raquette Lake, Printed 1888. Creator: Seneca Ray Stoddard. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

'CLERY REPRIS; LA SILHOUETTE DES RUINES DU VILLAGE DANS LE BROUILLARD, LE MATIN DU 4 SEPTEMBRE', 1916. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS, 1924].

'Clery Repris; La silhouette des ruines du village dans le brouillard, le matin du 4 septembre', 1916. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 1924]. 'Clery Repris; La silhouette des ruines du village dans le brouillard, le matin du 4 septembre', 191 Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

DESTRUCTION OF THE MARTELLO TOWER, EASTBOURNE, SUSSEX, BY SIR W. ARMSTRONG'S GUNS, AT A DISTANCE OF 1032 YARDS, 1860. 'THE GUNS EMPLOYED WERE A 40-POUNDER OF 31 CWT., AN 80-POUNDER OF 63 CWT., AND A SHORT 100-POUNDER, WEIGHING ONLY 53 CWT...THE PROJECTILE

Destruction of the Martello Tower, Eastbourne, Sussex, by Sir W. Armstrong's guns, at a distance of 1032 yards, 1860. 'The guns employed were a 40-pounder of 31 cwt., an 80-pounder of 63 cwt., and a short 100-pounder, weighing only 53 cwt...the projectile Destruction of the Martello Tower, Eastbourne, Sussex, by Sir W. Armstrong's guns, at a..., 1860. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

'LE CHAMP DE BATAILLE DE COMBLES; LES RESTES D'UNE INSTALLATION ALLEMANDE DANS LE CHEMIN CREUX DE COMBLES A MORVAL ; DES CADAVRES ALLEMANDS A L'ENTRÉE D'UN POSTE TELEPHONIQUE', 1916. FROM "L'ALBUM DE LA GUERRE 1914-1919, VOLUME 1" [L'ILLUSTRATION, PARIS,

'Le Champ de Bataille de Combles; Les restes d'une installation allemande dans le chemin creux de Combles a Morval ; des cadavres allemands a l'entrée d'un poste telephonique', 1916. From "L'Album de la Guerre 1914-1919, Volume 1" [L'Illustration, Paris, 'Le Champ de Bataille de Combles; Les restes d'une installation allemande dans le chemin creux de Co Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)