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(RM) 609487145
THE MEETING OF ABRAHAM'S SERVANT WITH REBEKAH AT THE WELL, BY W. HILTON, R.A..., 1864. CREATOR: W THOMAS.
The Meeting of Abraham's Servant with Rebekah at the Well, by W. Hilton, R.A., in the National Gallery, South Kensington, 1864. Engraving of a painting. 'The servant, when he arrives "without the city," and had made his camels kneel by a well of water "at the time of the evening, even the time that women go out to draw water," prays to the "Lord God of his master that the damsel to whom he shall say, 'Let down thy pitcher, I pray thee, that I may drink;' and she shall say, 'Drink, and I will give thy camels drink also:' let the same be she that thou hast appointed for thy servant Isaac." And this prayer was miraculously answered by the immediate appearance and subsequent conduct of the beautiful virgin Rebekah. When the man was convinced that this was the maiden to whom he had been divinely directed he gave her an earring and put bracelets on her wrists and worshipped the Lord...It will, however, be at once remarked that the types of the faces, the costumes, the camels, the landscape, and other accessories, have little pretence to that strictly Eastern couleur locale seen in recent pictures from sacred story...The composition is certainly good, and...the more technical qualities of the picture...are especially noteworthy'. From "Illustrated London News", 1864. The Meeting of Abraham's Servant with Rebekah at the Well, by W. Hilton, R.A..., 1864. Creator: W Thomas. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)
(RM) 601163249
THE INTERNATIONAL EXHIBITION: "A CONFESSION", BY E. J. AUBERT, 1862. CREATOR: W THOMAS.
The International Exhibition: "A Confession", by E. J. Aubert, 1862. '...two young and beautiful females, intimate friends or companions, being together, and the one involuntarily compelled to confide in the other some newly-formed attachment of a graver kind than friendship, or, more probably, being surprised into the avowal of the love secret by the womanly penetration and tact of her friend...[Aubert] takes us back to ancient Greece, and presents us with two Ionian maidens, draped like the Elgin marbles, walking on a shore of the blue Aegaean, bidding us, as it were, think of Sapphos and Helens, Penelopes and Ariadnes...[He] has given very suitable refinement to the forms; and the somewhat vague tone and opaline colour, though short of the force and effectiveness of nature, may be accepted as in some sort in keeping with dim antiquity and poetical sentiment...The livelier temperament of the slightly-bantering fair girl, and graver, more passionate expression of the dark lady, are perfectly discriminated. On a box will be seen the Greek word [for] "gold," which applies to the receptacle containing the gold thread with which the dark lady is embroidering, and, by the fanciful, may be construed to refer to the thread of her "confession".' From "Illustrated London News", 1862. The International Exhibition: "A Confession", by E. J. Aubert, 1862. Creator: W Thomas. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)
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