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IN FEUER STEHENDE X FORM VOR FELSWAND

in Feuer stehende X Form vor Felswand (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES TIEFES BETT ÜBER FLAUSCHIGE WOLKEN BEI NACHT

Gemütliches tiefes Bett über flauschige Wolken bei Nacht (KEYSTONE/CHROMORANGE/Besa Art)

3D-RENDERING EINES GERAHMTEN HELLEN X-ALPHABETS AUF DER WASSEROBERFLÄCHE UND IN EINER FELSIGEN UMGEBUNG

3D-Rendering eines gerahmten hellen X-Alphabets auf der Wasseroberfläche und in einer felsigen Umgebung (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT DAS VON HIMMELSLATERNEN BELEUCHTET WIRD. DAS BETT FLIEGT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT

Gemütliches Bett das von Himmelslaternen beleuchtet wird. Das Bett fliegt über flauschige Wolken in der Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES SOFA MIT FLIEGENDEN KISSEN ÜBER FLAUSCHIGEN WOLKEN BEI NACHT

Gemütliches Sofa mit fliegenden Kissen über flauschigen Wolken bei Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES SOFA ÜBER FLAUSCHIGE WOLKEN BEI NACHT

Gemütliches Sofa über flauschige Wolken bei Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT

Gemütliches Bett über flauschige Wolken in der Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT, VON EINER LAMPE BELEUCHTETEN BETTES,FLIEGT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT

Gemütliches Bett, von einer Lampe beleuchteten Bettes,fliegt über flauschige Wolken in der Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GRÜNES NEON-DREIECK AUF GLÄNZENDEM KNOPFBODEN UND UMGEBEN VON RAUCH

Grünes Neon-Dreieck auf glänzendem Knopfboden und umgeben von Rauch (KEYSTONE/CHROMORANGE/Besa Art)

LEUCHTENDE QUADRATISCHE FORM VOR EINER SCHWARZEN VULKANWAND

Leuchtende quadratische Form vor einer schwarzen Vulkanwand (KEYSTONE/CHROMORANGE/Besa Art)

WEHENDE SCHWEIZER FAHNE AUF SCHNEEBEDECKTEN FELSEN UND GRAUEN WOLKEN

Wehende Schweizer Fahne auf schneebedeckten Felsen und grauen Wolken (KEYSTONE/CHROMORANGE/Besa Art)

3D-RENDERING VON BLAUEM LICHT X GERAHMTE FORM NEBEN BETONPFEILERN UND ZAUN

3d-Rendering von blauem Licht X gerahmte Form neben Betonpfeilern und Zaun (KEYSTONE/CHROMORANGE/Besa Art)

3D-RENDERING EINER GELBEN, HELLEN X-RAHMENFORM NEBEN BETONSÄULEN UND ZAUN

3D-Rendering einer gelben, hellen X-Rahmenform neben Betonsäulen und Zaun (KEYSTONE/CHROMORANGE/Besa Art)

BLAUES NEONLICHT X-FORM NEBEN BETONPFEILERN UND ZAUN

Blaues Neonlicht X-Form neben Betonpfeilern und Zaun (KEYSTONE/CHROMORANGE/Besa Art)

NEON-TASTEN HINTERGRUND MIT BUNTEM RAUCH

Neon-Tasten Hintergrund mit buntem Rauch (KEYSTONE/CHROMORANGE/Besa Art)

BLAUER NEON-KREIS UMGEBEN VON RAUCH, AUF LEUCHTENDEN BUTTON BODEN

Blauer Neon-Kreis umgeben von Rauch, auf leuchtenden Button Boden (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT, DAS VON HIMMELSLATERNEN BELEUCHTET WIRD. DAS BETT FLIEGT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT

Gemütliches Bett, das von Himmelslaternen beleuchtet wird. Das Bett fliegt über flauschige Wolken in der Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT

Gemütliches Bett über flauschige Wolken in der Nacht (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT. BELEUCHTET VOM GROSSEN MOND

Gemütliches Bett über flauschige Wolken in der Nacht. Beleuchtet vom großen Mond (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT

Gemütliches Bett über flauschige Wolken in der Nacht (KEYSTONE/CHROMORANGE/Besa Art)

EIN GLÜHENDER HERZRAHMEN ÜBER EINER FELSIGEN OBERFLÄCHE

Ein glühender Herzrahmen über einer felsigen Oberfläche (KEYSTONE/CHROMORANGE/Besa Art)

GEMÜTLICHES BETT ÜBER FLAUSCHIGE WOLKEN IN DER NACHT

Gemütliches Bett über flauschige Wolken in der Nacht (KEYSTONE/CHROMORANGE/Besa Art)

SCHWEIZ ZUGERSEE

Blick auf den Zugersee bei besonderem Licht. Aufgenommen am 29. Februar 2024. (KEYSTONE/Caroline Mohnke)

THE INTERNATIONAL EXHIBITION: BESLEY'S TYPE-CASTING MACHINE..., 1862. CREATOR: UNKNOWN.

The International Exhibition: Besley's type-casting machine - from a photograph by the London Stereoscopic Company, 1862. Machine '...exhibited by Messrs. Charles Reed and Benjamin Fox [and] engaged...in casting type used in this number of the "Illustrated London News"...The popular idea is that print-types are made of lead, but, when the extreme pressure to which the metal has to be subjected is considered, it is manifest that a composition of a much greater resisting power is required for the purpose of producing impressions on paper...The machine consists of a pan for holding the [hard] metal, with a well and piston, the latter with a side lever, connecting-rod, and cross-bar attached to the piston-rod and worked with a cam. To the pan is fixed a "jobber", used to prevent the return of the metal after it is pumped into the mould, which is fixed to the front of the machine, and held to the pan whilst the type is being cast. When the type is cast the mould is drawn back by means of a spiral spring, and the mould is opened by a bar and rod, which are also used for delivering the matrix. Other arms and plates are adapted for fixing and lowering the mould. The machine is driven by a lever and motion-crank'. From "Illustrated London News", 1862. The International Exhibition: Besley's type-casting machine..., 1862. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

THE INTERNATIONAL EXHIBITION - "THE BAD NEIGHBOURS", BY C. VERLAT, 1862. CREATOR: UNKNOWN.

The International Exhibition - "The Bad Neighbours", by C. Verlat, 1862. '...here is this wicked Belgian painter representing an incident of monkey life which, in this covetous, mammon-worshipping, shopkeeping, billsticking, advertising age...might, we fear, be paralleled among neighbours by any of us without going far...Look, too, at that sly urchin begging and trading upon his weakness. The likeness throughout is certainly not flattering, but is there not a resemblance? And, even if a caricature, may we not find some a lesson in the satire?...one would have thought it quite supererogatory to place over the cage the caution, "Defense de toucher aux animaux." The showman - the proprietor of the exhibition curtain, the drum, trumpet, cups, and dice - is surely a humorous fellow. This is a very odd and very amusing subject for a picture, but it has still greater claims upon attention as a capital painting remarkable for colour and effect'. From "Illustrated London News", 1862. The International Exhibition - "The Bad Neighbours", by C. Verlat, 1862. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

THE ESSEX AGRICULTURAL SOCIETY'S SHOW AT HALSTEAD: TRIUMPHAL ARCH NEAR THE OLD CHURCH, 1862. CREATOR: UNKNOWN.

The Essex Agricultural Society's Show at Halstead: triumphal arch near the old church, 1862. 'The show was a great success; and 4800 persons visited the implement field during the three days it was open. To say that Halstead was gay would convey but little notion of the appearance it presented from the tower of St. Andrew's Church. A flag embracing the Royal standard of England and national emblems of other countries floated, and union-jacks, tricolors, &c., waved in every possible place where they could be hoisted. Trees were planted before nearly every house; and what was the crowning of all were three noble arches erected by the committee, the principal being at the entrance to the market- hill, on the road from Colchester, surmounted by a crown, and on one side "Welcome," and on the other "Fortune smiles on Industry," and having two side arches. Another arch of a quadruple design served as a canopy to the railway crossing, having upon it "C. V. R., Progress and Prosperity," and "Army and Navy, God Save the Queen"; and the third spanned the road near the police station, having on the top a lion crouched, and on each side "Welcome" and "God Speed the Plough".' From "Illustrated London News", 1862. The Essex Agricultural Society's Show at Halstead: triumphal arch near the old church, 1862. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

OPENING OF THE INTERNATIONAL EXHIBITION BUILDING: THE PROCESSION FORMING IN THE SOUTH..., 1862. CREATOR: UNKNOWN.

Opening of the International Exhibition Building, [South Kensington, London]: the procession forming in the South Central Court, 1862. 'It was here that the Royal commissioners for the exhibition, all their official staff, the deputation from the guarantors, the foreign commissioners, the jurors, the representatives of the different societies who are in some way connected with the exhibition (such as the Society of Arts and the Horticultural Society), the commissioners for the Exhibition of 1851, and such of her Majesty's Ministers as were not allotted special places as representing some of the above departments, assembled at half-past twelve o'clock to receive the Queen's commissioners for the opening of the exhibition'. From "Illustrated London News", 1862. Opening of the International Exhibition Building: the procession forming in the South..., 1862. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

BANQUET TO THE FUSILIER GUARDS AND OTHERS OF HER MAJESTY'S TROOPS, 1000 IN NUMBER, AT ST..., 1862. CREATOR: UNKNOWN.

Banquet to the Fusilier Guards and others of Her Majesty's Troops, 1000 in number, at St. John, New Brunswick, [Canada], 1862. British soldiers mobilised during the American Civil War because of the '...threatened rupture between this country and the Federal Government of America (in connection with the Trent affair)'. A sign, decorated with greenery. reads: 'Welcome to New Brunswick, Guards of Our Most Gracious Queen [Victoria]'. From "Illustrated London News", 1862. Banquet to the Fusilier Guards and others of Her Majesty's Troops, 1000 in number, at St..., 1862. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)

KRASNOYARSK VOSKRESENSKAYA STREET, 1904-1917. CREATOR: UNKNOWN.

Krasnoyarsk Voskresenskaya street, 1904-1917. National Library of Russia Krasnoyarsk Voskresenskaya street, 1904-1917. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SHAMIL'S GATES, VERKHNY GUNIB, DAGESTAN, BETWEEN 1905 AND 1915. CREATOR: SERGEY MIKHAYLOVICH PROKUDIN-GORSKY.

Shamil's Gates, Verkhny Gunib, Dagestan, between 1905 and 1915. {/33310/}, leader of the Chechen and Daghestani tribes, made his last stand against the Russians at Ghunib, where he gave himself up to the Russian commander, Prince Alexander Baryatinsky, on 25 August 1859. Russian chemist and photographer Sergey Prokudin-Gorsky (1863-1944) was a pioneer in colour photography which he used to document early 20th-century Russia and her empire, including the vanishing way of life of tribal peoples along the Silk Route in Central Asia. In a railway-carriage darkroom provided by Czar Nicholas II, Prokudin-Gorsky used the three-colour photography process to record traditional costumes and occupations, churches and mosques - many now Unesco World Heritage sites - as well as modernisation in agriculture, industry and transport. Shamil's Gates, Verkhny Gunib, Dagestan, between 1905 and 1915. Creator: Sergey Mikhaylovich Prokudin-Gorsky. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

GAGRA WHARF, BETWEEN 1905 AND 1915. CREATOR: SERGEY MIKHAYLOVICH PROKUDIN-GORSKY.

Gagra wharf, between 1905 and 1915. Resort on the Black Sea coast in what is now Abkhazia/Georgia. Russian chemist and photographer Sergey Prokudin-Gorsky (1863-1944) was a pioneer in colour photography which he used to document early 20th-century Russia and her empire, including the vanishing way of life of tribal peoples along the Silk Route in Central Asia. In a railway-carriage darkroom provided by Czar Nicholas II, Prokudin-Gorsky used the three-colour photography process to record traditional costumes and occupations, churches and mosques - many now Unesco World Heritage sites - as well as modernisation in agriculture, industry and transport. Gagra wharf, between 1905 and 1915. Creator: Sergey Mikhaylovich Prokudin-Gorsky. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

FACTORY LIVING QUARTERS, KOVZHA [RUSSIAN EMPIRE], 1909. CREATOR: SERGEY MIKHAYLOVICH PROKUDIN-GORSKY.

Factory living quarters, Kovzha [Russian Empire], 1909. The sign reads: Zavodskaya (factory). Russian chemist and photographer Sergey Prokudin-Gorsky (1863-1944) was a pioneer in colour photography which he used to document early 20th-century Russia and her empire, including the vanishing way of life of tribal peoples along the Silk Route in Central Asia. In a railway-carriage darkroom provided by Czar Nicholas II, Prokudin-Gorsky used the three-colour photography process to record traditional costumes and occupations, churches and mosques - many now Unesco World Heritage sites - as well as modernisation in agriculture, industry and transport. Factory living quarters, Kovzha [Russian Empire], 1909. Creator: Sergey Mikhaylovich Prokudin-Gorsky. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MUGAN; INN IN PETROPAVLOVSKOE, BETWEEN 1905 AND 1915. CREATOR: SERGEY MIKHAYLOVICH PROKUDIN-GORSKY.

Mugan; inn in Petropavlovskoe, between 1905 and 1915. Note stacks of mud bricks on right. The Mughan plain is an area stretching from northwestern Iran to the southern part of the Republic of Azerbaijan. Russian chemist and photographer Sergey Prokudin-Gorsky (1863-1944) was a pioneer in colour photography which he used to document early 20th-century Russia and her empire, including the vanishing way of life of tribal peoples along the Silk Route in Central Asia. In a railway-carriage darkroom provided by Czar Nicholas II, Prokudin-Gorsky used the three-colour photography process to record traditional costumes and occupations, churches and mosques - many now Unesco World Heritage sites - as well as modernisation in agriculture, industry and transport. Mugan; inn in Petropavlovskoe, between 1905 and 1915. Creator: Sergey Mikhaylovich Prokudin-Gorsky. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

COTTON TEXTILE MILL INTERIOR, PROBABLY IN TASHKENT, BETWEEN 1905 AND 1915. CREATOR: SERGEY MIKHAYLOVICH PROKUDIN-GORSKY.

Cotton textile mill interior, probably in Tashkent, between 1905 and 1915. Russian chemist and photographer Sergey Prokudin-Gorsky (1863-1944) was a pioneer in colour photography which he used to document early 20th-century Russia and her empire, including the vanishing way of life of tribal peoples along the Silk Route in Central Asia. In a railway-carriage darkroom provided by Czar Nicholas II, Prokudin-Gorsky used the three-colour photography process to record traditional costumes and occupations, churches and mosques - many now Unesco World Heritage sites - as well as modernisation in agriculture, industry and transport. Cotton textile mill interior, probably in Tashkent, between 1905 and 1915. Creator: Sergey Mikhaylovich Prokudin-Gorsky. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

TUNNEL AT JUNEAU MINE, BETWEEN C1900 AND C1930. CREATOR: UNKNOWN.

Tunnel at Juneau Mine, between c1900 and c1930. Tunnel at Juneau Mine, between c1900 and c1930. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE CROCKER CO. MATTRESS FACTORY, BETWEEN C1900 AND C1930. CREATOR: UNKNOWN.

The Crocker Co. Mattress Factory, between c1900 and c1930. The Crocker Co. Mattress Factory, between c1900 and c1930. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

STREET SCENE, BETWEEN C1900 AND C1930. CREATOR: UNKNOWN.

Street scene, between c1900 and c1930. Street scene, between c1900 and c1930. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

PUBLIC SCHOOL, BETWEEN C1900 AND 1927. CREATOR: UNKNOWN.

Public school, between c1900 and 1927. Public school, between c1900 and 1927. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

ESKIMOS OUTSIDE SHOPS, ON A COMMERCIAL STREET IN NOME, BETWEEN C1900 AND 1916. CREATOR: UNKNOWN.

Eskimos outside shops, on a commercial street in Nome, between c1900 and 1916. Eskimos outside shops, on a commercial street in Nome, between c1900 and 1916. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CHILDREN OUTSIDE EAGLE TRADING COMPANY, BETWEEN C1900 AND 1916. CREATOR: UNKNOWN.

Children outside Eagle Trading Company, between c1900 and 1916. Children outside Eagle Trading Company, between c1900 and 1916. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE OLD INN, BETWEEN C1900 AND 1916. CREATOR: UNKNOWN.

The Old Inn, between c1900 and 1916. The Old Inn, between c1900 and 1916. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MAN IN FRONT OF ALASKA CLOTHING CO. STORE, BETWEEN C1900 AND 1916. CREATOR: UNKNOWN.

Man in front of Alaska Clothing Co. store, between c1900 and 1916. Man in front of Alaska Clothing Co. store, between c1900 and 1916. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

REVILLA HOTEL, BETWEEN C1900 AND C1930. CREATOR: UNKNOWN.

Revilla Hotel, between c1900 and c1930. Revilla Hotel, between c1900 and c1930. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

JIM HALY AND HIS SQUAW, BETWEEN C1900 AND 1916. CREATOR: UNKNOWN.

Jim Haly and his squaw, between c1900 and 1916. People and dogs in front of Haly's Road House. Jim Haly and his squaw, between c1900 and 1916. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

DELEGATE WICKERSHAM, BETWEEN C1900 AND 1916. CREATOR: UNKNOWN.

Delegate Wickersham, between c1900 and 1916. James Wickersham, full-length portrait, standing in front of a First National Bank Assay Office, holding a gold(?) brick, cigar in mouth. Delegate Wickersham, between c1900 and 1916. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

MINERS AND MERCHANTS BANK OF ALASKA, 1905. CREATOR: FRANK H. NOWELL.

Miners and Merchants Bank of Alaska, 1905. Miners and Merchants Bank of Alaska, 1905. Creator: Frank H. Nowell. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

STREET SCENE, BETWEEN C1906 AND C1915. CREATOR: UNKNOWN.

Street scene, between c1906 and c1915. Street scene, between c1906 and c1915. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

SHOEMAKER FEDOTOV'S BALAGAN ON LAKE SHIRA, 1895. CREATOR: LI VONAGO.

Shoemaker Fedotov's Balagan on Lake Shira, 1895. This collection includes more than four hundred photographs of daily life in Yenisei Province in the late tsarist period. Photographs include peasants, Cossacks, and high-ranking officials. Shoemaker Fedotov's Balagan on Lake Shira, 1895. Creator: LI Vonago. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

WORKERS' OFFICES OF THE BERDSK CONSUMER SOCIETY, 1880. CREATOR: GP PUTINTSEV.

Workers' offices of the Berdsk Consumer Society, 1880. From a collection of 153 photographs and documents held in the Berdsk Historical Art Museum, drawn from the personal archives of people who lived in the town of Berdsk in the late 19th and early 20th centuries. The collection offers glimpses into everyday life, the atmosphere, and the activities in Berdsk, a major center of grain processing at that time. The photographs show groups of students and teachers, local mills, people at work in agriculture and industry, soldiers, and children and youth. Most appear to date from the early Soviet era. The documents include tickets, ration cards, membership cards, and other items relating to farming, trade, crafts, mining, and so forth. Berdsk is located in Novosibirsk Oblast in central Russia, along the Novosibirsk Reservoir just south of Novosibirsk city. Founded at the beginning of the 18th century as a fortress, it became a city in 1944. Workers' offices of the Berdsk Consumer Society, 1880. Creator: GP Putintsev. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

CAB LIGHT AT CAB RANK, MUNICH, BAVARIA, GERMANY

Cab light at cab rank, Munich, Bavaria, Germany (KEYSTONE/mauritius images/DIRK VON MALLINCKRODT)

GERMANY, BADEN-WUERTTEMBERG, STUTTGART, BICYCLE LANE TUEBINGER STRASSE, STUTTGART-SUED, BICYCLE LANE SYMBOL, ASPHALT, CYCLIST, PASSING CAR, FROM ABOVE

Deutschland, Baden-Wuerttemberg, Stuttgart, Fahrradstrasse Tuebinger Strasse, Stuttgart-Sued, Fahrradstrassensymbol, Asphalt, Fahrradfahrer, passierender PKW, von oben Germany, Baden-Wuerttemberg, Stuttgart, bicycle lane Tuebinger Strasse, Stuttgart-Sued, bicycle lane symbol, asphalt, cyclist, passing car, from above (KEYSTONE/mauritius images/CISFO)

GERMANY, BADEN-WUERTTEMBERG, STUTTGART, BICYCLE LANE TUEBINGER STRASSE, STUTTGART-SUED, BICYCLE LANE SYMBOL, ASPHALT, CYCLIST, FROM ABOVE

Deutschland, Baden-Wuerttemberg, Stuttgart, Fahrradstrasse Tuebinger Strasse, Stuttgart-Sued, Fahrradstrassensymbol, Asphalt, Fahrradfahrer, von oben Germany, Baden-Wuerttemberg, Stuttgart, bicycle lane Tuebinger Strasse, Stuttgart-Sued, bicycle lane symbol, asphalt, cyclist, from above (KEYSTONE/mauritius images/CISFO)

GERMANY, BADEN-WUERTTEMBERG, STUTTGART, BICYCLE LANE TUEBINGER STRASSE, STUTTGART-SUED, BICYCLE LANE SYMBOL, ASPHALT, CYCLIST, FROM ABOVE

Deutschland, Baden-Wuerttemberg, Stuttgart, Fahrradstrasse Tuebinger Strasse, Stuttgart-Sued, Fahrradstrassensymbol, Asphalt, Fahrradfahrer, von oben Germany, Baden-Wuerttemberg, Stuttgart, bicycle lane Tuebinger Strasse, Stuttgart-Sued, bicycle lane symbol, asphalt, cyclist, from above (KEYSTONE/mauritius images/CISFO)

LEUCHTREKLAME IN CHINATOWN. KREATIVE DEKORATION MIT LEICHTEN CHINESISCHEN ZEICHEN FORMEN UND HIEROGLYPHEN IN DUBAI MALL

Leuchtreklame in Chinatown. Kreative Dekoration mit leichten chinesischen Zeichen Formen und Hieroglyphen in Dubai Mall (KEYSTONE/CHROMORANGE/Ales)

À TOUS LES COEURS BIEN NÉS QUE LA PATRIE EST CHÈRE!!... (ADIEU PAYS DES ARTS ET DES BRIQUETS PHOSPHORIQUES... ADIEU TERRE INGRATE QUI CHASSE TES ENFANTS, QUI LES EXILE, QUI LES PERSÉCUTE...!!! ADIEU... JE PORTE AILLEURS MES PÉNATES, MON INDUSTRIE ET MES C

À tous les coeurs bien nés que la patrie est chère!!... (Adieu pays des arts et des briquets...,1838 Creator: Honore Daumier. À tous les coeurs bien nés que la patrie est chère!!... (Adieu pays des arts et des briquets phosphoriques... Adieu terre ingrate qui chasse tes enfants, qui les exile, qui les persécute...!!! Adieu... Je porte ailleurs mes pénates, mon industrie et mes capitaux... Mais je laisse mon coeur... Prend garde de le perdre...., 1838. From Robert Macaire. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

JUSTE CIEL! ILS NE POURRONT JAMAIS REPRENDER LES HOSTILITÉS! ILS SE SONT TROP NOURRIS SUR L'HABITANT, 1864. FROM ACTUALITÉS.

Juste Ciel! Ils ne pourront jamais reprender les hostilités! Ils se sont trop nourris sur..., 1864. Creator: Cham. Juste Ciel! Ils ne pourront jamais reprender les hostilités! Ils se sont trop nourris sur l'habitant, 1864. From Actualités. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

UN GÊNEUR: MES AMOURS, ICI SE TERMINE VOTRE PROMENADE, PAS FILE À DROITE ET A GAUCHE EN AVANT [M]ARCHE! JE NE VOUS DIS QUE ÇA!, 1864. FROM ACTUALITÉS.

Un gêneur: Mes amours, ici se termine votre promenade, pas file à droite et a gauche en..., 1864. Creator: Cham. Un gêneur: Mes amours, ici se termine votre promenade, pas file à droite et a gauche en avant [m]arche! Je ne vous dis que ça!, 1864. From Actualités. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LA PREMIÈRE HIRONDELLE! SENTINELLES! PRENEZ GARDE À VOUS!, 1864. FROM ACTUALITÉS.

La première Hirondelle! Sentinelles! Prenez garde à vous!, 1864. Creator: Cham. La première Hirondelle! Sentinelles! Prenez garde à vous!, 1864. From Actualités. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

IL A ÉTÉ NOMMÉ GÉNÉRAL EN CHEF AU CHOIX! SAPERLOTE! COMMENT ÉTAIT IL DONC! CELUI QUI SE PORTRAIT À L'ANCIENNETÉ?, 1864. FROM ACTUALITÉS.

Il a été nommé général en chef au choix! Saperlote! Comment était il donc! Celui qui..., 1864. Creator: Cham. Il a été nommé général en chef au choix! Saperlote! Comment était il donc! Celui qui se portrait à l'ancienneté?, 1864. From Actualités. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

THE SHOEMAKER, 1848.

The shoemaker, 1848. Creator: Franz Gerasch. (KEYSTONE/HERITAGE IMAGES/HERITAGE ART)

LUSTIGE GOPHER SINGT KARAOKE IN EIN ALTES MIKROFON. GOPHER, DIE IN EIN MIKROFON SCHREIT, KONZEPT. SPRACHAUFZEICHNUNG, KREATIVE IDEE. COOLE GOPHER-LEISTUNG

Lustige Gopher singt Karaoke in ein altes Mikrofon. Gopher, die in ein Mikrofon schreit, Konzept. Sprachaufzeichnung, kreative Idee. Coole Gopher-Leistung (KEYSTONE/CHROMORANGE/Ales Utouka)

DER MENSCH GEHT AUF ASPHALT UND ÜBERQUERT DIE LINIE BIS 2024. NEUJAHR 2024. HERREN BEINE MIT LEDERSCHUHEN GEHEN INS JAHR 2024. ENDE 2023 UND ANFANG 2024

Der Mensch geht auf Asphalt und überquert die Linie bis 2024. Neujahr 2024. Herren Beine mit Lederschuhen gehen ins Jahr 2024. Ende 2023 und Anfang 2024 (KEYSTONE/CHROMORANGE/Ales Utouka)

KREATIVE TASSE AROMATISCHEN KAFFEE UND KRAFTSTOFF MANOMETER, KONZEPT. FÖRDERUNG VON ENERGIE UND KOFFEIN, EINE KREATIVE IDEE. DUFTKAFFEE UND POWER FÜR DEN GANZEN TAG

Kreative Tasse aromatischen Kaffee und Kraftstoff Manometer, Konzept. Förderung von Energie und Koffein, eine kreative Idee. Duftkaffee und Power für den ganzen Tag (KEYSTONE/CHROMORANGE/Ales Utouka)

NEUES JAHR 2024 LIGHT. SPARKLERS ZEICHNET ZAHLEN 2024. BENGALISCHE LICHTER UND BUCHSTABEN. URLAUB. LUXUS

Neues Jahr 2024 light. Sparklers zeichnet Zahlen 2024. Bengalische Lichter und Buchstaben. Urlaub. Luxus (KEYSTONE/CHROMORANGE/Ales Utouka)