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(RM) 609543111
THE SWING, BY W. L. THOMAS, IN THE EXHIBITION OF THE SOCIETY OF BRITISH ARTISTS, 1864. CREATOR: WILLIAM LUSON THOMAS.
The Swing, by W. L. Thomas, in the Exhibition of the Society of British Artists, 1864. 'Mr. Thomas has rendered his drawing on wood too well for it to stand in need of verbal illustration. Of course the reader will see from the mallet and balls that the little lady has come into the garden to play croquet. Very likely she has already been roqueting and croqueting most successfully, and, having made the whole circuit of the hoops, has come to pass the interval till another game shall be commenced on the garden trapeze, on which, you see, she performs as fearlessly as a female Blondin...It is not easy to paint a figure being thus rapidly whisked through the air. To represent, for instance, drapery in motion, or, as it is called, "flying drapery," has always been recognised as a great difficulty in art...It would, however, be a great mistake to suppose that many artists who work on wood are not also painters. We need not refer to the number of Dutch masters who have left works on wood, seeing that a large proportion of the most eminent painters of the day are, or have been, employed as draughtsmen, and many of them as engravers of illustrations on wood for books and periodicals'. From "Illustrated London News", 1864. The Swing, by W. L. Thomas, in the Exhibition of the Society of British Artists, 1864. Creator: William Luson Thomas. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)
(RM) 609485780
THE RAMSGATE STATION OF THE EAST KENT (LONDON, CHATHAM, AND DOVER) RAILWAY, 1864. CREATOR: UNKNOWN.
The Ramsgate Station of the East Kent (London, Chatham, and Dover) Railway, 1864. 'View of the new station at...Ramsgate...recently built by Messrs. Peto and Betts from the designs of Mr. John Newton...Our readers will observe that this illustration closely resembles Mr. Frith's celebrated picture of "The Ramsgate Sands" in most respects...[apart from] the new railway station [which] is seen immediately beneath the cliff...No more prominent example of the new fashion of carrying railways into the very heart of a town could possibly be found...It is proposed to make a refreshment-room at the station, which...will provide articles of light refection both for those who travel by the railway and for the many hundreds of persons who crowd the sands below daily during the bathing season...The direct line...connecting London with the towns of Margate, Broadstairs, and Ramsgate...has been largely patronised by the public in consequence of its providing a shorter route from the metropolis to those places by from seventeen to twenty-seven miles over any previously established system...by means of this new railway three of the most popular seaside resorts are opened up to Londoners under peculiarly favourable circumstances'. From "Illustrated London News", 1864. The Ramsgate Station of the East Kent (London, Chatham, and Dover) Railway, 1864. Creator: Unknown. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)
(RM) 609482545
SUMMER, BY T. W. KEYL, IN THE EXHIBITION OF THE BRITISH INSTITUTION, 1864. CREATOR: PEARSON.
Summer, by T. [sic] W. Keyl, in the exhibition of the British Institution, 1864. Engraving of a painting. 'It is not merely that the picture has a careful and precise truth to nature which, though accompanied by a little hardness, is one of the best characteristics of a comparatively young or rising painter; but it has a feeling for general character in the animals and effect in the landscape which are of still happier augury. The scene of the picture is some elevated down of a pastoral district, which conceals a part of the middle distance, but allows the eye to wander over a long reach of flat remoter scenery. The rough foreground is dotted over with clumps of furze, long grasses, thyme, and other wild shrubs or flowers which perfume the bracing and health-giving air of our noble undulating downs. The sky is dappled with light, fleecy, sun-illumined cirrus and cirro-cumulus clouds, giving that endless variety to what may be called the "skyscape," and moderating the heat of the fair English summer season. One of the sheep, it will be observed, is a large black wether, and, like its companions, is - as any one might say who had something of the gourmet as well as the artist in his character - in splendid condition'. From "Illustrated London News", 1864. Summer, by T. W. Keyl, in the exhibition of the British Institution, 1864. Creator: Pearson. (KEYSTONE/HERITAGE IMAGES/THE PRINT COLLECTOR)
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